After Rescue, Gaza's Only Grand Piano Makes Public Comeback

Japanese pianist Kaoru Imahigashi plays the piano during a concert to mark the debut of Gaza's only grand piano after it was rescued from conflict. (AP)
Japanese pianist Kaoru Imahigashi plays the piano during a concert to mark the debut of Gaza's only grand piano after it was rescued from conflict. (AP)
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After Rescue, Gaza's Only Grand Piano Makes Public Comeback

Japanese pianist Kaoru Imahigashi plays the piano during a concert to mark the debut of Gaza's only grand piano after it was rescued from conflict. (AP)
Japanese pianist Kaoru Imahigashi plays the piano during a concert to mark the debut of Gaza's only grand piano after it was rescued from conflict. (AP)

The only grand piano in the Gaza Strip was played in public for the first time in a decade, following a complicated international restoration effort to fix the instrument after it was nearly destroyed in an Israeli airstrike, said a report by The Associated Press.

Some 300 fans attended the performance on Sunday, staring in awed silence as Japanese and local artists performed for them. For many, it was the first time they had ever heard a piano performed live.

"Playing this piano is feeling like playing history," said Japanese pianist Kaoru Imahigashi. "It's amazing. I felt the prayer of peace for many people."

The piano's story goes back many years, mirroring in many ways the story of Gaza.

The Japanese government donated the piano some 20 years ago, following interim peace accords between Israel and the Palestinians. At the time, Gaza was envisioned as becoming the Singapore of the Middle East.

Fayez Sersawi, a Culture Ministry official, said he was responsible for receiving the piano, which was placed at a large theater in the newly built al-Nawras resort in northern Gaza. He said music festivals were a regular activity before the beginning of the second Palestinian uprising against Israeli occupation in 2000, said the AP.

In 2007, the resort closed the theater and the swimming pool and scaled down most activities after the Hamas movement took control of Gaza by force after winning legislative elections.

Under Hamas rule, many forms of public entertainment, including bars, movie theaters and concert halls, have been shuttered.

An ensuing Israeli blockade, meant to weaken Hamas, and severe damage after a three-week war with Israel in January 2009 closed the resort altogether.

The piano was silenced and sat unused until 2014, when an Israeli airstrike during a third war with Hamas destroyed the al-Nawras hall. The piano was miraculously found unscathed, but rickety and unplayable, reported the AP.

After the piano was discovered, the Japanese International Cooperation Agency, which sponsors development programs in Gaza, got involved.

The Japanese Foreign Ministry confirmed that a piano was donated to the Palestinian Authority in 1998. Workers from the cooperation agency took the serial number and contacted Yamaha, its producer. The company confirmed that the instrument had been manufactured between 1997 and 1998.

"Everything matched," said Yuko Mitzui, a representative of the cooperation agency.

The Belgian nonprofit group Music Fund, which supports music instruction in the Palestinian areas, sent a French expert in 2015 to restore the piano. Another Belgium restorer visited Gaza last month and put the final touches on the instrument. A limited, private concert was held as trial.

On Sunday evening, all 300 seats of the theater hall at the Palestine Red Crescent Society were occupied with fans of all ages, as the rapt audience listened eagerly and clapped in applause at the end of each performance.

Kaoru, the pianist, stroked the keys smoothly as opera singer Fujiko Hirai performed the Japanese folk song "Fantasy on Sakura Sakura."

It was the first time that Yasmin Elian, 22, attended a piano concert. "I liked how people interacted" with the artists, she said. "This encourages me to learn piano."

Gaza has one music school, the Edward Said Conservatory, with 180 students. It suffers a lack of funding and operates in several rented rooms at the rescue services' main ambulance station.

A group of students from the conservatory partnered with the Japanese artists and played the Palestinian national anthem, drawing huge applause from the audience.

Ismail Daoud, a conductor who heads the school, said it's hard to bring pianos to Gaza because of their weight and their prices, but that his school "desperately needs them."

In 2009, Washington-based aid group Anera bought two upright pianos to Gaza and helped coordinate their crossing through Israel's then strictly closed border.

Now, the Culture Ministry has given the piano to the conservatory — "to the place where it belongs and where it should be," Daoud said. "The revival of the piano is like the revival of the Palestinian people."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”