'Super Mario' Theme Park Opens in Japan

The attraction is part of the existing Universal Studios Japan amusement park in the western city of Osaka. Reuters
The attraction is part of the existing Universal Studios Japan amusement park in the western city of Osaka. Reuters
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'Super Mario' Theme Park Opens in Japan

The attraction is part of the existing Universal Studios Japan amusement park in the western city of Osaka. Reuters
The attraction is part of the existing Universal Studios Japan amusement park in the western city of Osaka. Reuters

Here we go! After months of pandemic delays, Nintendo's first ever theme park, featuring a "Mario Kart" ride in a real-life Bowser's Castle, opened in Japan on Thursday to delighted fans.

The attraction, whose bright, block-like surroundings are straight out of the classic "Super Mario" games, is part of the existing Universal Studios Japan amusement park in the western city of Osaka.

"We perfectly recreated the world of the game.... You'll find life-sized piranha plants and Bowser, and you'll see what it is like to be Mario," said Ayumu Yamamoto, USJ's marketing communication manager.

"It took almost a year longer than we had expected to open this place, and we are really glad," he told reporters at a preview on Wednesday.

The new zone called "Super Nintendo World" had originally been expected to draw big crowds last year ahead of the Tokyo 2020 Olympics, which was also postponed by the coronavirus.

But its launch was pushed back to February, and then delayed again as Japan's government declared a state of emergency in early 2021 to curb spiking cases.

Music from the popular Mario games plays throughout the park and a smartphone-linked wristband allows visitors to collect virtual coins by punching blocks, just like the Italian plumber.

Augmented reality goggles attached to a plastic red visor are used in the "Mario Kart" ride, one of the park's main draws that promises to bring the racing game to life.

The ride follows a track around the foreboding castle of Mario's enemy Bowser, an evil turtle, but each seat has a steering wheel and players can collect and shoot items at opponents.

The zone also boasts a ride based on the cute green dinosaur Yoshi, a Peach's castle, Mario-themed restaurants and lifesize characters from the Mushroom Kingdom.

Fans told AFP they were thrilled about the much-anticipated opening of the park, which cost more than 60 billion yen ($550 million), according to USJ.

"I've been playing Mario since I was a boy. I didn't expect that I could enter the world of Mario, so I'm very excited," said Hiroki Kono, a 19-year-old university student in Osaka.

- 'Waited for this day' -

Office worker Rei Higashimoto, 25, was also delighted about the launch. "I have an annual pass, so I knew this Mario world was being created, and I have waited from one year ago for this day to come," she said.

Similar areas are planned at Universal Studios parks in Orlando and Hollywood.

The first "Super Mario Bros" game came out in 1985 for Nintendo's NES console.

The platform game, in which Mario runs and jumps past obstacles to collect coins and save Princess Peach from the evil Koopa turtles, was based on the "Mario Bros" arcade game released earlier.

Since then, Mario has appeared in myriad formats including games featuring racing, football and golf.

Shigeru Miyamoto, the creator of "Super Mario Bros", took a tour of the park in a promotional video released in December.

"At last, it's complete! It makes a big impression, seeing the park in real life," said Miyamoto, describing himself as Mario's "Dad" as he popped out of a giant green pipe.

"There are smaller activities like the coin block, as well as bigger ones... If you manage to get three keys from various activities, you can take on the final activity -- a battle with Bowser Jr."

"I'm very excited for all of you to experience the park on your own," he added.



‘Joker 2’ Stumbles at Box Office amid Poor Reviews from Audiences, Critics

Todd Phillips, from left, Lady Gaga, and Joaquin Phoenix arrive at the premiere of "Joker: Folie a Deux" on Monday, Sept. 30, 2024, at TCL Chinese Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Todd Phillips, from left, Lady Gaga, and Joaquin Phoenix arrive at the premiere of "Joker: Folie a Deux" on Monday, Sept. 30, 2024, at TCL Chinese Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
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‘Joker 2’ Stumbles at Box Office amid Poor Reviews from Audiences, Critics

Todd Phillips, from left, Lady Gaga, and Joaquin Phoenix arrive at the premiere of "Joker: Folie a Deux" on Monday, Sept. 30, 2024, at TCL Chinese Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)
Todd Phillips, from left, Lady Gaga, and Joaquin Phoenix arrive at the premiere of "Joker: Folie a Deux" on Monday, Sept. 30, 2024, at TCL Chinese Theatre in Los Angeles. (Photo by Jordan Strauss/Invision/AP)

“Joker: Folie à Deux” is the No. 1 movie at the box office, but it might not be destined for a happy ending.
In a turn of events that only Arthur Fleck would find funny, the follow-up to Todd Phillips’ 2019 origin story about the Batman villain opened in theaters nationwide this weekend to a muted $40 million, according to studio estimates Sunday, less than half that of its predecessor. The collapse was swift and has many in the industry wondering: How did the highly anticipated sequel to an Oscar-winning, billion-dollar film with the same creative team go wrong?
Just three weeks ago, tracking services pegged the movie for a $70 million debut, which would still have been down a fair amount from “Joker’s” record-breaking $96.2 million launch in Oct. 2019. Reviews were mixed out of the Venice Film Festival, where it premiered in competition like the first movie and even got a 12-minute standing ovation, The Associated Press reported.
But the homecoming glow was short-lived, and the fragile foundation would crumble in the coming weeks with its Rotten Tomatoes score dropping from 63% at Venice to 33% by its first weekend in theaters. Perhaps even more surprising were the audience reviews: Ticket buyers polled on opening night gave the film a deadly D CinemaScore. Exit polls from PostTrak weren’t any better. It got a meager half star out of five possible.
"That’s a double whammy that’s very difficult to recover from," said Paul Dergarabedian, the senior media analyst for Comscore. “The biggest issue of all is the reported budget. A $40 or $50 million opening for a less expensive movie would be a solid debut."
“Joker: Folie à Deux” cost at least twice as much as the first film to produce, though reported figures vary at exactly how pricey it was to make. Phillips told Variety that it was less than the reported $200 million; Others have it pegged at $190 million. Warner Bros. released the film in 4,102 locations in North America. About 12.5% of its domestic total came from 415 IMAX screens.
Internationally, it's earned $81.1 million from 25,788 screens, bringing its total global earnings estimate to $121.1 million. In the next two weeks, “Joker 2” will also open in Japan and China.
Second place went to Universal and DreamWorks Animation's “The Wild Robot,” which added $18.7 million in its second weekend, bringing its domestic total to nearly $64 million. Globally, it's made over $100 million. Warner Bros.' “Beetlejuice Beetlejuice" took third place in weekend five, Paramount's “Transformers One” landed in fourth and Universal and Blumhouse's “Speak No Evil” rounded out the top five.
The other big new release of the weekend, Lionsgate's “White Bird,” flopped with just $1.5 million from just over 1,000 locations, despite an A+ CinemaScore.
Overall, the weekend is up from the same frame last year, but “Joker's” start is an unwelcome twist for theater owners hoping to narrow the box office deficit.
Phillips and star Joaquin Phoenix have said they aspired to make something as “audacious” as the first film. The sequel added Lady Gaga into the fold, as a Joker superfan, and delved further into the mind of Arthur Fleck, imprisoned at Arkham and awaiting trial for the murders he committed in the first. It’s also a musical, with elaborately imagined song and dance numbers to old standards. Gaga even released a companion album called “'Harlequin,” alongside the film.
In his review for The Associated Press, Jake Coyle wrote that “Phillips has followed his very antihero take on the Joker with a very anti-sequel. It combines prison drama, courthouse thriller and musical, and yet turns out remarkably inert given how combustible the original was.”
The sequel has already been the subject of many think pieces, some who posit that the sequel was deliberately alienating fans of the first movie. In cruder terms, it’s been called a “middle finger.” But fans often ignore the advice of critics, especially when it comes to opening their wallets to see revered comic book characters on the big screen.
“They took a swing for the fences,” Dergarabedian said. “But except for a couple of outliers, audiences in 2024 seem to want to know what they’re getting when they’re going to the theater. They want the tried and true, the familiar.”
It has some high-profile defenders too: Francis Ford Coppola, who last week got his own D+ CinemaScore for his pricey, ambitious and divisive film “Megalopolis,” entered the Joker chat with an Instagram post.
“@ToddPhillips films always amaze me and I enjoy them thoroughly,” Coppola wrote. “Ever since the wonderful ‘The Hangover’ he’s always one step ahead of the audience never doing what they expect.”
“Megalopolis,” meanwhile, dropped a terminal 74% in its second weekend with just over $1 million, bringing its total just shy of $6.5 million against a $120 million budget.
Deadline editor Anthony D’Alessandro thinks the problem started with the idea to make the Joker sequel a musical. “No fan of the original movie wanted to see a musical sequel,” he wrote on Saturday.
The first film was also divisive and the subject of much discourse, then about whether it might send the wrong message to the wrong type of person. And yet people still flocked to see what the fuss was about. “Joker” went on to pick up 11 Oscar nominations, including best picture and best director, and three wins. It also made over $1 billion and was the highest-grossing R-rated film of all time, until this summer when Marvel's “Deadpool & Wolverine" took the crown.