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Bollywood Star Aishwarya Rai Discharged from Virus Ward

Bollywood actress Aishwarya Rai Bachchan. (AFP)
Bollywood actress Aishwarya Rai Bachchan. (AFP)
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Bollywood Star Aishwarya Rai Discharged from Virus Ward

Bollywood actress Aishwarya Rai Bachchan. (AFP)
Bollywood actress Aishwarya Rai Bachchan. (AFP)

Bollywood star and former Miss World Aishwarya Rai Bachchan and her daughter have been discharged from a Mumbai hospital where they were being treated for coronavirus, her actor husband Abhishek Bachchan said Monday.

The pair were admitted to hospital a week ago, several days after Abhishek and his superstar father Amitabh Bachchan, making the family the highest-profile people to contract the virus in India, which has recorded more than 1.4 million cases.

"Aishwarya and Aaradhya have thankfully tested negative and have been discharged from the hospital. They will now be at home," her husband tweeted, thanking fans for "continued prayers and good wishes".

"My father and I remain in hospital under the care of the medical staff," he added.

The actress and her eight-year-old daughter Aaradhya were initially quarantining at home before being moved to the same hospital where her 77-year-old father-in-law and his son are being treated for the illness.

She won the Miss World crown in 1994 and has since become one of the most famous faces in Bollywood and a regular on the red carpet at the Cannes Film Festival.

The elder Bachchan and 44-year-old Abhishek are both in the hospital's isolation ward.

No health update has been issued since they were admitted more than two weeks ago but Amitabh, an avid social media user, has been dispensing regular messages to his millions of fans on Twitter, Instagram and Tumblr.

A blog entry posted on Saturday touched on the mental trauma and stigma suffered by coronavirus patients, referring to "the stark reality that the COVID patient, put in hospitalized isolation, never gets to see another human".

Recovered patients "are afraid to be in public for fear or apprehension of being treated differently .. treated as one that has carried the disease .. a pariah syndrome .. driving them into deeper depression", he wrote.

The elder Bachchan, idolized in India and affectionately known as "Big B", has worked for more than half a century in the film industry.

He was voted "actor of the millennium" in a BBC online poll in 1999 and became the first Indian actor to be showcased at London's Madame Tussauds waxworks museum.

Mumbai, India's financial and film capital, has now recorded over 100,000 cases, with more than 6,000 deaths attributed to the virus.

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Demand for Japanese Content Booms Post 'Shogun'

The critical and commercial success of TV's 'Shogun' has helped spark a new wave of Japanese content being developed for global consumption. Michael Tran / AFP/File
The critical and commercial success of TV's 'Shogun' has helped spark a new wave of Japanese content being developed for global consumption. Michael Tran / AFP/File
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Demand for Japanese Content Booms Post 'Shogun'

The critical and commercial success of TV's 'Shogun' has helped spark a new wave of Japanese content being developed for global consumption. Michael Tran / AFP/File
The critical and commercial success of TV's 'Shogun' has helped spark a new wave of Japanese content being developed for global consumption. Michael Tran / AFP/File

But "Shogun", based on the 1975 novel by Australian-British writer James Clavell, broke the mould when the period drama series -- mostly in Japanese and hailed for its authenticity -- won 18 Emmy awards in September.
Other recent Japanese works have also become worldwide hits.
Franco-US-Japanese show "Drops of God", based on a manga of the same name, won best drama series at the International Emmy Awards in November.
Netflix's 2023 adaptation of the manga superhit "One Piece" -- starring Mexican actor Inaki Godoy as the lead -- was hailed by viewers and critics alike and will return for a second season.
More adaptations of major manga and anime hits are in the works, including the superhero adventures of "My Hero Academia" and the ninja escapades of "Naruto".
"Demand from Western markets is clearly increasing," said Kaori Ikeda, managing director at TIFFCOM, the content trade fair affiliated with the Tokyo International Film Festival.
But Japanese companies lack "know-how" when it comes to things like negotiating rights, she told AFP.
So TIFFCOM has organized Tokyo Story Market, a space to facilitate networking and meetings between international producers and Japanese publishers.
'Whitewashing'
Foreign studios are also getting better at avoiding some of the pitfalls of the past, such as the 2017 film version of the manga "Ghost in the Shell" starring Scarlett Johansson.
Critics accused the movie, whose main actors except Takeshi Kitano were all non-Japanese, of "whitewashing".
Similarly, the 2017 supernatural thriller "Death Note" was panned for veering too far from the original manga.
"Manga authors are highly respected and fan communities are very vigilant," said Klaus Zimmermann, producer of "Drops of God".
His adaptation takes some liberties, such as starring a French actor as one of the main characters, but Zimmermann insists it was developed in collaboration with the authors of the original manga.
"It was about finding the spirit of the manga so as not to distort it," he told AFP.
Yuki Takamatsu, a rights negotiator at the manga's publishing house Kodansha, said the process of adapting "Drops of God" was "amazing".
"Everyone was open to tackling those challenges together... At every step, everyone was understanding about how we should do it," he said.
Past failures were in part down to publishers struggling to communicate their wishes to foreign producers, who in turn lacked a proper understanding of manga and anime, Takamatsu said.
"Back just 15, 20 years ago, most of the enquiries we received from those big studios were like, hey, I know 'Dragon Ball', do you have 'Dragon Ball' IP?" Takamatsu told AFP.
"But nowadays, especially since Covid, the producers in their 30s, 40s, they watch anime together with their kids on Netflix or Amazon" and then reach out, he said.
Japanese TV goes global
Japanese broadcasters have also become "better and better (at) presenting and marketing their content" abroad, said Makito Sugiyama, executive director at the Broadcast Program Export Association of Japan (BEAJ).
This includes their participation at global events such as MIPCOM in Cannes, an annual trade show for the television industry, Sugiyama said.
Japanese broadcasters have long had success selling show concepts abroad, like the one for "America's Funniest Home Videos", known in Britain as "You've Been Framed".
Now, some Japanese dramas are also finding a wider echo abroad.
Nippon TV's original drama "Mother" became a hit thanks in part to its Turkish remake, and has been broadcast in around 50 countries.
Western viewers have overcome their initial reluctance to watch series with Asian actors, believes Masaru Akiyama, chief executive of the BEAJ.
"They have got used to it, they don't care anymore. They want to see, they want to feel the stories."
"Shogun" was "a game changer for Japan," he added, and Ikeda agrees.
"That a samurai story with such attention to historical detail can become mainstream entertainment is proof of the potential" of Japanese content, she said.