Netflix Reworks Leftovers with Food-Based Reality Game Show

In this undated photo provided by Netflix, from left to right Jonathan Kim, Alexandra Jones and Melissa Schwimmer compete in Netflix's new food-based reality game show “Best Leftovers Ever!” (AP)
In this undated photo provided by Netflix, from left to right Jonathan Kim, Alexandra Jones and Melissa Schwimmer compete in Netflix's new food-based reality game show “Best Leftovers Ever!” (AP)
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Netflix Reworks Leftovers with Food-Based Reality Game Show

In this undated photo provided by Netflix, from left to right Jonathan Kim, Alexandra Jones and Melissa Schwimmer compete in Netflix's new food-based reality game show “Best Leftovers Ever!” (AP)
In this undated photo provided by Netflix, from left to right Jonathan Kim, Alexandra Jones and Melissa Schwimmer compete in Netflix's new food-based reality game show “Best Leftovers Ever!” (AP)

Just in time for anyone facing a heaving, post-holiday refrigerator comes a TV show about what to do with all those dubious dishes — leftovers.

Each episode of the food game show “Best Leftovers Ever!” on Netflix sees three skilled cooks make new dishes out of already made dishes, hoping to walk away with $10,000.

“People think leftovers is just reheating your food. It’s not just reheating your food. Get creative with it. You could always create new and better things with it later,” says comedian David So, one of the judges.

In the first episode, contestants are given healthy leftovers — veggie salad, cauliflower rice, pork tenderloin with beets, and avocado with cottage cheese — and are asked to turn them into comfort food in 30 minutes. They have access to a pantry and kitchen staples.

One contestant turned to Indian flavors, making a pork curry with fritters. Another went for Greek, making a beet- and pork-stuffed pastry called a tiropita. The third made a tostada with glazed pepper jelly pork.

In the second round, called the Takeout Takedown, contestants must make new dishes from restaurant leftovers in only an hour. One took chicken fingers and fries and made a potato gnocchi. Another turned old burgers and fries into pierogies.

Later episodes see contestants turn football-watching party food — bean dip, sliders and raw veggies — into beef stroganoff or tacos, and turn leftover barbeque into lasagna or dumplings.

“If the audience can walk away and go back to their fridge and say, ‘Hey, I’m not going to throw this away, I’m actually going to make something amazing out of it,’ then we did our job,” says So.

The show arrives during a time when viewers have had to adjust to ordering takeout during the pandemic and at the end of holiday feasts.

“The timing couldn’t be more perfect,” says the show’s host, actress-musician Jackie Tohn, who starred in the TV series “GLOW” and is a self-described “leftover queen.”

“We can’t go to restaurants and all we can do is order in. And then if you get that Chinese food and you don’t want it to be Chinese food on night two, we’re giving you a bunch of tips and tricks to make that possible.”

Tohn and So are joined by the second judge, British chef and TV personality Rosemary Shrager. The three have a slightly absurdist vibe, tossing cheeseballs into each others’ mouths while contestants cook, or imitating Julia Child’s high-pitched modulations.

The show appealed to both So and Tohn since they grew up in households where there was little food wasted. Tohn’s grandmother used to keep bones for marrow: “Nothing ever got thrown away. I mean, we ate leftovers until the very end.” And So had leftovers all week.

“Everybody thinks that you have to eat new food every day. And that’s just not what I grew up with,” he says. “My mom would always make a big meal on the weekend and then I would have to be creative and then make good food on the weekdays with it.”

He laughs that chefs always stress fresh ingredients but a lot of what restaurants send out is leftovers, like arancini, which are usually just yesterday’s risotto, now rolled into balls and deep fried. “I don’t think we understand a lot of our favorite foods are honestly repurposed foods.”



Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
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Disney’s ‘Zootopia 2’ Set to Join $1 Billion Box Office Club

This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)
This image released by Disney shows Nick Wilde, voiced by Jason Bateman, left, and Judy Hopps, voiced by Ginnifer Goodwin, in a scene from "Zootopia 2." (Disney via AP)

Walt Disney Animation Studios' "Zootopia 2" is on track to surpass $1 billion at the global box office, the company said on Friday, as the sequel continues its strong run in international markets.

The film, which revisits the bustling animal metropolis of "Zootopia," features returning characters Judy Hopps, a rabbit police officer voiced by Ginnifer Goodwin, and her fox partner Nick Wilde, voiced by Jason Bateman.

The duo embarks on a new adventure that blends humor and social themes, echoing the formula that made the original a hit.

"Zootopia 2" opened strongly over the US Thanksgiving weekend, giving Hollywood a boost at the start of the critical holiday season.

The film's runaway success has been fueled by an extraordinary reception in China, where "Zootopia 2" dominated the box office during its opening weekend, accounting for roughly 95% of all ticket sales nationwide.

The original "Zootopia" also became China's most popular foreign animated film when it was released in 2016.

The performance offers welcome relief for theater operators hoping for packed cinemas through Christmas, traditionally the second-busiest moviegoing period of the year. Global box office receipts have yet to return to the pre-pandemic levels seen in 2019.


Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
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Disney to Invest $1 Billion in OpenAI, License Characters for Sora Video Tool

FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser
FILE PHOTO: The main gate of entertainment giant Walt Disney Co. is pictured in Burbank, California May 5, 2009. REUTERS/Fred Prouser

Walt Disney is investing $1 billion in OpenAI and will let the startup use characters from Star Wars, Pixar and Marvel franchises in its Sora AI video generator, a crucial deal that could reshape how Hollywood makes content.

The three-year partnership announced on Thursday is a pivotal step in Hollywood's embrace of generative artificial intelligence, side-stepping the industry's concerns over the impact of AI on creative jobs and intellectual property rights.

As part of the licensing deal, Sora and ChatGPT Images will start generating videos using licensed Disney characters such as Mickey Mouse, Cinderella and Mufasa, from early next year. The agreement excludes any talent likenesses or voices.

"Through this collaboration with OpenAI we will thoughtfully and responsibly extend the reach of our storytelling through generative AI, while respecting and protecting creators and their works," Disney CEO Bob Iger said.

OpenAI has been engaging with Disney and others in Hollywood for the past year in its search for partners, a person with knowledge of the discussions said.
The move marks a major shift in Disney's approach to AI - the company had decided to keep out its characters from the Sora app when OpenAI was in talks with companies regarding the tool's copyright policy.

Disney and Comcast's Universal had in June filed a copyright lawsuit against AI photo generation firm Midjourney for its use of the studios' best-known characters.

As part of the agreement with OpenAI, a selection of the videos by users will be made available for streaming on Disney+, allowing the streaming platform to capitalize on the growing appeal for short-form video content.

The media conglomerate will also receive warrants to purchase additional equity in the ChatGPT maker.

The companies will use OpenAI's models to build new products and customer experiences, including for Disney+ subscribers, while Disney will deploy ChatGPT for its employees, Reuters reported.

The partnership comes months after Hollywood's premier talent agency sharply criticized the same technology Disney is now embracing.

Creative Artists Agency, which represents thousands of actors, directors and music artists, said in October OpenAI was exposing artists to "significant risk" through Sora, questioning whether the AI company believed creative professionals "deserve to be compensated and credited for the work they create".


In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
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In Photos, the Details that Illuminated the 2025 Marrakech International Film Festival

An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)
An actress holds a Schiaparelli purse while posing for a photo on the red carpet during 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa’ab Elshamy)

The carpet outside the 2025 edition of the Marrakech International Film Festival was unfurled in its usual red, but the stars who walked across it shimmered in every color.

Actors and filmmakers drifted down its length in embroidered velvet robes and delicately cut black lace dresses, amid the sounds of camera shutters and microphones humming.

Some ensembles nodded explicitly to the region: hand-stitched caftans and robes with hems that followed the geometry of North African embroidery, The AP news reported.
Youssra, one of Egypt’s best-known actors, carried a black sequined, pearl-trimmed clutch emblazoned with her name across the front, recognizable to audiences all over the Middle East.

Palestinian filmmaker Annemarie Jacir poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Saturday, Dec. 6, 2025. (AP Photo/Mosa’ab Elshamy)

Others went crisp and relied on an austere palette of black and white to make their statement. And woven through were quiet gestures of political intent. Clutches patterned like keffiyehs, pins worn close to the heart — small but unmistakable signals of solidarity with Palestinians at a festival on the edge of a region in conflict.

This year’s festival — whose guests included jury president Bong Joon Ho, Jafar Panahi and Anya Taylor-Joy — concluded Saturday.

An actress poses for a photo on the red carpet during the 22nd Marrakech Film Festival, in Morocco, Tuesday, Dec. 2, 2025. (AP Photo/Mosa'ab Elshamy)