Man Sets Record for Slicing Most Watermelons in Half on His Stomach

Ashrita Furman, who holds more Guinness World Records than anyone, attempts to set a new record for slicing the most watermelons in half on his own stomach in one minute in New York City, US, July 17, 2018. REUTERS/Brendan McDermid
Ashrita Furman, who holds more Guinness World Records than anyone, attempts to set a new record for slicing the most watermelons in half on his own stomach in one minute in New York City, US, July 17, 2018. REUTERS/Brendan McDermid
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Man Sets Record for Slicing Most Watermelons in Half on His Stomach

Ashrita Furman, who holds more Guinness World Records than anyone, attempts to set a new record for slicing the most watermelons in half on his own stomach in one minute in New York City, US, July 17, 2018. REUTERS/Brendan McDermid
Ashrita Furman, who holds more Guinness World Records than anyone, attempts to set a new record for slicing the most watermelons in half on his own stomach in one minute in New York City, US, July 17, 2018. REUTERS/Brendan McDermid

A man who holds more Guinness World Records than anyone set a new record Tuesday for slicing the most watermelons in half on his stomach in 60 seconds.

Ashrita Furman, with people surrounding him to assist in passing watermelons onto his stomach, sliced through 26 of them in just one minute, which broke the record by at least six, Reuters reported.

“It went really well,” said Furman. “My first reaction is I’m relieved that I didn’t kill myself, and the second is I’m exhilarated because it not only is a skillful record, but also it’s something that I invented and now it’s out there and other people can challenge it.”

Furman had previously set a record for slicing melons on a friend’s stomach, but this time decided to take all the risk upon himself.

“They came up with the rules and said I had to [slice] at least 20 watermelons, which I thought was actually a little high — because I thought 15 would be safe, but 20 was pushing it a little — and fortunately we had a good team and everything worked well.”

Acknowledging the obvious element of danger involved in swinging a very sharp sword in the direction of one’s own stomach, Furman said controlling the danger involved a combination of proper aim and just the right level of strength.

“As it went along I [had] to sort of regulate how hard I hit blade, and so doing that but trying to be very conscious of where the blade was and I noticed at one or two points it was getting very close to my arms, so I had to make an adjustment,” said Furman.

There were also a couple points where I didn’t go all the way through the watermelon,” said Furman. “So I had to start using a little more strength to cut through.”

Furman believes he has been recorded into the Guinness World Records book at least 750 times, he told Reuters.

Furthermore, the discarded pieces of melon are being donated to a local restaurant to make special juice drinks.



Humanoid Robot Says Not Aiming to 'Replace Human Artists'

A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File
A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File
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Humanoid Robot Says Not Aiming to 'Replace Human Artists'

A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File
A man faces the realistic artist" robot "Ai-Da" using artificial intelligence at a stand during the ITU AI for Good Global Summit in Geneva. Fabrice COFFRINI / AFP/File

When successful artist Ai-Da unveiled a new portrait of King Charles this week, the humanoid robot described what inspired the layered and complex piece, and insisted it had no plans to "replace" humans.

The ultra-realistic robot, one of the most advanced in the world, is designed to resemble a human woman with an expressive, life-like face, large hazel eyes and brown hair cut in a bob.

The arms though are unmistakably robotic, with exposed metal, and can be swapped out depending on the art form it is practicing.

Late last year, Ai-Da's portrait of English mathematician Alan Turing became the first artwork by a humanoid robot to be sold at auction, fetching over $1 million, said AFP.

But as Ai-Da unveiled its latest creation -- an oil painting entitled "Algorithm King", conceived using artificial intelligence -- the humanoid insisted the work's importance could not be measured in money.

"The value of my artwork is to serve as a catalyst for discussions that explore ethical dimensions to new technologies," the robot told AFP at Britain's diplomatic mission in Geneva, where the new portrait of King Charles will be housed.

The idea, Ai-Da insisted in a slow, deliberate cadence, was to "foster critical thinking and encourage responsible innovation for more equitable and sustainable futures".

'Unique and creative'

Speaking on the sidelines of the United Nations' AI for Good summit, Ai-Da, who has done sketches, paintings and sculptures, detailed the methods and inspiration behind the work.

"When creating my art, I use a variety of AI algorithms," the robot said.

"I start with a basic idea or concept that I want to explore, and I think about the purpose of the art. What will it say?"

The humanoid pointed out that "King Charles has used his platform to raise awareness on environmental conservation and interfaith dialog. I have aimed this portrait to celebrate" that, it said, adding: "I hope King Charles will be appreciative of my efforts."

Aidan Meller, a specialist in modern and contemporary art, led the team that created Ai-Da in 2019 with artificial intelligence specialists at the universities of Oxford and Birmingham.

He told AFP that he had conceived the humanoid robot -- named after the world's first computer programmer Ada Lovelace -- as an ethical arts project, and not "to replace the painters".

Ai-Da agreed.

There is "no doubt that AI is changing our world, (including) the art world and forms of human creative expression", the robot acknowledged.

But "I do not believe AI or my artwork will replace human artists."

Instead, Ai-Da said, the aim was "to inspire viewers to think about how we use AI positively, while remaining conscious of its risks and limitations".

Asked if a painting made by a machine could really be considered art, the robot insisted: "My artwork is unique and creative."

"Whether humans decide it is art is an important and interesting point of conversation."