Music Instead of War…Serbian Artist Turns Weapons into Musical Instruments

Srdjan Sarovic, visual artist and a war veteran, plays on a guitar made out of M70 rifle and a helmet, made by Serbian sculptor Nikola Macura at his studio, in Novi Sad on February 1, 2021.  Andrej Isakovic/AFP
Srdjan Sarovic, visual artist and a war veteran, plays on a guitar made out of M70 rifle and a helmet, made by Serbian sculptor Nikola Macura at his studio, in Novi Sad on February 1, 2021. Andrej Isakovic/AFP
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Music Instead of War…Serbian Artist Turns Weapons into Musical Instruments

Srdjan Sarovic, visual artist and a war veteran, plays on a guitar made out of M70 rifle and a helmet, made by Serbian sculptor Nikola Macura at his studio, in Novi Sad on February 1, 2021.  Andrej Isakovic/AFP
Srdjan Sarovic, visual artist and a war veteran, plays on a guitar made out of M70 rifle and a helmet, made by Serbian sculptor Nikola Macura at his studio, in Novi Sad on February 1, 2021. Andrej Isakovic/AFP

Every week, Serbian sculptor Nikola Macura wanders through a messy military junkyard in search of sounds through discarded rifles, helmets and missiles.

He taps his knuckles on the decommissioned weapons to find pieces he can bring back to his studio and turn into musical instruments.

The 42-year-old is trying to transform these former tools of destruction into vessels of creation, in a region that still bears scars from the 1990s wars that unraveled Yugoslavia.

He has already successfully converted a bazooka and an army gas bucket into a cello, created a guitar out of a Zastava M70 rifle and a Yugoslav army helmet, and assembled a violin from an assault rifle magazine and a first aid kit, among others.

"Guns are all around us. We are so surrounded with destruction that we no longer notice it", said Macura, an assistant professor at Novi Sad Academy of Arts in Serbia's north.

There is a vast supply of material to work with: since the wars, depots selling decommissioned army equipment for pennies have become a common sight around the country.

These graveyards overflow with deactivated guns, bombs and gas masks, as well as combat vehicles, radars and even huge chunks of warplane.

The sculptor's goal is to create a full orchestra that would travel and play throughout the region, with war veterans serving as some of the musicians. "I aim to offer those people who participated in the war a chance to utilize the weapons they used to wage war to create music instead", he said.

He has already recruited veteran and visual artist Srdjan Sarovic, who likes to jam on the guitar made from a rifle and helmet.

"It disappears as a rifle and becomes exclusively a musical instrument. When I hold it in my hands and play it, all I worry about is how to align with the instrument," he told AFP. Macura's next project is turning an army tank into a percussion instrument for five musicians, which he plans to paint pink. "To make an instrument out of a tank, it's the same as making an instrument out of a rifle. Impossible," he laughed.



'Amazing' AI De-Ages Tom Hanks in New Film 'Here'

Tom Hanks. (AP)
Tom Hanks. (AP)
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'Amazing' AI De-Ages Tom Hanks in New Film 'Here'

Tom Hanks. (AP)
Tom Hanks. (AP)

Tom Hanks has praised the "amazing" use of artificial intelligence to de-age him "in real time" on the set of new movie "Here," even as he accepted that the technology is causing huge concern in Hollywood.
"Here," out in theaters Friday, stars Hanks and Robin Wright as a couple striving to keep their family together through births, marriages, divorces and deaths, across multiple decades and even generations, said AFP.
Hanks portrays his character from an idealistic teen, through various stages of youth and middle age, to a frail, elderly man.
But rather than just relying on makeup, filmmakers teamed up with AI studio Metaphysic on a tool called Metaphysic Live, to rejuvenate and "age up" the actors.
The technology worked so fast that Hanks was able to immediately watch his "deep-faked" performance after each scene.
"The thing that is amazing about it is it happened in real time," said Hanks.
"We did not have to wait for eight months of post-production. There were two monitors on the set. One was the actual feed from the lens, and the other was just a nanosecond slower, of us 'deep-faked.'
"So we could see ourselves in real time, right then and there."
The rapidly increasing use of AI in films including "Here" has triggered vast concern in Hollywood, where actors last year went on strike over, among other things, the threat they believe the technology poses to their jobs and industry.
Hanks acknowledged those fears during a panel discussion with director Robert Zemeckis at last weekend's AFI Fest in Hollywood, saying a "lot of people" were worried about how it will be used.
"They took 8 million images of us from the web. They scraped the web for photos of us in every era that we've ever been -- every event we've filmed, every movie still, every family photo that might have existed anywhere," Hanks explained.
"And they put that into the box -- what is it, 'deepfake technology,' whatever you want to call it."
'Cinematic'
The use of AI is not the only unusual technological feat in "Here."
The film is entirely shot from one static camera, positioned for the most part in the corner of a suburban US home's living room.
Viewers occasionally see glimpses of the same geographic space before the house was built, as the action hops back and forth to colonial and pre-colonial times -- or even earlier.
"Here" is based on a graphic novel by Richard McGuire, which uses the same concept.
"It had to be true to the style of the book, and that's why it looks the way it does," Zemeckis told AFP.
"It worked in levels that I didn't expect. It's got a real powerful intimacy to it, and in a wonderful way, it's very cinematic."
But the film's use of AI has drawn the most attention.
'Very serious subject'
AI was also at the heart of a very different film at AFI Fest -- "Wallace & Gromit: Vengeance Most Fowl," the latest film for the beloved British stop-motion characters.
When Wallace constructs a "smart gnome" to take care of chores, his faithful pooch Gromit immediately sniffs danger.
Once Feathers McGraw -- the nefarious penguin introduced to audiences in 1993 short film "The Wrong Trousers" -- gets involved, the technology takes a sinister turn.
AI becomes "the wedge between Wallace and Gromit," explained co-director Merlin Crossingham.
"It is a very light touch, although it's a very serious subject," he said.
If "we can trigger some more intellectual conversation from our silly adventure with Wallace and Gromit, then that can't be a bad thing."
The film itself did not use AI.
"We don't and we wouldn't," said Crossingham, earning hearty applause from the Hollywood crowd.
"Vengeance Most Fowl" will be broadcast on Christmas Day in the United Kingdom and Ireland, before airing globally on Netflix from January 3.