Egyptian Archaeologist Hawass Sees Role as Guardian of Antiquities

Egyptian archaeologist and former antiquities minister Zahi Hawass stands in front the Great Sphinx of Giza during a lecture with a group of tourists. (AFP)
Egyptian archaeologist and former antiquities minister Zahi Hawass stands in front the Great Sphinx of Giza during a lecture with a group of tourists. (AFP)
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Egyptian Archaeologist Hawass Sees Role as Guardian of Antiquities

Egyptian archaeologist and former antiquities minister Zahi Hawass stands in front the Great Sphinx of Giza during a lecture with a group of tourists. (AFP)
Egyptian archaeologist and former antiquities minister Zahi Hawass stands in front the Great Sphinx of Giza during a lecture with a group of tourists. (AFP)

Standing at the foot of the towering Great Sphinx of Giza, Zahi Hawass revels in his reputation as an indefatigable yet controversial figure in the enigmatic world of Egyptology.

With the early morning sun-kissed pyramids behind him, the 72-year-old dubbed "the Egyptian Indiana Jones" posed casually for photos sporting his trademark cowboy hat.

"This is a real archaeologist's hat. Harrison Ford's was a fake," he joked with AFP, referring to the American actor and star of the Indiana Jones movies.

Hawass, who has appeared in dozens of documentaries about ancient Egypt, is himself a star attraction for a luxury archaeological tour organized by an operator based in Poland.

A larger-than-life character, who sees himself as "the custodian of Egyptian antiquities", he evokes in the same breath ancient deities and Pharaohs as well as his own name.

Regaling tour participants with stories of his archaeological adventures, he boasts of his international achievements and cheerfully poses for selfies.

The high energy show is all part of his rambunctious performance for the eager crowd who fork out almost 10,000 US dollars each for two weeks of travel basking in his knowledge on all things Pharaonic.

'I found my passion'

Despite his swagger, Hawass says he never once imagined he would have such a meteoric rise in the often dry and dusty world of archaeology.

"When I was young, I wanted to be a lawyer... I was a very bad student," he told AFP.

On a whim, a few friends advised him to study archaeology, and he fell instantly in love.

One day while out on a dig everything clicked when he uncovered a statue. "I thought to myself, I've found my passion," he said.

Today several decades later, he divides his time between digs in southern Egypt, his Cairo office, a daily sports workout and a multitude of prestigious conferences both at home and abroad.

But his flamboyant showmanship when enthusiastically unearthing Egypt's ancient treasures to a global audience has ruffled many in his esteemed academic community.

Some peers accuse him of being a businessman cashing in on his celebrity. And he admits that $150 per entrance ticket to one of his conferences is a little steep.

But to those who accuse him of lacking empirical rigor in his fieldwork, he hits back and points to his many awards.

"I have made some major discoveries," he said citing the tombs of the pyramid builders in Giza in the 1990s or the golden mummies of Bahariya Oasis, eastern Egypt, in 1996.

Fayza Haikal, professor of Archaeology at the American University of Cairo (AUC), said his research methods are "serious".

"Like all stars, he has his fans and detractors," she said.

Hourig Sourouzian, a renowned Armenian archaeologist working in Upper Egypt, is more generous in his assessment.

He maintains Hawass has been a dynamic "engine" for Egyptology, translating to lucrative research grants from governments and funding bodies.

'Ambassador for archaeology'

Hawass was head of Egypt's Supreme Council of Antiquities from 2002 to 2011 and then briefly minister of antiquities in early 2011.

It was a portfolio especially created for him. But he had to give it up right after the 2011 revolution that unseated long-time President Hosni Mubarak.

Employees hurled abuse at him amid charges of nepotism and accusations of smuggling antiquities to overseas buyers as he was escorted out of the Egyptian Museum.

He left in a haze of corruption allegations. A case brought against him was overturned and the charges dropped on legal technicalities. Hawass maintains his innocence and boasts that the case never made it to court.

Under President Abdel Fattah al-Sisi, he remains an influential figure in the field, and he is effusive in his praise of the general-turned-politician saying he "saved Egypt".

There have been rumors of a bitter rivalry between him and the current minister of antiquities, Khaled El-Enany, but Hawass dismisses such talk saying his successor is "doing a very good job".

"Enany when he came he depended on the people that I trained," he said. "And he calls me for advice all the time."

Disparagingly, Hawass lamented that the political turbulence delayed the opening of his brainchild, the Grand Egyptian Museum (GEM).

The gigantic museum, overlooking the Giza pyramids, is now set to open to the public in 2020 five years later than originally planned.

Hawass hopes it will lure back tourists after a slump since the revolution and a string of deadly terror attacks.

More than 11 million tourists visited Egypt in 2018 some drawn by many recent discoveries in which he was involved.

"We can say anything we want, but Zahi is the best ambassador for Egypt and archaeology," said Sourouzian.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”