Dwayne Johnson's 'Surreal' Look back in TV's ‘Young Rock’

This image released by NBC shows Dwayne Johnson in "Young Rock," premiering on Feb. 16. (AP)
This image released by NBC shows Dwayne Johnson in "Young Rock," premiering on Feb. 16. (AP)
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Dwayne Johnson's 'Surreal' Look back in TV's ‘Young Rock’

This image released by NBC shows Dwayne Johnson in "Young Rock," premiering on Feb. 16. (AP)
This image released by NBC shows Dwayne Johnson in "Young Rock," premiering on Feb. 16. (AP)

When Dwayne Johnson sold the idea for a TV comedy about his colorful and challenging early life to NBC a year ago, he was delighted to tell his parents that a version of their family was bound for the small screen.

Days later, his father was felled by a blood clot-caused heart attack at age 75. His loss inevitably altered “Young Rock,” said Johnson, who plays himself in the series debuting on Tuesday. A trio of actors portray Johnson's younger iterations.

“I get emotional when I talk about this, when I talk about my dad and think about it,” Johnson said, pausing to compose himself. “I had a complex relationship with my dad, and he was a complex man.”

The series intended to include the elder Johnson's highs and lows, but after his death his son decided to lean more fully into his “really uncanny ability to make anyone feel good.”

With a smile, he recited dad Rocky Johnson's buoyant greetings, including a favorite: “‘Have you been working out?’”

Dwayne Johnson, billed in his dazzling wrestling days as The Rock, likely got a share of his skill and ambition from his Nova Scotia-born father, who held National Wrestling Alliance titles and was among the first Black champions in World Wrestling Entertainment history.

But he may also owe his dad for the charm and unforced warmth that make Dwayne Johnson instantly endearing, despite his imposing build and status as a box-office star with credits in the “Fast and Furious” and “Jumanji” franchises. The sports comedy “Ballers” is part of his TV resume.

He's the real deal, “generous and lovely,” said Nahnatchka Khan, an executive producer for “Young Rock” along with Johnson. “He's collaborative, funny and willing to take chances. So much of comedy is trust ... and I trust him completely.”

Bradley Constant, who plays the teenage Johnson yearning for girls, cool threads and a car, took on his first major role with guidance from him.

“He reassured me just to be myself. He’s a very genuine, normal guy who’s lived an incredible life, of course,” said Constant, who saw the family’s financial difficulties as a way to help ground him in the role.

“Young Rock” is structured around Johnson's depiction as a 2032 presidential candidate — a less time-certain move the political independent has considered. Is he preparing America for his next chapter?

“I think the people will prepare me. I can say that,” he replied with a laugh.

In the debut episode, he's interviewed by Randall Park, also playing himself but as an actor-turned-TV journalist. Park starred in “Fresh Off the Boat,” which Khan created and produced.

As Johnson recalls the past, there are flashbacks to scenes of him as a child, played by Adrian Groulx; a high schooler (Constant); and young adult, played by Australian actor Uli Latukefu. Joseph Lee Anderson and Stacey Leilua co-star as parents Rocky and Ata Johnson.

Matthew Willig stands tall as the late Andre the Giant, one of the wrestling world figures shown as a commonplace part of Johnson's uncommon childhood and youth marred by setbacks he fought to overcome.

“He really wanted to go there and show the struggle, that it hasn't been a straight line to the top for him,” Khan said. “He's been knocked down a lot and he's had to pivot off what he thought was his dream and find a new dream, a new path. Being able to explore those kinds of moments in a comedy are really important.”

Johnson proved “down for it all. It was just about him wanting to portray the people who affected his life in a real way,” she said, adding that what's depicted in the series happened or was inspired by events.

In reflecting on the past, Dwayne Johnson said, he's come to realize the challenges proved the impetus for real growth.

“It became an anchoring factor in my struggle and my determination to, quite frankly, not be a victim when, again, we were evicted (from housing) when I was 13 or 14,” he said. As he worked with Khan to find the right approach to the show, “I did know in my heart the most important thing was to be authentic and to be OK with ripping some stories open and ripping some past open.”

That includes his own missteps, which Johnson has said included arrests for fighting and theft before he was 17.

While it's “extremely surreal” to watch his early years unfold in the series, he's savoring the perspective that only time can bring.

Even when things were tough, Johnson said, he was bolstered by family and “had this opportunity to go and witness these real-life heroes in front of me, like my dad and these wrestlers who were adored and loved and so strong and powerful.”

“You look back on these stories and you just become so incredibly grateful,” he said.



Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
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Studio Ghibli Marks 40 Years, but Future Looks Uncertain

This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)
This file photo taken on June 29, 2023 shows a man sitting next to the character No Face from the Studio Ghibli film "Spirited Away" during a media preview for "The World of Studio Ghibli's Animation Exhibition Bangkok" before the public opening on July 1, in Central World shopping mall in Bangkok.(AFP)

Japan's Studio Ghibli turns 40 this month with two Oscars and legions of fans young and old won over by its complex plots and fantastical hand-drawn animation.

But the future is uncertain, with latest hit "The Boy and the Heron" likely -- but not certainly -- the final feature from celebrated co-founder Hayao Miyazaki, now 84.

The studio behind the Oscar-winning "Spirited Away" has become a cultural phenomenon since Miyazaki and the late Isao Takahata established it in 1985.

Its popularity has been fueled of late by a second Academy Award in 2024 for "The Boy and the Heron", starring Robert Pattinson, and by Netflix streaming Ghibli movies around the world.

In March, the internet was flooded with pictures in its distinctively nostalgic style after the release of OpenAI's newest image generator, raising questions over copyright.

The newly opened Ghibli Park has also become a major tourist draw for central Japan's Aichi region.

Julia Santilli, a 26-year-old from Britain living in northern Japan, "fell in love with Ghibli" after watching the 2001 classic "Spirited Away" as a child.

"I started collecting all the DVDs," she told AFP.

Ghibli stories are "very engaging and the artwork is stunning", said another fan, Margot Divall, 26.

"I probably watch 'Spirited Away' about 10 times a year still."

- 'Whiff of death' -

Before Ghibli, most cartoons in Japan, known as anime, were made for children.

But Miyazaki and Takahata, both from "the generation that knew war", included darker elements that appeal to adults, Miyazaki's son Goro told AFP.

"It's not all sweet -- there's also a bitterness and things like that which are beautifully intertwined in the work," he said, describing a "whiff of death" in the films.

For younger people who grew up in peacetime, "it is impossible to create something with the same sense, approach and attitude," Goro said.

Even "My Neighbor Totoro," with its cuddly forest creatures, is in some ways a "scary" movie that explores the fear of losing a sick mother, he explained.

Susan Napier, a professor at Tufts University in the United States and author of "Miyazakiworld: A Life in Art", agrees.

"In Ghibli, you have ambiguity, complexity and also a willingness to see that the darkness and light often go together" unlike good-versus-evil US cartoons, she said.

The post-apocalyptic "Nausicaa of the Valley of the Wind" -- considered the first Ghibli film despite its release in 1984 -- has no obvious villain, for example.

The movie featuring an independent princess curious about giant insects and a poisonous forest felt "so fresh" and a change from "a passive woman... having to be rescued," Napier said.

- Natural world -

Studio Ghibli films also depict a universe where humans connect deeply with nature and the spirit world.

A case in point was 1997's "Princess Mononoke", distributed internationally by Disney.

The tale of a girl raised by a wolf goddess in a forest threatened by humans is "a masterpiece -- but a hard movie," Napier said.

It's a "serious, dark and violent" film appreciated more by adults, which "was not what US audiences had anticipated with a movie about a princess."

Ghibli films "have an environmentalist and animistic side, which I think is very appropriate for the contemporary world with climate change," she added.

Miyuki Yonemura, a professor at Japan's Senshu University who studies cultural theories on animation, said watching Ghibli movies is like reading literature.

"That's why some children watch Totoro 40 times," she said, adding that audiences "discover something new every time."

- French connection -

Miyazaki and Takahata, who died in 2018, could create imaginative worlds because of their openness to other cultures, Yonemura said.

Foreign influences included writer Antoine de Saint-Exupery and animator Paul Grimault, both French, and Canadian artist Frederic Back, who won an Oscar for his animation "The Man Who Planted Trees".

Takahata studying French literature at university "was a big factor," Yonemura said.

"Both Miyazaki and Takahata read a lot," she said. "That's a big reason why they excel at writing scripts and creating stories."

Miyazaki has said he was inspired by several books for "Nausicaa", including the 12th-century Japanese tale "The Lady who Loved Insects", and Greek mythology.

Studio Ghibli will not be the same after Miyazaki stops creating animation, "unless similar talent emerges," Yonemura said.

Miyazaki is "a fantastic artist with such a visual imagination" while both he and Takahata were "politically progressive," Napier said.

"The more I study, the more I realize this was a unique cultural moment," she said.

"It's so widely loved that I think it will carry on," said Ghibli fan Divall.

"As long as it doesn't lose its beauty, as long as it carries on the amount of effort, care and love," she said.