By a Thread: Thai Muslim Family Keeps Silk Weaving Heritage Alive

This photo taken on May 22, 2019 shows Rampai Sripetch, a 65-year-old Thai Muslim woman, weaving silk fabric on a loom at a workshop near Darul Falah mosque in Bangkok. (AFP)
This photo taken on May 22, 2019 shows Rampai Sripetch, a 65-year-old Thai Muslim woman, weaving silk fabric on a loom at a workshop near Darul Falah mosque in Bangkok. (AFP)
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By a Thread: Thai Muslim Family Keeps Silk Weaving Heritage Alive

This photo taken on May 22, 2019 shows Rampai Sripetch, a 65-year-old Thai Muslim woman, weaving silk fabric on a loom at a workshop near Darul Falah mosque in Bangkok. (AFP)
This photo taken on May 22, 2019 shows Rampai Sripetch, a 65-year-old Thai Muslim woman, weaving silk fabric on a loom at a workshop near Darul Falah mosque in Bangkok. (AFP)

Over the click-clack of the teak loom, Niphon's family laments the lack of apprentice weavers at his Bangkok silk shop, as modernity lures young Muslims away from a trade their community has dominated for generations.

They say they are the last of the Muslim weavers of Baan Krua, a storied neighborhood of dilapidated wooden houses and a mosque in downtown Bangkok, nearly engulfed by the city creep of condos and skyscrapers.

"This is Muslim heritage... Baan Krua silk is very famous," Niphon Manutha, 71, told AFP.

A typed letter from Robert Kennedy on the wall of his canalside shophouse attests to that lineage -- a gift to Niphon's parents after the then-US attorney general visited in 1962.

The craft was passed down through generations of ethnic Cham Muslim women who migrated from Cambodia centuries ago and perfected the art of turning the cocoons made by Thai silkworms into meters of soft cloth with a unique sheen coveted across the world.

Silk weaving boomed after World War II thanks to American "Silk King" Jim Thompson, who is credited with taking Thai silk global.

Thompson's house is one of the most visited tourist sites in Bangkok today, but it was across the canal in Baan Krua where he first found his suppliers among the Muslim weavers.

"He came here every morning," Niphon said, showing a photo of Thompson standing next to his mother at a loom.

At its peak Niphon's family employed 50 people, producing thousands of meters of silk a month.

But Thompson's mysterious disappearance in 1976 in Malaysia led partnerships to shrivel, while production gradually moved to the north of the country from Bangkok.

Niphon survived by switching to a custom-order model, relying on his daughter to run a website advertising bright-colored scarves, bags and elegant napkins.

But with just a handful of older working weavers left in Baan Krua the expertise from his corner of Bangkok is fading.

"It's a shame the young generation is not interested," said Niphon's sister Natcha Swanaphoom, fixing her hijab in the mirror before going outside.

Though Thailand is overwhelmingly Buddhist, about seven million Muslims make up the country's largest religious minority, and like the faithful everywhere they are observing Ramadan this month.

Muslims from Iran, Indonesia and other parts of Asia have long settled in Bangkok and around central Thailand, communities of traders and businessmen drawn to the city's location at the heart of Southeast Asia.

The largest number are descendants of ethnic Malay peoples from the southern Thai provinces bordering Malaysia who were brought to Bangkok as slave labor, according to Raymond Scupin, a cultural anthropologist, said AFP.

Many were put to work building the canals criss-crossing Bangkok that connect to the capital's Chao Phraya river, giving the city the name "Venice of the East".

Muslims also served in royal courts and the Baan Krua residents settled on land set aside by King Rama I, who founded the current Chakri dynasty in 1782.

In the modern era the royal family has cultivated deep ties with Thailand's diverse Muslim communities.

King Maha Vajiralongkorn made one of his first trips to the violence-plagued Deep South after ascending the throne in 2016.

But in Bangkok, rapid urbanization and modernity have pressed hard on tradition.

"The sense of community has changed," said Abdul Ahad, the tall white-robed imam at the Haroon mosque, one of the city's oldest in Bang Rak district.

He cited the ease of purchasing alcohol, a drift from religious observance and the megamalls sprouting up around them.

"Today the kids are using their motorbikes and then going to forbidden places," he said.

That generational gap has also been sharply felt in Baan Krua.

Niphon's shop has no traditional silk weavers under 60.

"Our staff are getting older and older," said Niphon's daughter Pattramas, 40, bemoaning the "disappearance" of hand-driven crafts to easier salaried jobs.

Thailand still exports around $15 million-worth of silk, but Vietnam and China now provide fierce competition to the lucrative US market.

"The next five to 10 years, I don't know (if anyone will be left to do it here)," she added.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”