Carl Reiner, American Comedy Star, Dead at 98

Actor Carl Reiner speaks at the American Film Institute's 43rd Life Achievement Award at the Dolby theatre in Hollywood, California June 4, 2015. (Reuters)
Actor Carl Reiner speaks at the American Film Institute's 43rd Life Achievement Award at the Dolby theatre in Hollywood, California June 4, 2015. (Reuters)
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Carl Reiner, American Comedy Star, Dead at 98

Actor Carl Reiner speaks at the American Film Institute's 43rd Life Achievement Award at the Dolby theatre in Hollywood, California June 4, 2015. (Reuters)
Actor Carl Reiner speaks at the American Film Institute's 43rd Life Achievement Award at the Dolby theatre in Hollywood, California June 4, 2015. (Reuters)

Carl Reiner, a driving force in American comedy as a writer for television pioneer Sid Caesar, partner of Mel Brooks and creator and co-star of the classic sitcom “The Dick Van Dyke Show,” has died.

“He passed away last night at the age of 98 of natural causes, at his home in Beverly Hills,” Reiner’s assistant Judy Nagy told Reuters on Tuesday.

Reiner’s career spanned seven decades and every medium from theater and recordings to television and movies, including directing “Oh, God!,” three collaborations with Steve Martin and a role as an elderly con man in the revived “Ocean’s Eleven” series.

He was still taking voice roles in his 90s and had a key role in “If You’re Not in the Obit, Eat Breakfast,” a documentary about people who keep busy into their 90s. In recent years, Reiner had often quipped that he got up every morning, checked the obituaries, and if he was not in them, had breakfast.

Reiner is survived by three children, including Rob Reiner, director of several hit movies and known for playing Archie Bunker’s son-in-law “Meathead” in the hit TV comedy “All in the Family.” Reiner’s wife of 64 years, Estelle, died in 2008.

Rob Reiner on Twitter mourned his father’s passing, saying, “As I write this my heart is hurting... He was my guiding light.”

His father was also active on Twitter. His final tweet on Monday was in praise of British playwright and composer Noel Coward.

“Noel Coward was the single most prolific writer of musical comedies, plays, songs and films,” Reiner wrote. “He also found time to critique performances with barbs such as, ’They were like two paper bags belaboring each other.’”

Reiner expressed his approach to his work in his book “My Anecdotal Life,” when he said, “Inviting people to laugh at you while you are laughing at yourself is a good thing to do. You may be the fool but you are the fool in charge.”

Reiner, the Bronx-born son of a watchmaker, started in entertainment as a teenager in a touring theater troupe that performed Shakespearean plays. But his career took a decisive turn after he joined the Army Signal Corps during World War Two.

Recruited into a special unit that put on shows for the troops, Reiner began writing and performing his own comedy material.

Returning to New York City after the war, Reiner appeared in several Broadway musicals, including a lead in “Call Me Mister,” before he was hired to join Caesar’s popular TV sketch comedy series “Your Show of Shows” in the 1950s.

Reiner was part of Caesar’s ensemble of performers as well as a celebrated writing team that included such then-unknown talents as Brooks, Neil Simon and Larry Gelbart.

Reiner and Brooks remained close into their late 90s with Reiner telling USA Today in 2019 that they got together regularly to watch game shows and movies.

Encouraged by his wife to develop a TV show as his own, Reiner began work on a sitcom pilot loosely based on his experiences with the Caesar shows, titled “Head of the Family,” casting himself as a TV writer with a wife and two kids.

Network executives initially passed on the project, unhappy with Reiner as the lead character, Rob Petrie. But CBS ultimately picked up the series in 1961, after it was recast and retitled for its new star, “The Dick Van Dyke Show.”

Reiner, who earned several Emmys writing and producing the hit series, played the recurring role of Petrie’s boss, the temperamental variety show host Alan Brady.

A reprisal of his Alan Brady role three decades later, for a guest spot on the 1990s sitcom “Mad About You,” earned Reiner yet another Emmy.

Besides helping transform its creator and star into household names, “The Dick Van Dyke Show” launched the career of Mary Tyler Moore, who played Rob Petrie’s wife. The series, considered a TV sitcom classic, ended its run in 1966.

The following year, Reiner made his feature film directing and producing debut with “Enter Laughing,” which he adapted from a Joseph Stein play that was based on Reiner’s semiautobiographical 1958 book of the same name.

He later directed George Burns in the title role of the 1977 comedy film “Oh God!” before collaborating with Steve Martin for a string of movies, including “The Jerk,” “Dead Men Don’t Wear Plaid” and “The Man with Two Brains.”

Starting in 2001, he made a big-screen comeback playing elder con artist Saul Bloom, who comes out of retirement to join George Clooney, Brad Pitt and others in the blockbuster remake of the 1960s heist film “Ocean’s Eleven.” Reiner returned to that role in two “Ocean’s” sequels.

But Reiner never strayed far from television, continuing to make guest appearances on various shows such as “Two and a Half Men” and “Hot in Cleveland” well into his 90s, as well as keeping up a busy Twitter account.

Reiner wrote four volumes of memoirs, including “I Just Remembered” in 2014, as well as children’s books.



'Thunderbolts’ and ‘Sinners’ Top Box Office Charts Once More

Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
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'Thunderbolts’ and ‘Sinners’ Top Box Office Charts Once More

Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)

Marvel’s “Thunderbolts” and Ryan Coogler’s “Sinners” dominated the North American box office charts again this weekend.
Now in their second and fourth weekends respectively, the two films had some new competition, including a horror movie, a Kerry Washington action pic, a Josh Hartnett airplane thriller, and a Shakespeare-inspired musical. None of the additions made a significant impact.
“Thunderbolts” took first place, with $33.1 million from theaters in the US and Canada, according to studio estimates Sunday. That's down 55% from its opening, The Associated Press reported. Internationally, it added $34 million, bringing its global total to $272.2 million. In just two weekends, the Walt Disney Co. release is already the fourth biggest of the year, globally and domestically.
The movie is also faring better than the previous Marvel movie, “Captain America: Brave New World,” which took a big 68% dive in its second weekend. The key difference was reviews, which don’t always dictate the fate of superhero movies, but good word of mouth has helped “Thunderbolts.”
“The holding power of this film harkens back to the heyday of Marvel,” said Paul Dergarabedian, the senior media analyst for Comscore. “The currency of the long-term playability is more important than the sheer opening weekends.”
The studio also has another big movie coming later this summer in “The Fantastic Four: First Steps.”
“Sinners,” meanwhile, crossed the $200 million mark in North American ticket sales this weekend, which is especially notable for an original R-rated movie. It added $21.1 million domestically, and $6.6 million internationally, bringing its global total to $283.3 million. Next weekend, it’s also returning to 70mm IMAX screens “by popular demand,” IMAX said.
Warner Bros.’ other juggernaut, “A Minecraft Movie,” has made $409 million domestically and $909.6 million globally in its six weekends in theaters. It added just under $8 million to take third place this weekend, followed by “The Accountant 2” in fourth with $6.1 million.
Several new movies also opened in wide release this weekend, but none seemed to break through the noise. The biggest of the bunch was “Clown in a Cornfield,” which earned $3.7 million (a relative high water mark for its distributor IFC) and cracked the top five.
“The second weekend in May, there is typically a bit of a lull,” Dergarabedian said. “IFC picked a perfect date for this clown to scare people into the theater."
“Shadow Force,” a Lionsgate action pic with Washington and Omar Sy from “The Grey” filmmaker Joe Carnahan, made $2 million from 2,170 screens. Vertical’s “Flight or Fight,” starring Hartnett as a mercenary on a plane full of assassins, also debuted with an estimated $2 million from 2,153 screens.
In limited release, the Tim Robinson and Paul Rudd movie “Friendship” launched on six screens in New York and Los Angeles and scored the best per-screen average of the year ($75,317) with many sellouts reported. A24 plans to expand the release nationwide over Memorial Day.
Overall, it was a relatively quiet weekend, but thanks to “A Minecraft Movie,” “Sinners” and “Thunderbolts,” the year-to-date box office is up around 16% from last year, according to Comscore data. Compared with 2019, however, it’s down over 32%.
Next week, “Final Destination: Bloodlines” should give the marketplace another jolt before two giants debut over the holiday weekend: “Lilo & Stitch” and “Mission: Impossible – The Final Reckoning.”