Turning Our Clubs Into Global Brands Means There Will Be More Burys

 A scarf hanging at Bury’s Gigg Lane ground this week. Photograph: Jon Super/The Guardian
A scarf hanging at Bury’s Gigg Lane ground this week. Photograph: Jon Super/The Guardian
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Turning Our Clubs Into Global Brands Means There Will Be More Burys

 A scarf hanging at Bury’s Gigg Lane ground this week. Photograph: Jon Super/The Guardian
A scarf hanging at Bury’s Gigg Lane ground this week. Photograph: Jon Super/The Guardian

A recent Set-Piece Menu podcast eloquently made the case for fandom as a broad church. When the Premier League is marketed so aggressively all over the world, when overseas television rights bring it so much revenue, when players and managers and owners are often foreign, they argued – quite reasonably – who is to deny the travelling supporter from Baltimore or Bangalore their seat in the stadium, the right to call themselves a fan? All of that made sense.

On an intellectual level I agreed with it. It fitted my general liberal, globalised worldview. And yet, I realised, viscerally I disagreed: of course, I paid lip service to all that but actually I regarded my form of fandom as being more authentic and more important.

Sunderland is part of me in a way that is beyond choice. I grew up there and my family is from there. Sunderland is the unsatisfactory repository for the emotions linked to memories of my dad and of all the mates I went to games with as a teenager.

But it is also for something less rational, for a nebulous and no doubt over-romanticised sense of home, for the family who long ago came from Ireland and Scotland looking for work in the shipyards and found belonging by going to games. Sunderland is who I am in a way that matters far more than individual results or whichever clowns happen to be wearing the shirts this season.

That is why it matters and it is why Bury matter and Bolton matter: if a clod be washed away by the sea, football is less. And frankly I find it hard to reconcile that sense with respecting the rights and feelings of a fan from outside who had a choice. I am also aware that this places me uncomfortably on the opposite side of the current cultural struggle to the one I would usually occupy.

But we should not be naive. Money has always played a significant role in football. The clubs who dominated the league in its early days – Preston, Sunderland and Aston Villa – did so largely by buying in the best Scottish talent. When, as English champions, Sunderland beat the Scottish champions, Hearts, 5-3 at Tynecastle in the first club world cup in 1895, all 22 players were Scots. Liverpool and Chelsea were established by stadium owners with the specific aim of getting people to pay to watch them play. The league was never some cosy alliance of community ventures.

Yet the gulf between football’s rich and poor has never been so stark. The agglomeration of highly remunerated talent at the top end of the game is producing football of exceptional quality and recent Champions Leagues, at least in the knockout stages, have produced extraordinary drama. The question is, is it worth it?

At Bury and Bolton, specific mistakes have been made by specific owners in an environment that has done little to regulate who is allowed to own clubs or how they behave. But the issues that have taken them to the brink are not unique to them. This is a systemic problem. There are those who would shrug and point out no other country sustains a league of 92 clubs (plus other professional teams in non-league) and that a certain natural wastage is inevitable. But that is one of the great joys of English football: the economic logic of the vast supermarket chains gobbling up the corner shop should not apply.

As David Goldblatt’s new book The Age of Football makes clear, this is part of a much wider trend, as everything – players, managers, investment, attention – is sucked towards a handful of clubs in a handful of leagues in western Europe. To watch an Argentinian or Brazilian league game is to be shocked by how low the quality is given the global familiarity of their best players.

Africa Cups of Nations are habitually played out in front of empty stadiums, in large part because, across the continent, the culture of going to games has gone. The football people care about is played in Europe and so it is consumed via satellite television in bars and video halls. So little consideration is the match-going fan given that the rash of new stadiums built for each Cup of Nations tend to be built on the outskirts of towns: fine for VIPs and television, rather less convenient for locals who may want to attend matches.

The terrible irony is that the pressure on smaller clubs in England is intensifying even though attendances across the four divisions are as good as they have been in four decades. The crisis stems from the chasm between the Premier League and the rest, and the various gambles being taken to try to bridge it. It is a result of the greed of the breakaway clubs in 1992.

What are those clubs now? With foreign owners, foreign managers, foreign players and, increasingly, foreign fans, they are global brands that happen to be based in England. Even at Liverpool, where the community feel is far stronger than at most of the superclubs, the dead hand of finance lurks. It is there in the slogan “This means more”, the sort of self-absorbed scouse exceptionalism that has always raised wry smiles among fans of other clubs repackaged and delivered back to fans as a (non‑ironic) marketing campaign. And it is there in the ill-judged attempt to trademark the word “Liverpool”, as though the city itself could somehow be taken from its people and transformed into a token to be bought and sold. And, frankly, even that is probably preferable to being a propaganda tool for a nation state.

What place has my irrational sense of Sunderland identity in the modern game? Is it possible to have the benefits of globalisation without the rich-getting-richer creed that underpins it, to be cosmopolitan without destroying communities? That feels the central cultural question of our age, and football is nowhere near answering it.

The standard of play has never been better but the cost is devastating.

The Guardian Sport



Verona Prepares its Ancient Arena for the Olympics Closing Ceremony on Sunday

A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
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Verona Prepares its Ancient Arena for the Olympics Closing Ceremony on Sunday

A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)

A city forever associated with Romeo and Juliet, Verona will host the final act of the Milan Cortina Winter Olympics on Sunday inside the ancient Roman Arena, where some 1,500 athletes will celebrate their feats against a backdrop of Italian music and dance.

Acclaimed ballet dancer Roberto Bolle has been rehearsing for the closing ceremony inside the Arena di Verona this week under a veil of secrecy, along with some 350 volunteers, for a spectacle titled “Beauty in Motion," which frames beauty as something inherently dynamic.

“Beauty cannot be fixed in time. This ancient monument is beautiful if it is alive, if it continues to change,” said the ceremony's producer, Alfredo Accatino. “This is what we want to narrate: An Italy that is changing, and also the beauty of movement, the beauty of sport and the beauty of nature."

Other headlining Italian artists include singer Achille Lauro and DJ Gabry Ponte, whose hits could be heard blasting from the Arena during rehearsals this week.

Inside a tent serving as a dressing room, seamstresses put the finishing touches on costumes inspired by the opera world as volunteers prepped for the stage, The Associated Press reported.

“It’s really special to be inside the Arena,” said Matilde Ricchiuto, a student from a local dance school. "Usually, I am there as a spectator and now I get to be a star, I would say. I feel super special.”

The Arena has been a venue for popular entertainment since it was first built in 1 A.D., predating the larger Roman Colosseum by decades. Accatino said the ancient monument will produce some surprises from within its vast tunnels.

“Under the Arena there is a mysterious world that hides everything that has happened. At a certain point, this world will come out," Accatino said, promising “something very beautiful."

The ceremony will open with athletes parading triumphantly through Piazza Bra into the Arena, which once served as a stage for gladiator fights and hunts for exotic beasts.

The closing ceremony stage was inspired by a drop of water, meant to symbolically unite the Olympic mountain venues with the Po River Valley, where Milan and Verona are located, while serving as a reminder that the Winter Games are being reshaped by climate change.

While the opening ceremony was held in Milan, the other host city, Cortina d’Ampezzo, nestled in the Dolomite mountains, was considered too small and remote to host the closing ceremony. Verona, in the same Veneto region as Cortina, was chosen for its unique venue and relatively central location, said Maria Laura Iascone, the local organizing committee's head of ceremonies.

“Only Italians can use such monuments to do special events, so this is very unique, very rare," Iascone said of the Arena.

She promised a more intimate evening than the opening ceremony in Milan's San Siro soccer stadium, with about 12,000 people attending the closing compared with more than 60,000 for the opening.

Iascone said about 1,500 of the nearly 3,000 athletes participating in the most spread-out Winter Games in Olympic history are expected to drive a little over an hour from Milan and between two and four hours from the six mountain venues.

The ceremony will close with the Olympic flame being extinguished. A light show will substitute fireworks, which are not allowed in Verona to protect animals from being disturbed.

The Verona Arena will also be the venue for the Paralympic opening ceremony on March 6. For the ceremonies, the ancient Arena has been retrofitted with new wheelchair ramps and accessible restrooms along with other safety upgrades. The six Paralympic events will be held in Milan and Cortina until March 15.


Arsenal Blows 2-goal Lead at Wolves to Boost Man City's Premier League Title Chances

Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026  Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026 Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
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Arsenal Blows 2-goal Lead at Wolves to Boost Man City's Premier League Title Chances

Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026  Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026 Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn

Arsenal blew a two-goal lead at last-place Wolves on Wednesday to give a huge boost to Manchester City in the race for the Premier League title.

The league leader was held to a surprise 2-2 draw at Molineux, having led 2-0 in the second half.

Teenage debutant Tom Edozie scored in the fourth minute of added time to complete Wolves' comeback.

“There was a big difference in how we played in the first half and the second half. We dropped our standards and we got punished for it,” Arsenal forward Bukayo Saka told the BBC.

The draw means Arsenal has dropped points in back-to-back games and leaves it just five ahead of second-place City, having played a game more.

With the top two still to play each other at City's Etihad Stadium, the title race is too close to call.

“(It's) time to focus on ourselves, improve our standards and improve our performances and it is in our control,” Saka said.

Arsenal has led the way for the majority of the season and one bookmaker paid out on Mikel Arteta's team winning the title after it opened up a nine-point lead earlier this month.

But Wednesday's result was the latest sign that it is feeling the pressure, having finished runner-up in each of the last three seasons. It has won just two of its last seven league games.

Having blown a lead against Brentford last week, it was even worse at a Wolves team that has won just one game all season.

Victory looked all but secured after Saka gave Arsenal the lead with a header in the fifth minute and Piero Hincapie ran through to blast in the second in the 56th.

But Wolves' fightback began with Hugo Bueno's curling shot into the top corner in the 61st.

The 19-year-old Edozie was sent on as a substitute in the 84th and his effort earned the home team only its 10th point of a campaign that looks certain to end in relegation.

While it did little for Wolves' chances of survival, it may have had a major impact at the top of the standings.

“Incredibly disappointed that we gave two points away,” Arteta said. "I think we need to fault ourselves and give credit to Wolves. But what we did in the second half was nowhere near our standards that we have to play in order to win a game in the Premier League.

“When you don’t perform you can get punished, and we got punished and we have to accept the hits because that can happen when you are on top."

Arsenal plays Tottenham on Sunday. Its lead could be cut to two points before it kicks off if City wins against Newcastle on Saturday.


Sinner Sees off Popyrin to Reach Doha Quarters

 Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
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Sinner Sees off Popyrin to Reach Doha Quarters

 Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)

Jannik Sinner powered past Alexei Popyrin in straight sets on Wednesday to reach the last eight of the Qatar Open and edge closer to a possible final meeting with Carlos Alcaraz.

The Italian, playing his first tournament since losing to Novak Djokovic in the Australian Open semi-finals last month, eased to a 6-3, 7-5 second-round win in Doha.

Sinner will play Jakub Mensik in Thursday's quarter-finals.

Australian world number 53 Popyrin battled gamely but failed to create a break-point opportunity against his clinical opponent.

Sinner dropped just three points on serve in an excellent first set which he took courtesy of a break in the sixth game.

Popyrin fought hard in the second but could not force a tie-break as Sinner broke to grab a 6-5 lead before confidently serving it out.

World number one Alcaraz takes on Frenchman Valentin Royer in his second-round match later.