Oscars More Diverse as Pandemic, Protests Shake up Hollywood

(L-R) British actor Daniel Kaluuya, the late Chadwick Boseman, South Korea's Youn Yuh-jung and Viola Davis are all among the favorites to win Oscars -- reflecting the increased diversity in the 2021 nominees - AFP
(L-R) British actor Daniel Kaluuya, the late Chadwick Boseman, South Korea's Youn Yuh-jung and Viola Davis are all among the favorites to win Oscars -- reflecting the increased diversity in the 2021 nominees - AFP
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Oscars More Diverse as Pandemic, Protests Shake up Hollywood

(L-R) British actor Daniel Kaluuya, the late Chadwick Boseman, South Korea's Youn Yuh-jung and Viola Davis are all among the favorites to win Oscars -- reflecting the increased diversity in the 2021 nominees - AFP
(L-R) British actor Daniel Kaluuya, the late Chadwick Boseman, South Korea's Youn Yuh-jung and Viola Davis are all among the favorites to win Oscars -- reflecting the increased diversity in the 2021 nominees - AFP

Actors of color are favorites in each category, and two female directors are nominated for the first time -- this year's Oscars could set new benchmarks for diversity, thanks to long-brewing industry changes as well as Covid-19's transformation of Hollywood, experts say.

The Academy of Motion Picture Arts and Sciences has drastically reformed its membership in recent years, admitting large batches of new Oscars voters each year who better reflect society's diversity, after much criticism for its mainly white, male base.

"I think that this Oscars will be forever remembered as the one where changes in the voting body made six years ago in the wake of #OscarsSoWhite has delivered on a promise by the Academy to reform itself," Black US actor Dwayne Barnes ("Menace II Society") wrote in a column for industry site Deadline, AFP reported.

While it is difficult to draw a direct line from those changes to this year's nominations, the current Oscars race is startlingly different from those seen in previous years.

Last year, Cynthia Erivo was the sole non-white actor among 20 nominations, but this time the late Chadwick Boseman ("Ma Rainey's Black Bottom"), Black British actor Daniel Kaluuya ("Judas and the Black Messiah") and South Korean star Youn Yuh-Jung ("Minari") are the firm front-runners for acting statuettes.

Boseman's co-star Viola Davis is among a crowded pack vying for best actress, while Beijing-born Chloe Zhao ("Nomadland") looks like a shoo-in for best director if she can fend off Emerald Fennell ("Promising Young Woman").

The #OscarsSoWhite campaign was launched in January 2015 on social media to denounce and draw attention to the overwhelming majority of white nominees rewarded year after year by the Academy.

At the time, the Academy's 6,000 members were 93 percent white and 76 percent male.

By this summer, the prestigious group had reached a goal of doubling the number of women and non-white members, reaching one-third female and 19 percent "underrepresented minorities."

"It took a few years to take hold, but there is every reason to hope that the change (in the crop of nominees) is... not a one-time occurrence," wrote Barnes.



‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
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‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)

Demi Moore's Golden Globe best actress win for "The Substance" has, almost overnight, transformed the 1990s megastar into a seemingly unlikely favorite for the Oscars.

In her acceptance speech Sunday, the 62-year-old -- who once generated headlines as much for her love life as for her hit films -- said she had long been dismissed as a "popcorn actress," and had never "won anything as an actor."

But for Coralie Fargeat, the French director who also wrote Moore's new, blood-drenched body horror film, there is nothing surprising about the late-career reappraisal her leading lady is now enjoying.

"It was so moving to see Demi on that stage," Fargeat told AFP, the morning after Moore's big win.

The movie allowed audiences "to see who she is as an actress, and not project any more the stereotype that if you're beautiful, you can't be a good actress."

"It is being called a comeback. But she has always been here," Fargeat added.

Society's obsession with pigeonholing and pinning expiration dates on women is the core premise of "The Substance."

In the film, globally distributed by MUBI, Moore's character Elisabeth is a fading movie star, who is abruptly fired from her hit TV fitness show as she turns 50.

Out of desperation, she injects herself with a mysterious serum which allows her to live in a younger version of her body -- as long as she returns to her older form every week.

Inevitably, the allure of remaining young proves too strong, especially after Elisabeth's stunningly youthful alter ego is catapulted to fame by creepy male executives.

- 'Dream' -

Fargeat had long been a fan of Moore's acting work, which included hits like "Indecent Proposal" and "Ghost," as well as more divisive fare like "G.I. Jane."

"I could like or not like the movies, but I think she always delivered pretty great performances," said the director.

But Moore's real-life career also incarnated "this iconic star" represented by her character in "The Substance."

"Someone who has been totally valued for this dream, this fake promise that if you're young, beautiful, you're going to be happy and successful," said Fargeat.

"And when this goes away, it's like all your life is going away."

Even so, Moore's pitch-perfect casting as Elisabeth nearly did not happen.

Fargeat at first assumed Moore would not be interested in a role requiring countless, grotesque scenes of gore and decay.

But the director picked up a copy of Moore's 2019 memoir "Inside Out," which laid bare the actor's battles with ageism and misogyny, as well as addiction, abuse and very public divorces.

"When I read her book, I really saw that she was ready to take the level of risk that the movie requested," said Fargeat.

"The film is really about women's bodies. I wanted to tell my stories [in] the flesh," recalled Fargeat.

Fargeat also admits she was a demanding and meticulous director on set, requiring "a lot of takes."

Moore has spoken about losing 20 pounds (nine kilos) and contracting shingles due to the intense strain of filming, while co-star Margaret Qualley described being in the movie's prosthetic suits as "torture" that triggered panic attacks.

"If the lead performance isn't ready to go that far, the whole movie falls apart," said Fargeat.

Moore "took the risk to follow the vision of the movie... that's very, very brave and courageous," she said.

- Oscars race -

With the Globes win, more attention will come to "The Substance" -- both from wider audiences, and Oscars voters, who are picking their final nominees on ballots due this week.

Fargeat herself could earn nods for best director and best original screenplay, and "The Substance" is tipped by many pundits to make the best picture list.

But few would now bet against Moore for best actress.

"From the beginning, I believed that this can happen," said Fargeat. "That's what cinema is about -- creating things that people are not expecting."

"I'm just immensely proud to have created this part."