Lebanon's Legendary Musician Elias Rahbani Dies Aged 83

Elias al-Rahbani. (AFP)
Elias al-Rahbani. (AFP)
TT

Lebanon's Legendary Musician Elias Rahbani Dies Aged 83

Elias al-Rahbani. (AFP)
Elias al-Rahbani. (AFP)

Elias al-Rahbani, Lebanon’s legendary composer and lyricist who wrote the music for some of the Arab world’s top performers, including Lebanon’s diva Fairouz, has died after battling COVID-19, his family said. He was 83.

Rahbani was hospitalized last week suffering low oxygen after he contracted the coronavirus and succumbed to COVID-19, the illness caused by the virus, on Monday.

Elias was the younger brother of Mansour and Assi Rahbani, the Arab world’s iconic musical duo known as the Rahbani Brothers, who wrote music and plays for Fairouz and other celebrities. Assi Rahbani, who was married to Fairouz, died in 1985, while Mansour passed away in 2009.

The three brothers were pioneers of a Lebanese golden age of music and culture, before the country was plunged into a lengthy civil war in the mid- 1970s. Many Lebanese still start their day listening to their songs and see them as uniting figures, beloved across the country’s divided political spectrum.

Born into a musical family in the town of Antelias, north of Beirut, Elias quickly forged a path for himself in the music industry. He often worked with his brothers but went on to compose his own songs for veteran Lebanese artists including Fairouz, Sabah, Melhem Barakat, Majida al-Roumi and others.

Elias Rahbani distinguished himself from his brothers, who were the industry's best-known duo, with his more modern styles and mix of Middle Eastern and Western music that won him international awards. He wrote some of Fairouz’ best hits, as well as the music and lyrics for many patriotic songs.

Rahbani composed hundreds of songs and music for the theater and the soundtracks to dozens of films and TV series, including “Habibati,” or my Love, “The Night Player.”

Elias leaves behind a wife, Nina, two sons, Ghassan and Jad and a sister, Elham.



Dwayne Johnson’s $200 Million-plus Christmas Pic Opens to $34.1 Million

Dwayne Johnson, Lucy Liu, and Chris Evans laugh at the premiere of the holiday film "Red One" in New York City, New York US, November 11, 2024. REUTERS/Kent J Edwards
Dwayne Johnson, Lucy Liu, and Chris Evans laugh at the premiere of the holiday film "Red One" in New York City, New York US, November 11, 2024. REUTERS/Kent J Edwards
TT

Dwayne Johnson’s $200 Million-plus Christmas Pic Opens to $34.1 Million

Dwayne Johnson, Lucy Liu, and Chris Evans laugh at the premiere of the holiday film "Red One" in New York City, New York US, November 11, 2024. REUTERS/Kent J Edwards
Dwayne Johnson, Lucy Liu, and Chris Evans laugh at the premiere of the holiday film "Red One" in New York City, New York US, November 11, 2024. REUTERS/Kent J Edwards

Moviegoers were not exactly feeling the Christmas spirit this weekend, or at least not based on their attendance at “Red One” showings.
The big budget, star-driven action comedy with Dwayne Johnson and Chris Evans sold $34.1 million in tickets in its first weekend in theaters, according to studio estimates Sunday. It easily topped a box office populated mostly by holdovers.
For traditional studios, a $34.1 million debut against a $200 million-plus production budget would be a clear indication of a flop. Some even peg the budget closer to $250 million. But “Red One” is an Amazon MGM Studios release with the luxury of playing the long game rather than relying solely on global box office where Johnson tentpoles often overperform. The film may have a life on Prime Video for years to come, The Associated Press reported.
“Red One,” in which Johnson plays Santa’s bodyguard, was originally built to go straight-to-streaming. It was greenlit prior to Amazon's acquisition of MGM. One interpretation of its lifecycle is that the theatrical earnings are not only just a bonus, but an additive gesture toward struggling theaters looking for a consistent stream of new films.
“Amazon has 250 million plus worldwide subscribers to the platform. It’s similar to the way Netflix, I think, looks at stuff for their platform,” said Kevin Wilson, head of distribution for Amazon MGM Studios. “There’s a there’s a massive value for a movie like this in terms of how many eyeballs you’re going to get.”
The first major studio holiday release since 2018, “Red One” opened on 4,032 screens, including IMAX and other large formats, on an otherwise quiet weekend for major releases.
“We’re really happy with the results," Wilson said. “I think when you look at the theatrical marketplace that's sometimes unforgiving, especially for original films, this is a good result for us.”
Since 2020, only seven films that weren't sequels or based on another piece of intellectual property have opened over $30 million (including “Oppenheimer” and “Nope.”)
Warner Bros. is handling the overseas release, where it has made an estimated $50 million in two weekends from 75 territories and 14,783 screens.
Still, it’s certainly not a theatrical hit in North America. Even “Joker: Folie à Deux” made slightly more in its first weekend. “Red One,” directed by Jake Kasdan and produced by Johnson’s Seven Bucks, was roundly rejected by critics, with a dismal 33% Rotten Tomatoes score. Jake Coyle, in his review for The Associated Press, wrote that it “feels like an unwanted high-priced Christmas present.”
Audiences were kinder than they were to “Joker 2,” giving it an A- CinemaScore, suggesting, perhaps, that the idea of it becoming a perennial holiday favorite is not so off-base.
“Red One” is also overperforming in the middle of the country, Wilson said, and perhaps will have a nice holdover over Thanksgiving as a different option to the behemoths on the way.
Sony's “Venom: The Last Dance” added $7.4 million this weekend's box office to take second place, bringing its domestic total to $127.6 million. Globally, its total stands at $436.1 million.
Lionsgate's “The Best Christmas Pageant Ever” landed in third with $5.4 million. That much more modestly budgeted Christmas movie has already nearly doubled its $10 million production budget in two weeks. Fourth place went to A24’s Hugh Grant horror “Heretic,” with $5.2 million, bumping its total gross to $20.4 million.
Universal and DreamWorks Animation’s “The Wild Robot” rounded out the top five in its eighth weekend in theaters with an additional $4.3 million. The animated film surpassed $300 million worldwide.
This weekend is a bit of a stopover before the Thanksgiving tentpoles arrive. Next week, “Wicked” and “Gladiator II” face off in theaters with “Moana 2”, which also stars Johnson, sailing in the Wednesday before the holiday.
“Gladiator II” also got a bit of a head start internationally, where it opened in 63 markets this weekend to gross $87 million. That's a record for filmmaker Ridley Scott and for an R-rated international release from Paramount. It opens in the US and Canada on Nov. 22.