Original ‘SNL’ Player’s Memoir Looks back in Fondness, Humor

Laraine Newman. (AP)
Laraine Newman. (AP)
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Original ‘SNL’ Player’s Memoir Looks back in Fondness, Humor

Laraine Newman. (AP)
Laraine Newman. (AP)

If Laraine Newman recounted only her experiences as an original “Saturday Night Live” player — a storied ensemble that included Gilda Radner and John Belushi — she’d have plenty of memoir material.

But she has other adventures to share in “May You Live in Interesting Times,” from the quirky — she studied mime in Paris with Marcel Marceau— to the questionable, including a teenage encounter with musician Johnny Winter.

Wherever Newman’s newly released audiobook memoir takes us, it’s got humor, heart and is unfailingly kind to others, even those whom she recalls were at times unkind to her. But she’s candidly tough on herself, whether describing her drug addiction as a young woman or merely a brief, wretchedly embarrassing encounter with a music legend.

“The fact that I farted in front of Prince” should be motivation enough to listen to the book, Newman said, her lilting voice striking a wry note. “And that’s just one of the wonderful moments in my life.”

Newman, who turned 69 this month, is in a good place to look back. She’s been sober for decades and is busy doing voice acting for a variety of projects, including “Despicable Me” films, “American Dad!” and “Doc McStuffins,” along with occasional screen roles. She’s proud of her children Hannah and Spike Einbinder, both working actors.

Revisiting the past, Newman said, allowed her to celebrate beloved “Saturday Night Live” sketches from her 1975-80 tenure and lift the curtain on their creation. In an interview with The Associated Press, she discussed her approach to the Audible Original book, the “SNL” track record with women and a Coneheads sketch highlight.

Remarks were edited for clarity and length.

AP: When writing the memoir, which includes encounters with celebrities from Fred Astaire to Robert De Niro, did events seem even more remarkable in retrospect?

Newman: The book’s gone through many reasons for its existence. But ultimately what I came to was the fact that, ‘Hey, I was there for that.’ ‘Oh, I lived through that, I had a front row seat to that.’ Even though it is very much my personal life, it’s also the privilege of having a front-row seat at a lot of the pop culture movements in our country.

AP: What do you hope listeners take away from the memoir about you, about life lessons?

Newman: I’m the last person to impart any kind of life lesson. But the one thing that I really wanted to do, because I’ve never seen this in biographies before, is to really lean into the fact that I experienced a lot of failure. I think that people wrap their biographies up in a pink bow, and it’s important to acknowledge that you can live with a lot of failure. You’ve just got to keep going.

AP: Your favorite moment on “Saturday Night Live”?

Newman: There are so many of them, but the one that immediately comes to mind is about food. We were doing the Coneheads and there was a part where we eat fiberglass insulation and it was made out of rice paper and cotton candy. I was thinking, ‘This is a great job.’ But there’s so many moments, just pee-in-your-pants stuff.

AP: “SNL” was long criticized for failing to showcase women and include people of color in the cast. What’s your perspective on that?

Newman: With regard to our shows, we had 13 writers — three women, 10 men — and it was a meritocracy. No matter what people say. Lorne (Michaels, the show’s creator) was very egalitarian with what went on the show. It was what was funny. It doesn’t matter who wrote it, who was in it. But the sensibility that the show gained with Tina Fey as the head writer....It became more female-centric probably because they had a lot more female writers.

AP: You said you had to learn to be a voice actor. Have you found unexpected satisfactions in the work?

Newman: There’s a thing where you’ll be in the (recording) booth and on the other side of the glass, you see the people in the control room, and it’s the writers and the director. And when you do a take and you see everybody in unison, their heads snap back and their mouths open and they’re laughing, it’s so rewarding. And if you do a show where the whole cast is there, it’s like a radio play. There are just no more encouraging, supportive people than the animation community.

AP: What do you watch on TV now that makes you laugh?

Newman: I don’t watch a lot of comedy. You ask most people in comedy, they watch crime dramas. I’m going to just say that right now, and I’m no exception. Crime dramas and horror.



Jeddah's Red Sea Museum Announces Ramadan Program 

The Red Sea Museum. (Red Sea Museum)
The Red Sea Museum. (Red Sea Museum)
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Jeddah's Red Sea Museum Announces Ramadan Program 

The Red Sea Museum. (Red Sea Museum)
The Red Sea Museum. (Red Sea Museum)

Jeddah's Red Sea Museum announced on Thursday a curated program of creative and cultural activities for the holy month of Ramadan, running from February 22 to March 14.

Led by local artists, artisans, and cultural practitioners, the museum's Ramadan program includes contemplative workshops, storytelling sessions, outdoor community gatherings, and musical performances that honor the spirit of reflection, creativity, and connection.

The series of engaging sessions creates space for visitors to explore traditional crafts, contemporary storytelling, and cultural heritage through hands-on experiences blending creativity and reflection.

Curated for families, artists, and visitors of all backgrounds, the program runs alongside "Sunken Treasures: The Maritime Heritage of the Red Sea," the museum's major temporary exhibition opening on February 25, which explores how archaeological discoveries reveal centuries of trade, navigation, and human connection across the Red Sea.

In celebration of Founding Day on February 22, the "Inspirational Threads: Makkah & Madinah" contemplative embroidery workshop invites participants to engage with archival black-and-white photographs of the Red Sea, Makkah, and Madinah. Through basic embroidery techniques, participants can embellish these images with Islamic geometric and symbolic motifs, adding layers of color, texture, and meaning while reflecting on devotion, memory, and connection.

The "Radiance in Pieces: Mosaic Lantern" hands-on workshop on February 24 explores the tradition of Islamic mosaic art through the creation of illuminated lanterns inspired by Red Sea heritage. Children and families will learn how small, colorful pieces come together to form meaningful geometric designs, blending creativity, cultural heritage, and reflection.

The opening evening of "Sunken Treasures: The Maritime Heritage of the Red Sea" on February 25 features a panel discussion with archaeologists, scientists, and historians exploring the maritime heritage of the Red Sea.

The "One Big Table - Ramadan Gathering" on March 5 brings everyone together in a shared space where families, friends, and neighbors celebrate the spirit of Ramadan.

On March 7, the "From Sand to Porcelain" painting workshop invites participants to paint calligraphy on fine porcelain using natural sand collected from Jeddah to add subtle texture and depth. While learning basic porcelain painting techniques, participants will engage in a reflective, hands-on experience that encourages mindful creation, resulting in a personal keepsake that embodies devotion, place, and the spirit of Ramadan.

In the spirit of International Women's Day on March 8, the "Ramadan Spirit: Thread & Needle" hands-on punch needling workshop explores Ramadan iconography through traditional symbols, including the crescent, star, and lantern. Participants will create textured textile pieces while learning basic punch needle techniques, celebrating both the holy month and the creative contributions of women to traditional textile arts.

On March 14, the "Spirit of Ramadan and the Tale of Jabir Al-Khawatir" storytelling session for children and families explores Ramadan as a season of compassion and healing, reminding people that the spirit of the holy month lives in small acts of care and human connection.


Saudi Arabia: Ship of Tolerance Initiative Promotes Cultural Dialogue in Jeddah

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
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Saudi Arabia: Ship of Tolerance Initiative Promotes Cultural Dialogue in Jeddah

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA
The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan. SPA

The Saudi Ministry of Culture, in collaboration with the "Lenobadir" volunteer and community partnership program and the Athr Foundation, has launched the Ship of Tolerance initiative in Historic Jeddah during Ramadan.

The initiative aims to enhance shared human values through arts, and promote tolerance and coexistence among children and families. It provides an educational and cultural experience aligned with the area’s unique character as a UNESCO World Heritage site.

As part of this global art project, children will create artworks that represent acceptance and dialogue.

The Royal Institute of Traditional Arts (Wrth) will offer traditional craft workshops throughout Ramadan, linking the initiative's values with local heritage and enriching visitors' connection to the region's identity.

This effort supports cultural programs with educational and social dimensions in Historic Jeddah, activating local sites for experiences that combine art, crafts, and community participation. It aligns with the National Strategy for Culture under Saudi Vision 2030, focusing on heritage preservation and expanding culture's impact on daily life.


Oscar Contender ‘Hamnet’ Boosts Tourism at Shakespeare Heritage Sites 

A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
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Oscar Contender ‘Hamnet’ Boosts Tourism at Shakespeare Heritage Sites 

A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)
A view of Shakespeare’s Birthplace, William Shakespeare's childhood home, in Stratford-upon-Avon, Britain, February 9, 2026. (Reuters)

On a cloudy winter's day, visitors stream into what was once William Shakespeare's childhood home in Stratford-upon-Avon and the nearby Anne Hathaway's cottage, family residence of the bard's wife.

Hathaway's cottage is one of the settings for the BAFTA and Oscar best film contender "Hamnet", and the movie's success is drawing a new wave of tourists to Shakespeare sites in the town in central England.

Shakespeare's Birthplace is the house the young William once lived in and where his father worked as a glove maker, while Hathaway's cottage is where he would have visited his future wife early in their relationship.

Typically, around 250,000 visitors, from the UK, Europe, the United States, China and elsewhere, walk through the locations each year, according to the Shakespeare Birthplace Trust. ‌The charity looks after ‌Shakespeare heritage sites, which also include Shakespeare's New Place, the site of ‌the ⁠Stratford home where the ⁠bard died in 1616.

Visitors are flocking in this year thanks to "Hamnet", the film based on Maggie O'Farrell's 2020 novel, which gives a fictional account of the relationship between Shakespeare and Hathaway, also known as Agnes, and the death of their 11-year-old son Hamnet in 1596.

"Visitor numbers have increased by about 15 to 20% across all sites since the film was released back in January. I think that will only continue as we go throughout the year," Richard Patterson, chief operating officer for the Shakespeare Birthplace Trust, said.

"They particularly want ⁠to look (at) Anne Hathaway's cottage and the specifics around how the family ‌engaged in the spaces and the landscape in and around ‌the cottage... you can see why he would have been inspired."

NEW ACCESS TO SHAKESPEARE

"Hamnet" has 11 nominations at ‌Sunday's British BAFTA awards, including best film and leading actress for Jessie Buckley, who plays Agnes. It ‌also has eight Oscar nominations, with Buckley seen as the frontrunner to win best actress.

"Hamnet" is set in Stratford-upon-Avon and London although it was not filmed in Stratford.

It sees Paul Mescal's young Shakespeare fall for Agnes while teaching Latin to pay off his father's debts. The drama, seen mainly through Agnes' eyes, focuses on their ‌life together and grief over Hamnet's death, leading Shakespeare to write "Hamlet".

"Shakespeare... is notoriously enigmatic. He writes about humanity, about feeling, about emotion, about conflict, ⁠but where do we understand ⁠who he is in that story?" said Charlotte Scott, a professor of Shakespeare studies and interim director of collections, learning and research at the Shakespeare Birthplace Trust.

"And that's driven people creative and otherwise for hundreds and hundreds of years. Where is Shakespeare's heart? And this is what the film I think has so beautifully opened up."

Little is known about how the couple met. Shakespeare was 18 and Hathaway 26 when they married in 1582. Daughter Susanna arrived in 1583 and twins Judith and Hamnet in 1585.

The film acknowledges the names Hamnet and Hamlet were interchangeable back then. While grief is a dominant theme, audiences also see Shakespeare in love and as a father.

"A lot of people will see this film not necessarily having... had any kind of relationship with Shakespeare," Scott said.

"So people will come to this film, I hope, and find a new way of accessing Shakespeare that is about creativity, that is about understanding storytelling as a constant process of regeneration, but also crucially, looking at it from that kind of emotive angle."