New Documentary Paints Disturbing Picture of Woody Allen

Woody Allen. (AFP)
Woody Allen. (AFP)
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New Documentary Paints Disturbing Picture of Woody Allen

Woody Allen. (AFP)
Woody Allen. (AFP)

A new documentary series premiering Sunday on the HBO network, "Allen v. Farrow," paints a damning picture of Oscar-winning director Woody Allen, particularly regarding his alleged sexual abuse of young adoptive daughter Dylan Farrow.

Even if the four-part series contains no major revelations, it seems certain to further sully the already battered reputation of the aging New York filmmaker.

Respected documentary directors Kirby Dick and Amy Ziering delve into Allen's past, using testimony and legal documents -- some not previously seen -- to dig deeper than anyone before them.

Dylan Farrow has accused Allen of sexually abusing her in August 1992, when she was only seven years old -- an allegation he has always denied.

The documentary draws a line between the alleged abuse of Dylan and Allen's relationship with the adoptive daughter of his then-partner Mia Farrow, Soon-Yi Previn, who is now his wife.

More generally, the series examines his attraction to young girls. The documentary cites court documents and testimony indicating that Allen had sexual relations with Soon-Yi while she was a minor.

Sixteen when they met, she is now 50; Allen is 35 years her senior.

On top of those disturbing elements, "Allen v. Farrow" details Allen's supposed penchant for manipulation -- in particular of the press -- as he sought to undercut the damaging accusations and discredit Mia Farrow.

The film strongly implies that he might have successfully derailed the two official investigations into the matter, neither of which resulted in charges being filed.

About complicity
More broadly, the documentary denounces the pre-#MeToo culture of male dominance, which allowed powerful men in show business and other fields to abuse their positions with impunity, sometimes with the full knowledge of others in their professional circles.

"Allen v. Farrow" will have particular resonance in France, where it will be broadcast next month on the OCS network amid a recent series of allegations of incest involving several public figures.

The film also charts the way Allan Konigsberg -- Woody Allen's real name -- continued to enjoy seemingly unshakable support from many in the cinema world even as Farrow lost out on roles and, she said, became persona non grata in Hollywood.

It was only in 2017, following the publication of an op-ed article by Dylan Farrow and with the very public support of her brother Ronan -- a journalist and early hero of the #MeToo movement -- that actors and actresses began to turn their backs on the octogenarian director, who remains isolated today.

To filmmaker Dick, the message of the documentary reaches far beyond Allen, though it bears his name. "It's really not about him," Dick told the Washington Post.

"It's more about the systemic," added Ziering. "This film is about complicity, the power of celebrity, the power of spin, how we all are viral and will believe something that's repeated enough."

"Allen v. Farrow" also examines Dylan Farrow, who opens up as never before and who, nearly 30 years later, still shows signs of deep trauma.

"There's so much misinformation... so many lies," she said. "I've been subjected to every kind of doubt, every kind of scrutiny and every kind of humiliation," while her father "was able to just run amok."

One major absence looms over the four hours of the series as it assembles its merciless indictment -- that of Allen himself, though it does include extracts from his 2020 autobiography "Apropos of Nothing," read by the director for the audiobook.

No one comes to Allen's defense, not even wife Soon-Yi or adoptive son Moses, both of whom have defended him in the past but refused to take part in the documentary.

Contacted by AFP for comment, Allen did not respond.

"I think a lot of people, when they see this - even people who right now are defending Woody Allen - I think they will either change their mind or examine things in a much different way," said Dick.



Kendrick Lamar Surprises with New Album 'GNX'

FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)
FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)
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Kendrick Lamar Surprises with New Album 'GNX'

FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)
FILE - Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club, April 16, 2017, in Indio, Calif. (Photo by Amy Harris/Invision/AP, File)

Kendrick Lamar gave music listeners an early holiday present Friday with the surprise drop of a new album.

The Grammy winner's 12-track “GNX” is his first release since 2022's “Mr. Morale & The Big Steppers” and his sixth studio album overall. It also comes just months after his rap battle with Drake.

Lamar first teased the album with a cover art and video snippet of “GNX,” which features multi-instrumentalist Jack Antonoff as a co-producer on every track except for “Peekaboo.” Other notable producers include Sounwave and DJ Mustard, who both contributed production on the hit “Not Like Us,” the ubiquitous diss track emanating from the Drake feud.

Lamar's former Top Dawg Entertainment labelmate SZA appears on a couple songs including “Gloria” and “Luther,” which also features sampled vocals from Luther Vandross and Cheryl Lynn through “If This World Were Mine."
On the opening track “Wacced Out Murals,” Lamar raps about cruising in his Buick GNX (Grand National Experimental) car with listening to Anita Baker. He brings up Snoop Dogg posting Drake's AI-assisted “Taylor Made Freestyle” diss track on social media and Nas congratulating Lamar for being selected to headline February's Apple Music Super Bowl Halftime Show in New Orleans.
Lamar also shows admiration for Lil Wayne, who expressed his hurt feelings after being passed over as the headliner in his hometown.
Lamar, 37, has experienced massive success since his debut album “good kid, m.A.A.d city” in 2012. Since then, he’s accumulated 17 Grammy wins and became the first non-classical, non-jazz musician to win a Pulitzer Prize for his 2017 album “DAMN.”
The surprise release caps a big year for Lamar, who was featured on the song “Like That” with Future and Metro Boomin — a track that spent three weeks at No. 1 on the Billboard Hot 100 this year.
Lamar is up for seven Grammys, fueled by “Not Like Us,” which earned nods for record and song of the year, rap song, music video as well as best rap performance. He has two simultaneous entries in the latter category, a career first: “Like That” is up for best rap performance and best rap song, too.