Former James Bond Actor Sean Connery Dies Aged 90

Sean Connery. (AP)
Sean Connery. (AP)
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Former James Bond Actor Sean Connery Dies Aged 90

Sean Connery. (AP)
Sean Connery. (AP)

Scottish movie legend Sean Connery, who shot to international stardom as the suave, sexy and sophisticated British agent James Bond and went on to dominate the silver screen for four decades, has died aged 90, the BBC and Sky News reported on Saturday.

Connery was raised in near poverty in the slums of Edinburgh and worked as a coffin polisher, milkman and lifeguard before his bodybuilding hobby helped launch an acting career that made him one of the world's biggest stars.

He will be remembered first as British agent 007, the character created by novelist Ian Fleming and immortalized by Connery in films starting with "Dr. No" in 1962.

As Bond, his debonair manner and wry humor in foiling flamboyant villains and cavorting with beautiful women belied a darker, violent edge, and he crafted a depth of character that set the standard for those who followed him in the role.

He would introduce himself in the movies with the signature line, "Bond - James Bond." But Connery was unhappy being defined by the role and once said he "hated that damned James Bond".

Tall and handsome, with a throaty voice to match a sometimes crusty personality, Connery played a series of noteworthy roles besides Bond and won an Academy Award for his portrayal of a tough Chicago cop in "The Untouchables" (1987). He was 59 when People magazine declared him the "sexiest man alive" in 1989.

Connery was an ardent supporter of Scotland's independence and had the words "Scotland Forever" tattooed on his arm while serving in the Royal Navy. When he was knighted at the age of 69 by Britain's Queen Elizabeth in 2000 at Holyrood Palace in Edinburgh, he wore full Scottish dress including the green-and-black plaid kilt of his mother's MacLeod clan.

Became fed up with 'idiots'
Some noteworthy non-Bond films included director Alfred Hitchcock's "Marnie" (1964), "The Wind and the Lion" (1975) with Candice Bergen, director John Huston's "The Man Who Would be King" (1975) with Michael Caine, director Steven Spielberg's "Indiana Jones and the Last Crusade" (1989) and the Cold War tale "The Hunt for Red October" (1990).

Fans of alternative cinema will always remember him starring as the "Brutal Exterminator" Zed in John Boorman's mind-bending fantasy epic "Zardoz" (1974), where a heavily mustachioed Connery spent much of the movie running around in a skimpy red loin-cloth, thigh-high leather boots and a pony tail.

Connery retired from movies after disputes with the director of his final outing, the forgettable "The League of Extraordinary Gentlemen" in 2003.

"I get fed up dealing with idiots," he said.

The Bond franchise was still going strong more than five decades after Connery started it. The lavishly produced movies, packed with high-tech gadgetry and spectacular effects, broke box office records and grossed hundreds of millions of dollars.

After the smashing success of "Dr. No," more Bond movies followed for Connery in quick succession: "From Russia with Love" (1963), "Goldfinger" (1964), "Thunderball" (1965) and "You Only Live Twice" (1967).

Connery then grew concerned about being typecast and decided to break away. Australian actor George Lazenby succeeded him as Bond in "On Her Majesty's Secret Service" in 1969.

But without Connery it lacked what the public wanted and he was lured back in 1971 for "Diamonds Are Forever" with temptations that included a slice of the profits, which he said would go to a Scottish educational trust. He insisted it would be his last time as Bond.

Twelve years later, at age 53, Connery was back as 007 in "Never Say Never Again" (1983), an independent production that enraged his old mentor, producer Albert "Cubby" Broccoli.

In a 1983 interview, Connery summed up the ideal Bond film as having "marvelous locations, interesting ambiance, good stories, interesting characters - like a detective story with espionage and exotic settings and nice birds."

But Connery's influence helped shape the character in the books as well as the films. He never attempted to disguise his Scottish accent, leading Fleming to give Bond Scottish heritage in the books that were released after Connery's debut.

Born Thomas Connery on Aug. 25, 1930, he was the elder of two sons of a long-distance truck driver and a mother who worked as a cleaner. He dropped out of school at age 13 and worked in a variety of menial jobs. At 16, two years after World War Two ended, Connery was drafted into the Royal Navy, and served three years.

"I grew up with no notion of a career, much less acting," he once said. "I certainly never have plotted it out. It was all happenstance, really."

Connery played small parts with theater repertory companies before graduating to films and television.

It was his part in a 1959 Disney leprechaun movie, "Darby O'Gill and the Little People," that helped land the role of Bond. Broccoli, a producer of the Bond films, asked his wife to watch Connery in the Disney movie while he was searching for the right leading actor.

Dana Broccoli said her husband told her he was not sure Connery had sex appeal.

"I saw that face and the way he moved and talked and I said: 'Cubby, he's fabulous!'" she said. "He was just perfect, he had star material right there."

Connery married actress Diane Cilento in 1962. Before divorcing 11 years later, they had a son, Jason, who became an actor. He married French artist Micheline Roquebrune, whom he met playing golf, in 1975.



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."