Pompadour & Rooster Cuts: Iraqi Styles Sculpt 'Revolution'

Iraqi anti-government protesters are expressing their rebellion against the existing social order via wild hairstyles | AFP
Iraqi anti-government protesters are expressing their rebellion against the existing social order via wild hairstyles | AFP
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Pompadour & Rooster Cuts: Iraqi Styles Sculpt 'Revolution'

Iraqi anti-government protesters are expressing their rebellion against the existing social order via wild hairstyles | AFP
Iraqi anti-government protesters are expressing their rebellion against the existing social order via wild hairstyles | AFP

Elvis Presley may have been the advance guard, but young Iraqis own it -- protesters in Baghdad sport slicked styles and rockabilly haircuts, a testament to their unyielding rebel spirit.

"The revolution has changed everything," said Qassem, nearly three months into a popular movement that seeks to unseat Iraq's highly dysfunctional political establishment.

"Now, it is all so different -- we are free," the young protester added under a tent where he doles out tea and biscuits to peers in Tahrir Square.

"We also know how to let loose," Qassem continued, his face switching suddenly from serious to smiling.

"And so I invented a new style," he chuckled, glancing upwards towards his rectangular pompadour.

Outside his tent, thousands of students and young unemployed people thronged the iconic square, railing once more against "crooked" politicians.

Their enthusiasm has remained undimmed since the start of the revolt on October 1, despite clashes with security forces that have killed close to 460.

One thing strikes the eye perhaps above all else -- the unbridled hairstyles young men sport.

High quiffs, tight fades, and loads of attitude -- it is quite the male beauty pageant.

- 'Why be scared?' -

Exclusively male and in large part inspired by the fashionable cuts of football stars, the phenomenon is coursing through the Arab world.

And it is particularly exuberant in Tahrir Square.

"Here, we call it the rooster comb," explained a local journalist.

For 23-year-old actor and renowned activist Omar Dabbour, "the style began two years ago".

Then "it exploded with the revolution in Tahrir. The people feel increasingly free," he noted.

Dabbour himself sports an impressive, albeit more natural, style -- an afro worthy of the Jackson Five, which amounts to a radical departure, in what is otherwise an ocean of hair gel.

"In Tahrir Square, young people are daring -- it has become normal," added Dabbour.

"But in the rest of the city, it's a bit different -- more conservative. There is the army, the militiamen who can bother you at checkpoints," he continued.

"I don't care. Before, I had a short haircut. Now I have let it grow. Why be scared?"

Sporting yellow-tinted glasses and maintaining a studious air, Karrar Riad, 20, pushed a hand through his long and deliberately disordered locks.

With a black leather bracelet, he has the air of a young Johnny Depp. "Today, everything is possible. We do what we want here," he said.

Here perhaps, but not in Riad's home district of Kadhimiya, which houses a key Shiite mausoleum.

Going home requires him to restore some conventional order to his unruly mop.

Other fashionistos don a cap to blend back in when they depart the protest hotbed.

Their caution is not without reason.

In 2012, at least 15 youths were stoned, beaten, or shot to death in a spate of targeted attacks against people sporting the "emo" look -- tight-fitting black clothes and alternative hairstyles.

- Voluminous proliferation -

The range of styles is wide, but it is Iraq's take on the Elvis cut that rises head and shoulders above the rest: a towering pompadour with undercut back and sides.

"Adopted by celebrities, students and hipsters," the pompadour -- named after a mistress of French King Louis XV -- will transform you into a "sexy and trendy man", according to one website.

But this style itself unfurls into a multitude of sub-styles in Iraq, from classic rockabilly to even the mohawk.

And amid the proliferation of looks, cuts are becoming ever more voluminous.

"The idea is to do what you want to do," said Dabbour.

And probably also to attract the throngs of young women who frequent Tahrir Square, in a commingling that is unusual in Iraq.

The hairstyles on display have "roots in the 1990s, in the hairdressing salons, and male beauty parlors of Sadr City," explained Zahraa Ghandour, an Iraqi documentary filmmaker.

Sadr City -- a huge working-class district of northeastern Baghdad -- was marginalized under the regime of deposed dictator Saddam Hussein.

"The residents wanted to mark themselves out. It was a means to express themselves, to protest," said Ghandour.

Baroque haircuts, meanwhile, "really started around two years ago, again in Sadr city."

Zouheir-al-Atouani, a local videographer who has gained nationwide fame, spread this style by posting wedding videos in which men sport ever more sculpted looks.

According to Ghandour, "in Tahrir, ever more frequented by young people from Sadr city, it's a way to rebel, to free oneself".

It is also most likely a way of defying the country's all-powerful militias, and social revenge for young people who feel despised, yet now find themselves at the forefront of fashion.

"They are especially creative," smiles Ghandour.

And the styles are "spread far and wide by social networks", where dandies love to showcase their ever crazier cuts.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”