Elizabeth Taylor’s Green Rolls-Royce on the Auction Block

Elizabeth Taylor’s Rolls-Royce was delivered to the Pierre hotel in Manhattan in 1960. It is back, and will be up for auction next week.CreditCreditGeorge Etheredge for The New York Times
Elizabeth Taylor’s Rolls-Royce was delivered to the Pierre hotel in Manhattan in 1960. It is back, and will be up for auction next week.CreditCreditGeorge Etheredge for The New York Times
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Elizabeth Taylor’s Green Rolls-Royce on the Auction Block

Elizabeth Taylor’s Rolls-Royce was delivered to the Pierre hotel in Manhattan in 1960. It is back, and will be up for auction next week.CreditCreditGeorge Etheredge for The New York Times
Elizabeth Taylor’s Rolls-Royce was delivered to the Pierre hotel in Manhattan in 1960. It is back, and will be up for auction next week.CreditCreditGeorge Etheredge for The New York Times

In the divorce, the ex-wife got the car. More than 40 years later, the ex-husband was apparently still carrying a torch — for the Rolls-Royce.

It was no ordinary car. And they were no ordinary couple.

The ex-wife was the much-married Hollywood legend Elizabeth Taylor. The ex-husband was the pop singer Eddie Fisher. The car was a 1961 Rolls-Royce Silver Cloud II Drophead Coupe, a convertible ordered when they were still lovey-dovey.

It came with American-style left-hand drive and was delivered in December 1960 to the couple at the Pierre, the chic Fifth Avenue hotel they called home when she was not making movies and he was not in a recording studio, hoping for another top-of-the-charts hit. Under “customer,” the original order form said “Mrs. Elizabeth Taylor Fisher.” Someone crossed that out and wrote, in capital letters, “Mr. Eddie Fisher.”

Now the car is back at the Pierre, where it will be sold on Tuesday. The seller, Karl Kardel of Piedmont, Calif., bought it from Taylor in the late 1970s, more than a decade after she and Fisher had divorced.

Guernsey’s, the New York auction house handling the sale, expects it to go for $1 million to $2 million, well above the $600,000 to $700,000 paid for each of the last couple of Silver Cloud IIs known to have changed hands.

“The big unknown is, what does its history with Elizabeth Taylor do to the price?” said Arlan Ettinger of Guernsey’s, noting that when Christie’s sold Taylor’s jewelry and film memorabilia in 2011, bidders paid far more than the presale estimates — 50 times more, in some cases, according to Christie’s.

Mr. Kardel, 78, an architectural restoration consultant, said he had decided it was time to simplify, especially after he was hit by a car while crossing a street in Berkeley, Calif. He now sometimes finds walking painful.

Mr. Kardel would not say what he had paid for the Rolls. “When I bought it, my friends thought I was an idiot,” he said. “But then about four years later, the car shot up in value enormously, and I became a genius. And four years after that, the values dropped again, and I became an idiot again.”

He added, “I bought that car because I loved it, and I think it’s still one of the most beautiful cars ever made.”

Taylor referred to her Rolls as the “green goddess,” Mr. Ettinger said. The order form listed the color as “smoke green,” a color that, he added, complemented her eyes.

Of course, it has the unmistakable Rolls-Royce grille, topped by the equally unmistakable silver-goddess ornament on the hood. Of course, it has power steering — Rolls-Royce had introduced that as an option in the mid-1950s. Of course, it has power windows, another option at the time. Of course, it features a dashboard of exotic Carpathian elm burl wood. Of course, it has a 6.2-liter V-8 engine. (The fuel economy of that engine was listed at 12 miles a gallon in an early road test by The Motor, a British car magazine.)

But this Silver Cloud II had something no other Rolls-Royce had: a little love logo. The couple’s initials — E and E, for Elizabeth and Eddie — were discreetly painted on the doors.

Before long, Fisher was gone — the scandal kept gossip columnists pounding away at their typewriters for months — and so was the logo.

For a while, anyway, Fisher apparently still had the keys to the Rolls. Soon after rumors about a Taylor-Richard Burton affair began circulating, he drove it into either a bus or a streetcar in Rome. News accounts of exactly what happened varied. The car suffered a bashed-in fender. Fisher, unhurt, watched as the car was towed off. Then he walked to the studio where “Cleopatra” was being filmed for a lunch date with his soon-to-be ex-wife.

Fisher had been Taylor’s fourth husband. Burton became her fifth in 1964, nine days after her divorce from Fisher became final. Burton was also her sixth, after they divorced in 1974 and remarried in 1975, only to divorce again nine months later.

A few years after that, Mr. Kardel heard that she wanted to sell the car. He found himself dealing with Taylor’s personal secretary. “You couldn’t ask any questions, and, no, she” — Taylor — “would not talk to you personally,” he said.

Nor was he allowed a test drive, and the secretary would not hear of bargaining about the price.

Mr. Kardel said one of his friends had known Fisher. The friend reported that Fisher missed the car and “really wanted to ride around in it again,” Mr. Kardel said. But they did not make a date before Fisher’s death in 2010 at age 82.

The men in Taylor’s life — and her chauffeurs — may have taken their turns at the wheel, but Mr. Kardel doubts that she did.

“I don’t think Elizabeth ever had a driver’s license,” he said.

The New York Times



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”