Elizabeth Taylor’s Green Rolls-Royce on the Auction Block

Elizabeth Taylor’s Rolls-Royce was delivered to the Pierre hotel in Manhattan in 1960. It is back, and will be up for auction next week.CreditCreditGeorge Etheredge for The New York Times
Elizabeth Taylor’s Rolls-Royce was delivered to the Pierre hotel in Manhattan in 1960. It is back, and will be up for auction next week.CreditCreditGeorge Etheredge for The New York Times
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Elizabeth Taylor’s Green Rolls-Royce on the Auction Block

Elizabeth Taylor’s Rolls-Royce was delivered to the Pierre hotel in Manhattan in 1960. It is back, and will be up for auction next week.CreditCreditGeorge Etheredge for The New York Times
Elizabeth Taylor’s Rolls-Royce was delivered to the Pierre hotel in Manhattan in 1960. It is back, and will be up for auction next week.CreditCreditGeorge Etheredge for The New York Times

In the divorce, the ex-wife got the car. More than 40 years later, the ex-husband was apparently still carrying a torch — for the Rolls-Royce.

It was no ordinary car. And they were no ordinary couple.

The ex-wife was the much-married Hollywood legend Elizabeth Taylor. The ex-husband was the pop singer Eddie Fisher. The car was a 1961 Rolls-Royce Silver Cloud II Drophead Coupe, a convertible ordered when they were still lovey-dovey.

It came with American-style left-hand drive and was delivered in December 1960 to the couple at the Pierre, the chic Fifth Avenue hotel they called home when she was not making movies and he was not in a recording studio, hoping for another top-of-the-charts hit. Under “customer,” the original order form said “Mrs. Elizabeth Taylor Fisher.” Someone crossed that out and wrote, in capital letters, “Mr. Eddie Fisher.”

Now the car is back at the Pierre, where it will be sold on Tuesday. The seller, Karl Kardel of Piedmont, Calif., bought it from Taylor in the late 1970s, more than a decade after she and Fisher had divorced.

Guernsey’s, the New York auction house handling the sale, expects it to go for $1 million to $2 million, well above the $600,000 to $700,000 paid for each of the last couple of Silver Cloud IIs known to have changed hands.

“The big unknown is, what does its history with Elizabeth Taylor do to the price?” said Arlan Ettinger of Guernsey’s, noting that when Christie’s sold Taylor’s jewelry and film memorabilia in 2011, bidders paid far more than the presale estimates — 50 times more, in some cases, according to Christie’s.

Mr. Kardel, 78, an architectural restoration consultant, said he had decided it was time to simplify, especially after he was hit by a car while crossing a street in Berkeley, Calif. He now sometimes finds walking painful.

Mr. Kardel would not say what he had paid for the Rolls. “When I bought it, my friends thought I was an idiot,” he said. “But then about four years later, the car shot up in value enormously, and I became a genius. And four years after that, the values dropped again, and I became an idiot again.”

He added, “I bought that car because I loved it, and I think it’s still one of the most beautiful cars ever made.”

Taylor referred to her Rolls as the “green goddess,” Mr. Ettinger said. The order form listed the color as “smoke green,” a color that, he added, complemented her eyes.

Of course, it has the unmistakable Rolls-Royce grille, topped by the equally unmistakable silver-goddess ornament on the hood. Of course, it has power steering — Rolls-Royce had introduced that as an option in the mid-1950s. Of course, it has power windows, another option at the time. Of course, it features a dashboard of exotic Carpathian elm burl wood. Of course, it has a 6.2-liter V-8 engine. (The fuel economy of that engine was listed at 12 miles a gallon in an early road test by The Motor, a British car magazine.)

But this Silver Cloud II had something no other Rolls-Royce had: a little love logo. The couple’s initials — E and E, for Elizabeth and Eddie — were discreetly painted on the doors.

Before long, Fisher was gone — the scandal kept gossip columnists pounding away at their typewriters for months — and so was the logo.

For a while, anyway, Fisher apparently still had the keys to the Rolls. Soon after rumors about a Taylor-Richard Burton affair began circulating, he drove it into either a bus or a streetcar in Rome. News accounts of exactly what happened varied. The car suffered a bashed-in fender. Fisher, unhurt, watched as the car was towed off. Then he walked to the studio where “Cleopatra” was being filmed for a lunch date with his soon-to-be ex-wife.

Fisher had been Taylor’s fourth husband. Burton became her fifth in 1964, nine days after her divorce from Fisher became final. Burton was also her sixth, after they divorced in 1974 and remarried in 1975, only to divorce again nine months later.

A few years after that, Mr. Kardel heard that she wanted to sell the car. He found himself dealing with Taylor’s personal secretary. “You couldn’t ask any questions, and, no, she” — Taylor — “would not talk to you personally,” he said.

Nor was he allowed a test drive, and the secretary would not hear of bargaining about the price.

Mr. Kardel said one of his friends had known Fisher. The friend reported that Fisher missed the car and “really wanted to ride around in it again,” Mr. Kardel said. But they did not make a date before Fisher’s death in 2010 at age 82.

The men in Taylor’s life — and her chauffeurs — may have taken their turns at the wheel, but Mr. Kardel doubts that she did.

“I don’t think Elizabeth ever had a driver’s license,” he said.

The New York Times



Row Deepens Over Vanished River Wave in Munich

(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)
(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)
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Row Deepens Over Vanished River Wave in Munich

(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)
(FILES) Surfers ride the Eisbach (ice creek) wave during freezing conditions on the Isar River in the English Garden in Munich, southern Germany on January 4, 2017. (Photo by Mark RALSTON / AFP)

A row over the disappearance of a famous river surfing wave in Munich escalated on Sunday as authorities removed a beam inserted over Christmas to recreate the attraction.

The Eisbach wave on a side branch of the Isar River had been a landmark in the Bavarian city since the 1980s but it vanished in October after annual cleanup work along the riverbed.

Activists had placed a beam in the water early on December 25 to partially recreate the wave, according to German media reports, and hung a banner above the water that read "Merry Christmas".

But a spokesman for the Munich fire service told AFP the "installation was removed" on Sunday at the request of city authorities.

Activists have made several attempts to reinstate the wave in the city's Englischer Garten park since October -- only to see them reversed.

The local surfers' association IGSM on Thursday posted a statement on its website saying it had abandoned its campaign to save the wave, accusing city authorities of dragging their feet.

The Eisbach wave was considered the largest and most consistent river wave in the heart of a major city and had become a tourist attraction in Bavaria's state capital.

Franz Fasel, head of the IGSM, told AFP in July that 3,000 to 5,000 local surfers were using it.

Access to the wave was cut off for several months earlier this year after the death of a 33-year-old Munich woman who became trapped under the surface while surfing at night.


New York Subway Ends its MetroCard Era and Switches Fully to Tap-and-go Fares

Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)
Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)
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New York Subway Ends its MetroCard Era and Switches Fully to Tap-and-go Fares

Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)
Lev Radin, a MetroCard collector, shows his collection of Inaugural Limited Edition MetroCards, Dec. 10, 2025, in New York. (AP Photo/Yuki Iwamura)

When the MetroCard replaced the New York City subway token in 1994, the swipeable plastic card infused much-needed modernity into one of the world’s oldest and largest transit systems.

Now, more than three decades later, the gold-hued fare card and its notoriously finicky magnetic strip are following the token into retirement, The Associated Press reported.

The last day to buy or refill a MetroCard is Dec. 31, 2025, as the transit system fully transitions to OMNY, a contactless payment system that allows riders to tap their credit card, phone or other smart device to pay fares, much like they do for other everyday purchases.

Transit officials say more than 90% of subway and bus trips are now paid using the tap-and-go system, introduced in 2019.

Major cities around the world, including London and Singapore, have long used similar contactless systems. In the US, San Francisco launched a pay-go system earlier this year, joining Chicago and others.

MetroCards upended how New Yorkers commute The humble MetroCard may have outlasted its useful life, but in its day it was revolutionary, says Jodi Shapiro, curator at the New York Transit Museum in Brooklyn, which opened an exhibit earlier this month reflecting on the MetroCard’s legacy.

Before MetroCards, bus and subway riders relied on tokens, the brass-colored coins introduced in 1953 that were purchased from station booths. When the subway opened in 1904, paper tickets cost just a nickel, or about $1.82 in today’s dollars.

“There was a resistance to change from tokens to something else because tokens work,” Shapiro said on a recent visit to the museum, housed underground in a decommissioned subway station. “MetroCards introduced a whole other level of thinking for New Yorkers.”

The Metropolitan Transportation Authority launched public campaigns to teach commuters how to swipe the originally blue-colored cards correctly, hoping to avoid the dreaded error message or lost fares. Officials even briefly toyed with the idea of a quirky mascot, the Cardvaark, before coming to their senses.

The cards quickly became collectors items as the transit system rolled out special commemorative editions marking major events, such as the “Subway Series” between baseball’s New York Mets and the New York Yankees in the 2000 World Series. At the time, a fare cost $1.50.

Artists from David Bowie and Olivia Rodrigo to seminal New York hip hop acts, such as the Wu-Tang Clan, the Notorious B.I.G. and LL Cool J, have also graced the plastic card over the years, as have iconic New York shows like Seinfeld and Law & Order.

“For me, the most special cards are cards which present New York City to the world,” said Lev Radin, a collector in the Bronx. “Not only photos of landmarks, skylines, but also about people who live and make New York special.”

Perfecting the correct angle and velocity of the MetroCard swipe also became something of a point of pride separating real New Yorkers from those just visiting.

During her failed 2016 presidential campaign, Hillary Clinton, a former US Senator from New York, took an excruciating five swipes at a Bronx turnstile. In fairness, her chief Democratic opponent at the time, US Sen. Bernie Sanders of Vermont, a native Brooklynite, didn't even appear to realize tokens had been discontinued.

Cost savings and lingering concerns Unlike the MetroCard rollout, OMNY has required little adjustment.

Riders reluctant to use a credit card or smart device can purchase an OMNY card they can reload, similar to a MetroCard. Existing MetroCards will also continue to work into 2026, allowing riders to use remaining balances.

MTA spokespersons declined to comment, pointing instead to their many public statements as the deadline approaches.

The agency has said the changeover saves at least $20 million annually in MetroCard-related costs.

The new system also allows unlimited free rides within a seven-day period because the fare is capped after 12 rides. It'll max out at $35 a week once the fare rises to $3 in January.

Still, new changes come with tradeoffs, with some critics raising concerns about data collection and surveillance.

Near Times Square on a recent morning, Ronald Minor was among the dwindling group of "straphangers" still swiping MetroCards.

The 70-year-old Manhattan resident said he's sad to see them go. He has an OMNY card but found the vending machines to reload it more cumbersome.

“It’s hard for the elders,” Minor said as he caught a train to Brooklyn. “Don’t push us aside and make it like we don’t count. You push these machines away, you push us away.”

John Sacchetti, another MetroCard user at the Port Authority stop, said he likes being able to see his balance as he swipes through a turnstile so he knows how much he’s been spending on rides.

“It’s just like everything else, just something to get used to," he said as he headed uptown. "Once I get used to it, I think it’ll be okay.”


French Legend Brigitte Bardot Dead at 91

FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa
FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa
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French Legend Brigitte Bardot Dead at 91

FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa
FILED - 01 April 1956, France, Cannes: Then French actress and singer Brigitte Bardot is photographed with a parrot in her hand on the beach during the Cannes Film Festival. Photo: -/AFP Intercontinentale/dpa

French film legend Brigitte Bardot, a cinema icon of the 1950s and sixties who walked away from global stardom to become an animal rights protector, has died aged 91, her foundation said Sunday.

Bardot had rarely been seen in public in recent months but was hospitalized in October and in November released a statement denying rumors that she had died. The foundation did not say when or where she died.

"The Brigitte Bardot Foundation announces with immense sadness the death of its founder and president, Madame Brigitte Bardot, a world-renowned actress and singer, who chose to abandon her prestigious career to dedicate her life and energy to animal welfare and her foundation," it said in a statement sent to AFP.

Bardot became a global star after appearing in "And God created Woman" in 1956, and went on to appear in about 50 more movies before giving up acting.

She retired from film to settle permanently near the Riviera resort of Saint-Tropez where she devoted herself to fighting for animals.

Her calling apparently came when she encountered a goat on the set of her final film, "The Edifying and Joyous Story of Colinot.”

To save it from being killed, she bought the animal and kept it in her hotel room.