Unai Emery’s Broken Kaleidoscope Was a Small Part of Arsenal’s Problem

Unai Emery | REUTERS/Christian Hartmann
Unai Emery | REUTERS/Christian Hartmann
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Unai Emery’s Broken Kaleidoscope Was a Small Part of Arsenal’s Problem

Unai Emery | REUTERS/Christian Hartmann
Unai Emery | REUTERS/Christian Hartmann

And so the grumbling of results and offers has claimed another victim. By the end, Unai Emery cut a hapless figure, mumbling incoherently after defeat to Eintracht Frankfurt as the world collapsed around him. He was a scapegoat, as managers always are, barely less a patsy in his role as Arsène Wenger’s successor than he had been as Neymar’s minder at Paris Saint-Germain. He certainly should not be immune from criticism, but equally nobody should think his replacement will bring about improvement merely by not being Emery.

Emery joined as a Europa League manager for a Europa League club; he will leave as somebody who has struggled in three jobs outside Spain, compromised, despite his best efforts to speak English, by an inability to communicate.

Whatever conviction may once have underlain his actions had vanished by the end, replaced by a desperate shaking of the tactical kaleidoscope, hoping beyond hope that it might turn up something that worked. It never did.

Last season, Emery portrayed himself as a pressing coach, but this season Arsenal have defended much deeper, perhaps because of the arrival of David Luiz, whose relative lack of pace makes a high line impractical.

Emery wanted to play out from the back, but Bernd Leno increasingly came to kick long. A month ago, Emery revealed that he and the board had taken a collective decision to omit Mesut Özil to try to force him to leave and relieve the club of the burden of his extraordinary salary. Yet after impressing in the 5-5 League Cup game at Liverpool, he has started the past three Premier League games.

Emery had Arsenal line up with a back three in 13 of last season’s 38 league games but this season the plan was clearly for a back four until two games ago, when suddenly the back three emerged again. While it is true there is no sense sticking stubbornly to a plan that isn’t working, equally it felt as though Emery was blowing with the wind.

It may be that a 3-4-1-2 is the way to get the best out of this group of players. David Luiz has always looked more comfortable as part of a back three rather than as one of two central defenders. With a player either side of him, his lack of positional discipline and instinct to go looking for the ball can be accommodated. He can then step into space and make the most of his long‑passing ability.

All four full-backs at the club (if you include Ainsley Maitland‑Niles but not Calum Chambers, which is being only slightly generous with the definitions) are naturally attackers.

Fielding Matteo Guendouzi and Lucas Torreira – or Granit Xhaka if his ostracism is over – at the back of midfield provides a platform for Özil, and allowed Emery to field Pierre-Emerick Aubameyang and Alexandre Lacazette, probably the two most gifted players in the squad, as a front two.

All of that made sense, but there is one obvious issue: where does it leave Nicolas Pépé, the wide forward who arrived to such excitement for £72m in the summer? On a similar, if slightly less dramatic theme, where does it leave Dani Ceballos, on loan from Real Madrid, who looked so impressive when he made his first start at home to Burnley on the opening day of the season? Ceballos, perhaps, would be a third midfielder, a more attacking option in place of one of the two holders, or a less creative alternative to Özil. Pépé, though, would seem to have no obvious role in that structure.

There is always something a little unseemly about the rush to judgment on players taking their first steps in a new league and it may be that Pépé proves himself a very useful acquisition. So far, though, the impression has been of a very one-footed player who essentially has to start wide on the right and cut in on to his left foot. In itself that is not hugely problematic but it does limit a manager’s tactical options. The hope in the summer was that Pépé could play on the right of a front three with Aubameyang cutting in from the left but that risks not getting the best out of the Gabon international, whose preference for playing through the middle is clear.

That hints at something more fundamental. What exactly was the thinking behind the signing of Pépé? Did anybody at Arsenal, whether Emery or the head of football, Raul Sanllehi, or the technical director, Edu (who was appointed three weeks before Pépé signed), or anybody else on the board sit down and work out how the team might fit together?

Perhaps there was a belief that Aubameyang could shift to the left but if there was, it soon evaporated: the three of Pépé, Aubameyang and Lacazette have started two games together, the draws against Tottenham and Palace.

Increasingly, Pépé feels like a trophy signing. He is an exciting player and Arsenal could get him and so they did, sating the demand from fans for a glitzy acquisition – even though the talk at the time was that the fee represented the transfer budget not only for this season but for a couple of years into the future as well.

How Pépé might fit into the team appears to have been a secondary consideration, one that comes to appear negligent given the deficiencies elsewhere in the squad – in central defence and central midfield most obviously.

That is not Pépé’s fault and it wasn’t really Emery’s. He is far from blameless but, as so often when big clubs go bad, the manager is only part of the problem. As at Manchester United, this is an issue of structure and leadership and, as at United, it is in part the result of the difficulty of replacing a long-serving overarching genius. Absentee owners who lack football expertise and seem more concerned with dividends than trophies probably don’t help.

It was Emery who paid the price. His replacement may bring an upturn in form, as blood-letting often does, but the deeper structural issues remain.

(The Guardian)



Verona Prepares its Ancient Arena for the Olympics Closing Ceremony on Sunday

A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
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Verona Prepares its Ancient Arena for the Olympics Closing Ceremony on Sunday

A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)
A view of the Arena ahead of the closing ceremony at the 2026 Winter Olympics, in Verona, Italy, Tuesday, Feb. 17, 2026. (AP Photo/Antonio Calanni)

A city forever associated with Romeo and Juliet, Verona will host the final act of the Milan Cortina Winter Olympics on Sunday inside the ancient Roman Arena, where some 1,500 athletes will celebrate their feats against a backdrop of Italian music and dance.

Acclaimed ballet dancer Roberto Bolle has been rehearsing for the closing ceremony inside the Arena di Verona this week under a veil of secrecy, along with some 350 volunteers, for a spectacle titled “Beauty in Motion," which frames beauty as something inherently dynamic.

“Beauty cannot be fixed in time. This ancient monument is beautiful if it is alive, if it continues to change,” said the ceremony's producer, Alfredo Accatino. “This is what we want to narrate: An Italy that is changing, and also the beauty of movement, the beauty of sport and the beauty of nature."

Other headlining Italian artists include singer Achille Lauro and DJ Gabry Ponte, whose hits could be heard blasting from the Arena during rehearsals this week.

Inside a tent serving as a dressing room, seamstresses put the finishing touches on costumes inspired by the opera world as volunteers prepped for the stage, The Associated Press reported.

“It’s really special to be inside the Arena,” said Matilde Ricchiuto, a student from a local dance school. "Usually, I am there as a spectator and now I get to be a star, I would say. I feel super special.”

The Arena has been a venue for popular entertainment since it was first built in 1 A.D., predating the larger Roman Colosseum by decades. Accatino said the ancient monument will produce some surprises from within its vast tunnels.

“Under the Arena there is a mysterious world that hides everything that has happened. At a certain point, this world will come out," Accatino said, promising “something very beautiful."

The ceremony will open with athletes parading triumphantly through Piazza Bra into the Arena, which once served as a stage for gladiator fights and hunts for exotic beasts.

The closing ceremony stage was inspired by a drop of water, meant to symbolically unite the Olympic mountain venues with the Po River Valley, where Milan and Verona are located, while serving as a reminder that the Winter Games are being reshaped by climate change.

While the opening ceremony was held in Milan, the other host city, Cortina d’Ampezzo, nestled in the Dolomite mountains, was considered too small and remote to host the closing ceremony. Verona, in the same Veneto region as Cortina, was chosen for its unique venue and relatively central location, said Maria Laura Iascone, the local organizing committee's head of ceremonies.

“Only Italians can use such monuments to do special events, so this is very unique, very rare," Iascone said of the Arena.

She promised a more intimate evening than the opening ceremony in Milan's San Siro soccer stadium, with about 12,000 people attending the closing compared with more than 60,000 for the opening.

Iascone said about 1,500 of the nearly 3,000 athletes participating in the most spread-out Winter Games in Olympic history are expected to drive a little over an hour from Milan and between two and four hours from the six mountain venues.

The ceremony will close with the Olympic flame being extinguished. A light show will substitute fireworks, which are not allowed in Verona to protect animals from being disturbed.

The Verona Arena will also be the venue for the Paralympic opening ceremony on March 6. For the ceremonies, the ancient Arena has been retrofitted with new wheelchair ramps and accessible restrooms along with other safety upgrades. The six Paralympic events will be held in Milan and Cortina until March 15.


Arsenal Blows 2-goal Lead at Wolves to Boost Man City's Premier League Title Chances

Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026  Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026 Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
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Arsenal Blows 2-goal Lead at Wolves to Boost Man City's Premier League Title Chances

Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026  Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn
Soccer Football - Premier League - Wolverhampton Wanderers v Arsenal - Molineux Stadium, Wolverhampton, Britain - February 18, 2026 Wolverhampton Wanderers' Tom Edozie celebrates scoring their second goal with teammates REUTERS/Chris Radburn

Arsenal blew a two-goal lead at last-place Wolves on Wednesday to give a huge boost to Manchester City in the race for the Premier League title.

The league leader was held to a surprise 2-2 draw at Molineux, having led 2-0 in the second half.

Teenage debutant Tom Edozie scored in the fourth minute of added time to complete Wolves' comeback.

“There was a big difference in how we played in the first half and the second half. We dropped our standards and we got punished for it,” Arsenal forward Bukayo Saka told the BBC.

The draw means Arsenal has dropped points in back-to-back games and leaves it just five ahead of second-place City, having played a game more.

With the top two still to play each other at City's Etihad Stadium, the title race is too close to call.

“(It's) time to focus on ourselves, improve our standards and improve our performances and it is in our control,” Saka said.

Arsenal has led the way for the majority of the season and one bookmaker paid out on Mikel Arteta's team winning the title after it opened up a nine-point lead earlier this month.

But Wednesday's result was the latest sign that it is feeling the pressure, having finished runner-up in each of the last three seasons. It has won just two of its last seven league games.

Having blown a lead against Brentford last week, it was even worse at a Wolves team that has won just one game all season.

Victory looked all but secured after Saka gave Arsenal the lead with a header in the fifth minute and Piero Hincapie ran through to blast in the second in the 56th.

But Wolves' fightback began with Hugo Bueno's curling shot into the top corner in the 61st.

The 19-year-old Edozie was sent on as a substitute in the 84th and his effort earned the home team only its 10th point of a campaign that looks certain to end in relegation.

While it did little for Wolves' chances of survival, it may have had a major impact at the top of the standings.

“Incredibly disappointed that we gave two points away,” Arteta said. "I think we need to fault ourselves and give credit to Wolves. But what we did in the second half was nowhere near our standards that we have to play in order to win a game in the Premier League.

“When you don’t perform you can get punished, and we got punished and we have to accept the hits because that can happen when you are on top."

Arsenal plays Tottenham on Sunday. Its lead could be cut to two points before it kicks off if City wins against Newcastle on Saturday.


Sinner Sees off Popyrin to Reach Doha Quarters

 Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
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Sinner Sees off Popyrin to Reach Doha Quarters

 Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)
Italy's Jannik Sinner greets the fans after defeating Australia's Alexei Popyrin in their men's singles match at the Qatar Open tennis tournament in Doha on February 18, 2026. (AFP)

Jannik Sinner powered past Alexei Popyrin in straight sets on Wednesday to reach the last eight of the Qatar Open and edge closer to a possible final meeting with Carlos Alcaraz.

The Italian, playing his first tournament since losing to Novak Djokovic in the Australian Open semi-finals last month, eased to a 6-3, 7-5 second-round win in Doha.

Sinner will play Jakub Mensik in Thursday's quarter-finals.

Australian world number 53 Popyrin battled gamely but failed to create a break-point opportunity against his clinical opponent.

Sinner dropped just three points on serve in an excellent first set which he took courtesy of a break in the sixth game.

Popyrin fought hard in the second but could not force a tie-break as Sinner broke to grab a 6-5 lead before confidently serving it out.

World number one Alcaraz takes on Frenchman Valentin Royer in his second-round match later.