Chadwick Boseman, Netflix up for Honors at Virtual Golden Globes

FILE PHOTO: Chadwick Boseman arrives at the 47th AFI Life Achievement Award gala honoring actor Denzel Washington in Los Angeles, California, US, June 6, 2019. REUTERS/Monica Almeida/File Photo
FILE PHOTO: Chadwick Boseman arrives at the 47th AFI Life Achievement Award gala honoring actor Denzel Washington in Los Angeles, California, US, June 6, 2019. REUTERS/Monica Almeida/File Photo
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Chadwick Boseman, Netflix up for Honors at Virtual Golden Globes

FILE PHOTO: Chadwick Boseman arrives at the 47th AFI Life Achievement Award gala honoring actor Denzel Washington in Los Angeles, California, US, June 6, 2019. REUTERS/Monica Almeida/File Photo
FILE PHOTO: Chadwick Boseman arrives at the 47th AFI Life Achievement Award gala honoring actor Denzel Washington in Los Angeles, California, US, June 6, 2019. REUTERS/Monica Almeida/File Photo

The Golden Globes will be handed out under pandemic conditions on Sunday on a night that could see big wins for streaming service Netflix, honors for late actor Chadwick Boseman, and a smattering of celebrities in pajamas.

Netflix Inc goes into Sunday’s virtual celebration of movies and television, hosted from New York and Los Angeles by comedians Tina Fey and Amy Poehler, with a dominant 22 film nominations but still in search of its first best movie win.

That could come from period drama “Mank,” about the screenwriter of “Citizen Kane,” which leads with six nods, including for best drama movie, for actors Gary Oldman and Amanda Seyfried, and for director David Fincher.

Yet pundits say a “Mank” victory is far from assured from the small and unpredictable Hollywood Foreign Press Association (HFPA) whose members choose the winners, Reuters reported.

“It has everything going for it in terms of pedigree and there is a sense that awards shows love stories about the industry. But I feel like ‘Mank’ is not everyone’s favorite,” said Alison Willmore, film critic at entertainment website Vulture.com

The biggest competition comes from Searchlight Pictures’ “Nomadland,” a moving documentary-style drama about van dwellers in recession-hit America, and star-laden Netflix 1960s hippie courtroom drama “The Trial of the Chicago 7.” The #MeToo revenge black comedy “Promising Young Woman” and the unsettling ageing tale “The Father” round out the film drama nominations.

The Disney+ TV film of hit Broadway musical “Hamilton” and Amazon Studios’ “Borat Subsequent Moviefilm,” a satire on the America of former President Donald Trump, are seen as front-runners in the best comedy or musical movie category.

For television, the Netflix royal series “The Crown,” whose current season focuses on the late Princess Diana, leads the way with six nods, followed by quirky small-town comedy “Schitt’s Creek” on Pop TV.

Boseman, whose death at 43 of an undisclosed battle with cancer stunned fans and the industry, is considered the favorite for a posthumous best actor Golden Globe. Boseman’s last performance, as a brash trumpet player in drama “Ma Rainey’s Black Bottom,” was released after his death.

“It’s a big room-filling performance that is set apart from a lot of the other contenders,” said Willmore.

Jane Fonda and TV producer Norman Lear will get lifetime achievement awards, while a diverse array of stars, including Riz Ahmed (“Sound of Metal”), Andra Day (“The United States vs. Billie Holiday”), Viola Davis (“Ma Rainey’s Black Bottom”), Daniel Kaluuya (“Judas and the Black Messiah”) and Leslie Odom Jr. (“One Night in Miami”), are up for acting honors.

This year, because of the pandemic, they will be waiting at home for their names to be called, rather than walking the red carpet before wining and dining in the Beverly Hilton hotel.

Nicholas Hoult, who is nominated for playing Russian Emperor Peter III in TV comedy “The Great,” said he would be watching from home in London, where it will be well past midnight.

“I will probably be sitting in bed with the top half of my tuxedo, and pajamas on the bottom,” said Hoult.



‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
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‘How to Train Your Dragon’ Tops the US Box Office

This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)
This image released by Universal Pictures shows Mason Thames, as Hiccup, riding Night Fury dragon, Toothless in a scene from "How to Train Your Dragon", (Universal Pictures via AP)

Neither Pixar nor zombies were enough to topple “How to Train Your Dragon" from the No. 1 slot at North American box offices over the weekend. The Universal Pictures live-action remake remained the top film, bringing in $37 million in ticket sales in its second weekend, despite the sizeable new releases of “Elio” and “28 Years Later” , according to studio estimates Sunday. “How To Train Your Dragon” has rapidly amassed $358.2 million worldwide, The Associated Press reported.

Six years after its last entry, the Dean DeBlois-directed “How To Train Your Dragon” has proven a potent revival of the DreamWorks Animation franchise. A sequel is already in the works for the $150 million production, which remakes the 2010 animated tale about a Viking boy and his dragon.

Pixar's “Elio” had a particularly tough weekend. The Walt Disney Co. animation studio has often launched some of its biggest titles in June, including “Cars,” “WALL-E” and “Toy Story 4.” But “Elio,” a science fiction adventure about a boy who dreams of meeting aliens, notched a modest $21 million, the lowest opening ever for Pixar.

“This is a weak opening for a new Pixar movie,” said David A. Gross, who runs the movie consulting firm FranchiseRe. “These would be solid numbers for another original animation film, but this is Pixar, and by Pixar’s remarkable standard, the opening is well below average.”

“Elio,” originally set for release in early 2024, had a bumpy road to the screen. Adrian Molina — co-director of “Coco” — was replaced mid-production by Domee Shi (“Turning Red”) and Madeline Sharafian. Back at Disney’s D23 conference in 2022, America Ferrera appeared to announce her role as Elio’s mother, but the character doesn’t even exist in the revamped film.

Disney and Pixar spent at least $150 million making “Elio,” which didn’t fare any better internationally than it did in North America, bringing in just $14 million from 43 territories. Pixar stumbled coming out of the pandemic before stabilizing performance with 2023’s “Elemental” ($496.4 million worldwide) and 2024’s “Inside Out 2” ($1.7 billion), which was the company's biggest box office hit.

“Elemental” was Pixar's previously lowest earning film, launching with $29.6 million. It rallied in later weeks to collect nearly half a billion dollars at the box office. The company's first movie, “Toy Story,” opened with $29.1 million in 1995, or $60 when adjusted for inflation. It remains to be seen whether “Elio's” decent reviews and “A” from CinemaScore audiences can lead it to repeat “Elemental's” trajectory.

With most schools on summer break, the competition for family audiences was stiff. Disney’s own “Lilo & Stitch,” another live-action remake, continued to pull in young moviegoers. It grossed $9.7 million in its fifth weekend, bringing its global tally to $910.3 million.

“28 Years Later” signaled the return of another, far gorier franchise. Director Danny Boyle reunited with screenwriter Alex Garland to resume their pandemic apocalypse thriller 25 years after “28 Days Later” and 18 years after its sequel, “28 Weeks Later.”

The Sony Pictures release opened with $30 million. That was good enough to give Boyle, the filmmaker of “Slumdog Millionaire” and “Trainspotting,” the biggest opening weekend of his career. The film, which cost $60 million to make, jumps ahead nearly three decades from the outbreak of the so-called rage virus for a coming-of-age story about a 12-year-old (Alfie Williams) venturing out of his family’s protected village. Aaron Taylor-Johnson, Jodie Comer and Ralph Fiennes co-star.

Reviews have been good (90% fresh on Rotten Tomatoes) for “28 Years Later,” though audience reaction (a “B” CinemaScore) is mixed. Boyle has more plans for the zombie franchise, which will next see the release of “28 Years Later: The Bone Temple” next year from director Nia DaCosta.

“28 Years Later” added another $30 million in 59 overseas markets.

After its strong start last weekend with $12 million, A24’s “Materialists” held well with $5.8 million in its second weekend. The romantic drama by writer-director Celine Song and starring Dakota Johnson, Pedro Pascal and Chris Evans has collected $24 million so far.

Next weekend should also be a competitive one in movie theaters, with both “F1,” from Apple and Warner Bros., and Universal’s “Megan 2.0” launching in cinemas.