Original ‘SNL’ Player’s Memoir Looks back in Fondness, Humor

Laraine Newman. (AP)
Laraine Newman. (AP)
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Original ‘SNL’ Player’s Memoir Looks back in Fondness, Humor

Laraine Newman. (AP)
Laraine Newman. (AP)

If Laraine Newman recounted only her experiences as an original “Saturday Night Live” player — a storied ensemble that included Gilda Radner and John Belushi — she’d have plenty of memoir material.

But she has other adventures to share in “May You Live in Interesting Times,” from the quirky — she studied mime in Paris with Marcel Marceau— to the questionable, including a teenage encounter with musician Johnny Winter.

Wherever Newman’s newly released audiobook memoir takes us, it’s got humor, heart and is unfailingly kind to others, even those whom she recalls were at times unkind to her. But she’s candidly tough on herself, whether describing her drug addiction as a young woman or merely a brief, wretchedly embarrassing encounter with a music legend.

“The fact that I farted in front of Prince” should be motivation enough to listen to the book, Newman said, her lilting voice striking a wry note. “And that’s just one of the wonderful moments in my life.”

Newman, who turned 69 this month, is in a good place to look back. She’s been sober for decades and is busy doing voice acting for a variety of projects, including “Despicable Me” films, “American Dad!” and “Doc McStuffins,” along with occasional screen roles. She’s proud of her children Hannah and Spike Einbinder, both working actors.

Revisiting the past, Newman said, allowed her to celebrate beloved “Saturday Night Live” sketches from her 1975-80 tenure and lift the curtain on their creation. In an interview with The Associated Press, she discussed her approach to the Audible Original book, the “SNL” track record with women and a Coneheads sketch highlight.

Remarks were edited for clarity and length.

AP: When writing the memoir, which includes encounters with celebrities from Fred Astaire to Robert De Niro, did events seem even more remarkable in retrospect?

Newman: The book’s gone through many reasons for its existence. But ultimately what I came to was the fact that, ‘Hey, I was there for that.’ ‘Oh, I lived through that, I had a front row seat to that.’ Even though it is very much my personal life, it’s also the privilege of having a front-row seat at a lot of the pop culture movements in our country.

AP: What do you hope listeners take away from the memoir about you, about life lessons?

Newman: I’m the last person to impart any kind of life lesson. But the one thing that I really wanted to do, because I’ve never seen this in biographies before, is to really lean into the fact that I experienced a lot of failure. I think that people wrap their biographies up in a pink bow, and it’s important to acknowledge that you can live with a lot of failure. You’ve just got to keep going.

AP: Your favorite moment on “Saturday Night Live”?

Newman: There are so many of them, but the one that immediately comes to mind is about food. We were doing the Coneheads and there was a part where we eat fiberglass insulation and it was made out of rice paper and cotton candy. I was thinking, ‘This is a great job.’ But there’s so many moments, just pee-in-your-pants stuff.

AP: “SNL” was long criticized for failing to showcase women and include people of color in the cast. What’s your perspective on that?

Newman: With regard to our shows, we had 13 writers — three women, 10 men — and it was a meritocracy. No matter what people say. Lorne (Michaels, the show’s creator) was very egalitarian with what went on the show. It was what was funny. It doesn’t matter who wrote it, who was in it. But the sensibility that the show gained with Tina Fey as the head writer....It became more female-centric probably because they had a lot more female writers.

AP: You said you had to learn to be a voice actor. Have you found unexpected satisfactions in the work?

Newman: There’s a thing where you’ll be in the (recording) booth and on the other side of the glass, you see the people in the control room, and it’s the writers and the director. And when you do a take and you see everybody in unison, their heads snap back and their mouths open and they’re laughing, it’s so rewarding. And if you do a show where the whole cast is there, it’s like a radio play. There are just no more encouraging, supportive people than the animation community.

AP: What do you watch on TV now that makes you laugh?

Newman: I don’t watch a lot of comedy. You ask most people in comedy, they watch crime dramas. I’m going to just say that right now, and I’m no exception. Crime dramas and horror.



Saudi Arabia: Ship of Tolerance Initiative Promotes Cultural Dialogue in Jeddah

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
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Saudi Arabia: Ship of Tolerance Initiative Promotes Cultural Dialogue in Jeddah

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA

The Saudi Ministry of Culture, in collaboration with the "Lenobadir" volunteer and community partnership program and the Athr Foundation, has launched the Ship of Tolerance initiative in Historic Jeddah during Ramadan.

The initiative aims to enhance shared human values through arts, and promote tolerance and coexistence among children and families. It provides an educational and cultural experience aligned with the area’s unique character as a UNESCO World Heritage site.

As part of this global art project, children will create artworks that represent acceptance and dialogue.

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan, linking the initiative's values with local heritage and enriching visitors' connection to the region's identity.

This effort supports cultural programs with educational and social dimensions in Historic Jeddah, activating local sites for experiences that combine art, crafts, and community participation. It aligns with the National Strategy for Culture under Saudi Vision 2030, focusing on heritage preservation and expanding culture's impact on daily life.


Oscar Contender ‘Hamnet’ Boosts Tourism at Shakespeare Heritage Sites 

A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
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Oscar Contender ‘Hamnet’ Boosts Tourism at Shakespeare Heritage Sites 

A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)

On a cloudy winter's day, visitors stream into what was once William Shakespeare's childhood home in Stratford-upon-Avon and the nearby Anne Hathaway's cottage, family residence of the bard's wife.

Hathaway's cottage is one of the settings for the BAFTA and Oscar best film contender "Hamnet", and the movie's success is drawing a new wave of tourists to Shakespeare sites in the town in central England.

Shakespeare's Birthplace is the house the young William once lived in and where his father worked as a glove maker, while Hathaway's cottage is where he would have visited his future wife early in their relationship.

Typically, around 250,000 visitors, from the UK, Europe, the United States, China and elsewhere, walk through the locations each year, according to the Shakespeare Birthplace Trust. ‌The charity looks after ‌Shakespeare heritage sites, which also include Shakespeare's New Place, the site of ‌the ⁠Stratford home where the ⁠bard died in 1616.

Visitors are flocking in this year thanks to "Hamnet", the film based on Maggie O'Farrell's 2020 novel, which gives a fictional account of the relationship between Shakespeare and Hathaway, also known as Agnes, and the death of their 11-year-old son Hamnet in 1596.

"Visitor numbers have increased by about 15 to 20% across all sites since the film was released back in January. I think that will only continue as we go throughout the year," Richard Patterson, chief operating officer for the Shakespeare Birthplace Trust, said.

"They particularly want ⁠to look (at) Anne Hathaway's cottage and the specifics around how the family ‌engaged in the spaces and the landscape in and around ‌the cottage... you can see why he would have been inspired."

NEW ACCESS TO SHAKESPEARE

"Hamnet" has 11 nominations at ‌Sunday's British BAFTA awards, including best film and leading actress for Jessie Buckley, who plays Agnes. It ‌also has eight Oscar nominations, with Buckley seen as the frontrunner to win best actress.

"Hamnet" is set in Stratford-upon-Avon and London although it was not filmed in Stratford.

It sees Paul Mescal's young Shakespeare fall for Agnes while teaching Latin to pay off his father's debts. The drama, seen mainly through Agnes' eyes, focuses on their ‌life together and grief over Hamnet's death, leading Shakespeare to write "Hamlet".

"Shakespeare... is notoriously enigmatic. He writes about humanity, about feeling, about emotion, about conflict, ⁠but where do we understand ⁠who he is in that story?" said Charlotte Scott, a professor of Shakespeare studies and interim director of collections, learning and research at the Shakespeare Birthplace Trust.

"And that's driven people creative and otherwise for hundreds and hundreds of years. Where is Shakespeare's heart? And this is what the film I think has so beautifully opened up."

Little is known about how the couple met. Shakespeare was 18 and Hathaway 26 when they married in 1582. Daughter Susanna arrived in 1583 and twins Judith and Hamnet in 1585.

The film acknowledges the names Hamnet and Hamlet were interchangeable back then. While grief is a dominant theme, audiences also see Shakespeare in love and as a father.

"A lot of people will see this film not necessarily having... had any kind of relationship with Shakespeare," Scott said.

"So people will come to this film, I hope, and find a new way of accessing Shakespeare that is about creativity, that is about understanding storytelling as a constant process of regeneration, but also crucially, looking at it from that kind of emotive angle."


Culture Ministry Continues Preparations in Historic Jeddah to Welcome Visitors during Ramadan 

Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)
Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)
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Culture Ministry Continues Preparations in Historic Jeddah to Welcome Visitors during Ramadan 

Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)
Historic Jeddah has emerged as a leading cultural tourism destination during Ramadan. (SPA)

The Saudi Ministry of Culture is continuing its efforts to revitalize Historic Jeddah in preparation for welcoming visitors during the holy month of Ramadan, offering cultural programs, events, and heritage experiences that reflect the authenticity of the past.

The district has emerged as a leading cultural tourism destination at this time of year as part of the “The Heart of Ramadan” campaign launched by the Saudi Tourism Authority.

Visitors are provided the opportunity to explore the district’s attractions, including archaeological sites located within the geographical boundaries of the UNESCO World Heritage-listed area, which represent a central component of the Kingdom’s urban and cultural heritage.

The area also features museums that serve as gateways to understanding the city’s rich heritage and cultural development, in addition to traditional markets that narrate historical stories through locally made products and Ramadan specialties that reflect authentic traditions.

These initiatives are part of the ministry’s ongoing efforts to revitalize Historic Jeddah in line with the objectives of Saudi Vision 2030 and aiming to transform it into a vibrant hub for arts, culture, and the creative economy, while preserving its tangible and intangible heritage.