Meghan Accuses UK Royals of Racism, Says 'Didn't Want to Be Alive'

Britain's Prince Harry and Meghan, Duchess of Sussex, are interviewed by Oprah Winfrey in this undated handout photo. (Handout via Reuters)
Britain's Prince Harry and Meghan, Duchess of Sussex, are interviewed by Oprah Winfrey in this undated handout photo. (Handout via Reuters)
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Meghan Accuses UK Royals of Racism, Says 'Didn't Want to Be Alive'

Britain's Prince Harry and Meghan, Duchess of Sussex, are interviewed by Oprah Winfrey in this undated handout photo. (Handout via Reuters)
Britain's Prince Harry and Meghan, Duchess of Sussex, are interviewed by Oprah Winfrey in this undated handout photo. (Handout via Reuters)

Meghan, the wife of Prince Harry, accused Britain’s royal family of raising concerns about how dark their son’s skin might be and pushing her to the brink of suicide, in a tell-all television interview that will send shockwaves through the monarchy.

The 39-year-old, whose mother is Black and father is white, said she had been naive before she married into royalty in 2018, but that she ended up having suicidal thoughts and considering self-harm after pleading for help but getting none.

Meghan said that her son Archie, now aged one, had been denied the title of prince because there were concerns within the royal family about “about how dark his skin might be when he’s born”.

“That was relayed to me from Harry, those were conversations that family had with him,” Meghan recounted in an interview with Oprah Winfrey aired on CBS late on Sunday.

Meghan declined to say who had aired such concerns, as did Harry. He said his family had cut them off financially and that his father Prince Charles, heir to the British throne, had let him down and refused to take his calls at one point.

Buckingham Palace had no immediate comment about the interview, which aired in the early hours of Monday morning in Britain.

The two-hour broadcast was the most anticipated royal interview since Harry’s late mother Princess Diana shared intimate details of her failed marriage to Charles in 1995, denting the heir’s reputation and the family’s standing in the eyes of the British public.

“The monarchy has just been hit by its worst crisis since the abdication” of Edward VIII in 1936, said Republic, a campaign group that wants to abolish the monarchy. “This rotten institution needs to go.”

Nearly three years since her star-studded wedding in Windsor Castle, Meghan described some unidentified members of the royal household as brutal, mendacious and guilty of racist remarks.

She also accused Kate, the wife of her husband’s elder brother Prince William, of making her cry before her wedding.

While the family came in for open criticism, neither Harry nor Meghan attacked Queen Elizabeth directly.

Still, Meghan said she had been silenced by “the Firm” - which Elizabeth heads - and that her pleas for help while in distress at racist reporting and her predicament had fallen on deaf ears.

“I just didn’t want to be alive any more. And that was a very clear and real and frightening constant thought. And I remember how he (Harry) just cradled me,” Meghan said, wiping away tears.

‘Really let down’
Harry and Meghan’s announcement in January, 2020, that they intended to step down from their royal roles plunged the family into crisis. Last month, Buckingham Palace confirmed the split would be permanent, as the couple looks to forge an independent life in the United States.

Harry, 36, said they had stepped back from royal duties because of a lack of understanding, and he was worried about history repeating itself - a reference to the death of his mother Diana who was killed in a 1997 crash as her car sped away from chasing photographers.

Asked what his mother would say about events, he answered: “I think she would feel very angry with how this has panned out and very sad.” He felt “really let down” by his father.

Harry denied blindsiding Queen Elizabeth, his grandmother, with his decision to shun life within the monarchy, but said Prince Charles stopped taking his calls at one point.

“I had three conversations with my grandmother, and two conversations with my father before he stopped taking my calls. And then he said, can you put this all in writing?”

Detractors say the couple wanted the limelight, but were not willing to live with the attention it brought. To supporters, their treatment shows how an outdated British institution lashed out against a modern, independent biracial woman.

Lies and tears
There have also been allegations of bullying against Meghan which appeared in The Times newspaper in the buildup to the couple’s appearance. Buckingham Palace said it would investigate the claims, adding it was “very concerned”.

Meghan told Winfrey that people within the royal institution not only failed to protect her against malicious claims but lied to protect others.

“It was only once we were married and everything started to really worsen that I came to understand that not only was I not being protected but that they were willing to lie to protect other members of the family,” Meghan said.

Meghan denied a newspaper story that she had made Kate, Duchess of Cambridge, cry before the wedding and said it was a turning point in her relations with the media and the palace.

“The reverse happened,” Meghan said. “A few days before the wedding she (Kate) was upset about something, pertaining to yes the issue was correct about the flower girl dresses, and it made me cry. And it really hurt my feelings.”

Meghan, who said they were not paid for the interview, conceded she had not realized what she was marrying into when she joined the British monarchy and “went into it naively”.

The couple also revealed that Meghan, who is pregnant with their second child, was expecting a girl.

Harry said Meghan had “saved” him from his trapped royal life. “I would disagree, I think he saved all of us. You made a decision that certainly saved my life,” Meghan said.

“This is in some ways just the beginning for us.”



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”