Researchers Offer New Theory on 'Venus' Figurines

A woman looks at the Venus of Willendorf sculpture on October
5, 2005, at the State Museum of Prehistory in Dresden, Germany, Photo:
Norbert Milauer/AFP/Getty Images.
A woman looks at the Venus of Willendorf sculpture on October 5, 2005, at the State Museum of Prehistory in Dresden, Germany, Photo: Norbert Milauer/AFP/Getty Images.
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Researchers Offer New Theory on 'Venus' Figurines

A woman looks at the Venus of Willendorf sculpture on October
5, 2005, at the State Museum of Prehistory in Dresden, Germany, Photo:
Norbert Milauer/AFP/Getty Images.
A woman looks at the Venus of Willendorf sculpture on October 5, 2005, at the State Museum of Prehistory in Dresden, Germany, Photo: Norbert Milauer/AFP/Getty Images.

One of world's earliest examples of art, the "fat sculptures" carved some 30,000 years ago, have intrigued and puzzled scientists for nearly two centuries.

Now a researcher from the University of Colorado Medical Campus believes he's gathered enough evidence to solve the mystery behind these curious totems.

These sculptures, which appear in most art history books, were long seen as symbols of fertility or beauty. But according to Richard Johnson, lead author of the study published in the journal Obesity, the key to understanding the statues lays in climate change and diet.

"Some of the earliest art in the world are these mysterious figurines of overweight women from the time of hunter gatherers in Ice Age Europe where you would not expect to see obesity at all. We show that these figurines correlate to times of extreme nutritional stress," said Johnson in a report published on the university's website.

Early modern humans entered Europe during a warming period about 48,000 years ago. They hunted reindeer, horses and mammoths with bone-tipped spears. In summer they dined on berries, fish, nuts and plants. But then, as now, the climate did not remain static.

"As temperatures dropped, ice sheets advanced and disaster set in," he said explaining the meaning of nutritional stress.

During the coldest months, temperatures plunged to 10-15 degrees Celsius.

"Some bands of hunter gatherers died out, others moved south, some sought refuge in forests," he explained.

It was during these desperate times that the obese figurines appeared. They ranged between 6 and 16 centimeters in length and were made of stone, ivory, horn or occasionally clay. Some were threaded and worn as amulets. Researchers believe the figurines represented an idealized body type for these difficult living conditions.

"Obesity became a desired condition. An obese female in times of scarcity could carry a child through pregnancy better than one who suffers malnutrition. So the figurines may have been imbued with a spiritual meaning that could protect a woman through pregnancy, birth and nursing," noted Johnson, who in addition to being a physician has an undergraduate degree in anthropology.

"Increased fat would provide a source of energy during gestation and times of climatic challenges. Therefore, the figurines emerged as an ideological tool to help improve fertility and survival of the mother and newborns," he concluded.



Bezos' Blue Origin calls off New Glenn Launch Again, Eyes Thursday

A Blue Origin New Glenn rocket stands ready for its inaugural launch at the Cape Canaveral Space Force Station in Cape Canaveral, Florida, U.S., January 11, 2025. REUTERS/Joe Skipper/File Photo
A Blue Origin New Glenn rocket stands ready for its inaugural launch at the Cape Canaveral Space Force Station in Cape Canaveral, Florida, U.S., January 11, 2025. REUTERS/Joe Skipper/File Photo
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Bezos' Blue Origin calls off New Glenn Launch Again, Eyes Thursday

A Blue Origin New Glenn rocket stands ready for its inaugural launch at the Cape Canaveral Space Force Station in Cape Canaveral, Florida, U.S., January 11, 2025. REUTERS/Joe Skipper/File Photo
A Blue Origin New Glenn rocket stands ready for its inaugural launch at the Cape Canaveral Space Force Station in Cape Canaveral, Florida, U.S., January 11, 2025. REUTERS/Joe Skipper/File Photo

Jeff Bezos' rocket company Blue Origin moved the launch of its New Glenn rocket from Tuesday to Thursday, Jan. 16, further pushing back its inaugural attempt to reach orbit and compete with SpaceX in the satellite launch market.

The company called off its first scheduled launch on Monday after a technical issue was encountered in the lead-up to its takeoff.

The three-hour launch window opens at 1 a.m. EST (0600 GMT) on Thursday, Blue Origin said in a post on X, according to Reuters.

The development of New Glenn has spanned three Blue Origin CEOs and faced numerous delays as Elon Musk's SpaceX grew into an industry juggernaut with its reusable Falcon 9, the world's most active rocket.

New Glenn is more than twice as powerful as a Falcon 9 rocket and has dozens of customer launch contracts collectively worth billions of dollars lined up.

The rocket would seek to land New Glenn's first stage booster on a sea-fairing barge in the Atlantic Ocean 10 minutes after liftoff, while the rocket's second stage continues toward orbit.

"The thing we're most nervous about is the booster landing," Bezos, who founded Blue Origin in 2000, told Reuters in a pre-launch interview on Sunday. "Clearly on a first flight you could have an anomaly at any mission phase, so anything could happen.