New York Cinemas Reopen, Brightening Outlook for Theaters

Kathyn Dennet, center, and Brian Haver leave the IFC Center after viewing a screening on "Mank", Friday, March 5, 2021, in New York. (AP)
Kathyn Dennet, center, and Brian Haver leave the IFC Center after viewing a screening on "Mank", Friday, March 5, 2021, in New York. (AP)
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New York Cinemas Reopen, Brightening Outlook for Theaters

Kathyn Dennet, center, and Brian Haver leave the IFC Center after viewing a screening on "Mank", Friday, March 5, 2021, in New York. (AP)
Kathyn Dennet, center, and Brian Haver leave the IFC Center after viewing a screening on "Mank", Friday, March 5, 2021, in New York. (AP)

After growing cobwebs for nearly a year, movie theaters in New York City reopen Friday, returning film titles to Manhattan marquees that had for the last 12 months instead read messages like “Wear a mask” and “We’ll be back soon.”

Shortly after noon at the Angelika Film Center on Houston Street, Holly Stillman was already feeling emotional coming out of the first New York showing of Lee Isaac Chung’s tender family drama “Minari.” “My mask is drenched,” she said.

But she was equally overwhelmed by being back in a cinema. Though Stillman feared the experience would be too restrictive because of COVID-19 protocols, she instead found it euphoric.

“It was just you and the movie screen,” said Stillman. “It was wonderful to smell the popcorn as soon as I got into the theater — even though I don’t eat popcorn.”

Less than half of movie theaters are open nationwide, but reopenings are quickening. Theaters in many other areas reopened last summer around the release of Christopher Nolan’s “Tenet,” but that attempted comeback fizzled. Throughout, theaters remained shut in the five boroughs. For a year almost to the date, one of the world’s foremost movie capitals stayed dark.

For a theatrical business that has been punished by the pandemic, the resumption of moviegoing in New York — is a crucial first step in revival.

“It’s a symbolic moment,” said Michael Barker, co-president of the New York-based Sony Pictures Classics, which on Friday released the Oscar contenders “The Father” and “The Truffle Hunters” in Manhattan theaters. “It says that there is hope for the theatrical world to reactivate itself.”

Cinemas in the city are currently operating at only 25% capacity, with a maximum of 50 per each auditorium. As in other places, mask wearing is mandatory, seats are blocked out and air filters have been upgraded.

Many theaters were caught off guard when Gov. Andrew Cuomo said cinemas could, under those conditions, reopen. Some of the city’s prominent theaters, including the Film Forum, the Alamo Drafthouse, the Metrograph and Regal Cinemas were targeting openings in the coming weeks. Some needed more time to prepare. After sitting dormant all winter, the Cinema Village in Manhattan two weeks earlier burst a pipe, flooding the lobby — one last bit of bad luck in a grueling year.

“This was the worst horror movie. I don’t think any Hollywood director could have dreamed it up,” said Nicolas Nicolaou, owner of the Cinema Village and theaters in Queens and New York. “We didn’t realize we’d be 100% shutdown for this long.”

New York, along with Los Angeles (where theaters are still closed), is one of the top movie markets. For smaller films, it’s a vital epicenter of word-of-mouth. For blockbusters, it’s a lucrative necessity. Without New York or Los Angeles open, Hollywood studios have pushed most of their larger productions until more theaters are open, or they’ve steered films to streaming

“The New York opening is very significant to the theater business in New York, in the nation and in the globe,” says John Fithian, president of the National Association of Theater Owners. “We in the movie theater business live off of movies that play all around the country and all around the world. We keep seeing those movies leave the theatrical release schedule to move to later dates because there just haven’t been enough markets. New York is the most important of those markets.”

Lately, with President Biden’s prediction that every adult can be vaccinated by the end of May, the outlook for theaters has been brightening for the first time in a long time. Last weekend, “Tom & Jerry” overperformed at the box office with $14.1 million in ticket sales, even while it streamed on HBO Max. Though Universal Pictures pushed the “Fast & Furious” sequel “F9” from late May to late June, other movies have moved up on the calendar, reversing the postponement tide.

Sony Pictures said it will release “Peter Rabbit 2: The Runaway” in May. Paramount Pictures’ “A Quiet Place II” moved into the May 28 date vacated by “F9.” The Walt Disney Co.’s “Black Widow” currently remains slated for May 7. Adding to the optimism: Southern California theaters are expected to reopen over the next few weeks.



'Thunderbolts’ and ‘Sinners’ Top Box Office Charts Once More

Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
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'Thunderbolts’ and ‘Sinners’ Top Box Office Charts Once More

Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)
Lewis Pullman, from left, Geraldine Viswanathan, Hannah John-Kamen, Julia Louis-Dreyfus, Florence Pugh, Wyatt Russell, and Jake Schreier attend the Walt Disney Studios special screening of "Thunderbolts" at IPIC Fulton Market on Wednesday, April 30, 2025, in New York. (Photo Christopher Smith/Invision/AP)

Marvel’s “Thunderbolts” and Ryan Coogler’s “Sinners” dominated the North American box office charts again this weekend.
Now in their second and fourth weekends respectively, the two films had some new competition, including a horror movie, a Kerry Washington action pic, a Josh Hartnett airplane thriller, and a Shakespeare-inspired musical. None of the additions made a significant impact.
“Thunderbolts” took first place, with $33.1 million from theaters in the US and Canada, according to studio estimates Sunday. That's down 55% from its opening, The Associated Press reported. Internationally, it added $34 million, bringing its global total to $272.2 million. In just two weekends, the Walt Disney Co. release is already the fourth biggest of the year, globally and domestically.
The movie is also faring better than the previous Marvel movie, “Captain America: Brave New World,” which took a big 68% dive in its second weekend. The key difference was reviews, which don’t always dictate the fate of superhero movies, but good word of mouth has helped “Thunderbolts.”
“The holding power of this film harkens back to the heyday of Marvel,” said Paul Dergarabedian, the senior media analyst for Comscore. “The currency of the long-term playability is more important than the sheer opening weekends.”
The studio also has another big movie coming later this summer in “The Fantastic Four: First Steps.”
“Sinners,” meanwhile, crossed the $200 million mark in North American ticket sales this weekend, which is especially notable for an original R-rated movie. It added $21.1 million domestically, and $6.6 million internationally, bringing its global total to $283.3 million. Next weekend, it’s also returning to 70mm IMAX screens “by popular demand,” IMAX said.
Warner Bros.’ other juggernaut, “A Minecraft Movie,” has made $409 million domestically and $909.6 million globally in its six weekends in theaters. It added just under $8 million to take third place this weekend, followed by “The Accountant 2” in fourth with $6.1 million.
Several new movies also opened in wide release this weekend, but none seemed to break through the noise. The biggest of the bunch was “Clown in a Cornfield,” which earned $3.7 million (a relative high water mark for its distributor IFC) and cracked the top five.
“The second weekend in May, there is typically a bit of a lull,” Dergarabedian said. “IFC picked a perfect date for this clown to scare people into the theater."
“Shadow Force,” a Lionsgate action pic with Washington and Omar Sy from “The Grey” filmmaker Joe Carnahan, made $2 million from 2,170 screens. Vertical’s “Flight or Fight,” starring Hartnett as a mercenary on a plane full of assassins, also debuted with an estimated $2 million from 2,153 screens.
In limited release, the Tim Robinson and Paul Rudd movie “Friendship” launched on six screens in New York and Los Angeles and scored the best per-screen average of the year ($75,317) with many sellouts reported. A24 plans to expand the release nationwide over Memorial Day.
Overall, it was a relatively quiet weekend, but thanks to “A Minecraft Movie,” “Sinners” and “Thunderbolts,” the year-to-date box office is up around 16% from last year, according to Comscore data. Compared with 2019, however, it’s down over 32%.
Next week, “Final Destination: Bloodlines” should give the marketplace another jolt before two giants debut over the holiday weekend: “Lilo & Stitch” and “Mission: Impossible – The Final Reckoning.”