'Touch of Class' Actor George Segal Dies at Age 87

FILE PHOTO: Actor George Segal attends the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at Lincoln Center for the Performing Arts in New York April 22, 2013. REUTERS/Andrew Kelly/File Photo
FILE PHOTO: Actor George Segal attends the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at Lincoln Center for the Performing Arts in New York April 22, 2013. REUTERS/Andrew Kelly/File Photo
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'Touch of Class' Actor George Segal Dies at Age 87

FILE PHOTO: Actor George Segal attends the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at Lincoln Center for the Performing Arts in New York April 22, 2013. REUTERS/Andrew Kelly/File Photo
FILE PHOTO: Actor George Segal attends the 40th Anniversary Chaplin Award Gala at Avery Fisher Hall at Lincoln Center for the Performing Arts in New York April 22, 2013. REUTERS/Andrew Kelly/File Photo

George Segal, the Oscar-nominated actor who sparred with Richard Burton in “Who’s Afraid of Virginia Woolf,” romanced Glenda Jackson in “A Touch of Class” and won laughs in the TV sitcom “The Goldbergs,” has died at the age of 87.

“The family is devastated to announce that this morning George Segal passed away due to complications from bypass surgery,” his wife Sonia Segal said in a statement on Tuesday.

Charming and witty, Segal excelled in dramatic and comedic roles, most recently playing laid-back widower Albert “Pops” Solomon on the comedy series “The Goldbergs.”

“Today we lost a legend,” Adam F. Goldberg, who created the TV series that was based on his own life, wrote on Twitter on Tuesday, Reuters reported.

“It was a true honor being a small part of George Segal’s amazing legacy. By pure fate, I ended up casting the perfect person to play Pops. Just like my grandfather, George was a kid at heart with a magical spark,” Goldberg added.

Segal’s long time manager Abe Hoch said in a statement that he would miss his friend’s “warmth, humor, camaraderie and friendship. He was a wonderful human.”

Segal’s acting career began on the New York stage and television in the early 1960s. He quickly moved into films, playing an artist in the star-studded ensemble drama “Ship of Fools” and a scheming, wily American corporal in a World War Two prisoner-of-war camp in “King Rat” in 1965.

Two years later he earned an Academy Award nomination as best supporting actor in the harrowing, marital drama “Who’s Afraid of Virginia Woolf?” with Burton and Elizabeth Taylor.

“Elizabeth and Richard were the king and queen of the world at that moment and there was a lot of buzz about it,” Segal told The Daily Beast in 2016. “For me, there was a great satisfaction of being involved with it.”

But it was in comedies that Segal cemented his star status in a string of films in the 1970s with A-list directors and co-stars such as Jackson, who won an Oscar for her performance in “A Touch of Class.”

Segal played a lawyer in the 1970 dark comedy “Where’s Poppa” with Ruth Gordon, a gem thief along with Robert Redford in 1972’s “The Hot Rock,” an out-of-control gambler in Robert Altman’s “California Split” and a philandering Beverly Hills divorce attorney in Paul Mazursky’s “Blume in Love” in 1973.

He credited an early appearance on the late-night talk show “The Tonight Show with Johnny Carson” for his switch to comedic roles.

“It was the first time that the people who make movies saw me doing comedy and having this funny interchange with Carson,” Segal told the Orlando Sentinel in 1998.

He said he considered himself lucky in a business that he compared to gambling because you’re always waiting for your lucky number, or a great part, to come up.

He also had a life-long passion for the banjo and performed at New York’s Carnegie Hall in 1981 with his group, the Beverly Hills Unlisted Jazz Band.



Gl-icked? Movie Theaters Pin Hopes on Big 'Wicked,' 'Gladiator' Weekend

'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP
'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP
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Gl-icked? Movie Theaters Pin Hopes on Big 'Wicked,' 'Gladiator' Weekend

'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP
'Gladiator II' has benefited from a long, expensive marketing campaign. Chris DELMAS / AFP

US movie theaters are hoping the lightning-in-a-bottle magic of last year's "Barbenheimer" phenomenon can strike again this weekend, with the simultaneous release of two of 2024's most hyped films: "Wicked" and "Gladiator II."
"Wicked" is the movie adaptation of the hit Broadway musical, starring pop sensation Ariana Grande, while "Gladiator II" marks Ridley Scott's return to ancient Rome, 24 years after his epic original won the best picture Oscar.
Whether audiences will embrace the tongue-in-cheek "Glicked" (or "Wickiator") memes being hopefully circulated by marketing departments -- or even dress up in witch hats and togas -- remains to be seen.
But cinema lobbies and shopping malls across the country are being daubed in the pink-and-green shades of the "Wicked" witches, and kitted out with cardboard miniature Colosseums, ahead of a period that analysts say will be crucial for the industry, AFP said.
"I am certain that this is going to be the biggest Thanksgiving the industry has ever seen," said Jordan Hohman, an executive at Phoenix Theatres.
"Wicked" alone is "the biggest opening film in terms of advance sale tickets" in the US chain's 24-year history, currently pacing 63 percent ahead of "Barbie," added president Cory Jacobson.
While rival Hollywood studios have traditionally been wary of launching two major films on the same weekend, the record-breaking summer of 2023 showed it can be mutually beneficial -- with the right movies.
Like "Barbie" and "Oppenheimer," the female-skewing "Wicked" and male-focussed "Gladiator II" are "oriented to different audiences," said analyst David A. Gross, of Franchise Entertainment Research.
"Wicked" has inspired promotional tie-ins like a makeup line and a cupcake kit, while "Gladiator" ads have been ubiquitous during NFL telecasts.
"There is zero issue in terms of stepping on each other's feet," said Gross.
Still, matching the heady heights of "Barbie" and "Oppenheimer" will be a tough ask. Those films took $245 million combined on their opening weekend in North America alone.
"Barbenheimer was an example of two films massively over-performing... an unexpected best-case scenario," cautioned Daniel Lora, senior VP of content strategy for Boxoffice Media.
But part of the industry's current bullishness comes from another massive film, Disney's "Moana 2," which will join "Wicked" and "Gladiator II" in multiplexes just a week later.
"I don't think this is a two-picture experience. I think it's a three-picture experience," said Jacobson.
Marketing blitz
Should the next few weeks live up to hopes, it will come at a much-needed time for Hollywood.
Despite a profitable summer featuring hit sequels like "Inside Out 2" and "Deadpool & Wolverine," 2024 has been a mixed bag for an industry still dreaming of a return to pre-pandemic numbers.
The first five months of the year were hampered by a thin release schedule, stemming from the production delays caused by Hollywood strikes and Covid.
The fall has also been a disappointment, with box office dud "Joker: Folie A Deux" foremost among a series of flops and middling releases.
But the early signs for this weekend look promising.
"Gladiator II" opened in dozens of other countries last week, taking a whopping $87 million overseas. Paramount will be hoping for similar numbers in the US this weekend.
"Wicked," from Universal, the studio behind "Oppenheimer," is predicted to take north of $100 million this weekend in North America alone.
Both movies have benefited from long, expensive marketing campaigns.
At a major Las Vegas movie theater convention in April, Paramount began their annual presentation with an executive riding into the Caesars Palace arena on a chariot flanked by Roman soldiers.
Universal's presentation ended with thousands of plastic flowers held aloft by audience members to create a giant green-and-pink "Wicked" themed electronic lightshow.
Eight months later, both studios will learn if those strategies have converted into ticket sales.
"When something really catches fire, and it's not just a marketing campaign flogging it, honestly it can just take off and go higher than anybody can predict," said Gross.
"So let's see what happens."