Ellen DeGeneres to End Long-Running TV Talk Show Next Year

Ellen DeGeneres. (Getty Images)
Ellen DeGeneres. (Getty Images)
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Ellen DeGeneres to End Long-Running TV Talk Show Next Year

Ellen DeGeneres. (Getty Images)
Ellen DeGeneres. (Getty Images)

Ellen DeGeneres is calling time on her long-running talk show.

The daytime host, who has seen a ratings hit after allegations of running a toxic workplace, has decided that the upcoming 19th season will be the last, ending in 2022. It coincides with the end of her contract.

“Although all good things must come to an end, you still have hope that the truly great things never will,” Mike Darnell, president of unscripted TV for Warner Bros., said in a statement Wednesday. “It was and is an indelible piece of the television landscape, and it will be sorely missed.”

In an interview with The Hollywood Reporter, which first broke the news, DeGeneres said that “as great as this show is, and as fun as it is,” it's no longer a creative challenge.

“The Ellen DeGeneres Show,” which started airing in 2003 and is distributed by Warner Bros., has a mix of dancing, games and giveaways along with A-list celebrities. But the host, who built her brand on the motto “Be Kind,” opened season 18 in September with a lengthy apology.

Three of the show’s producers exited over the summer amid allegations of a dysfunctional workplace that harbored misbehavior, including sexual misconduct and racially insensitive remarks.

While the allegations were “very hurtful to me” they didn't influence her decision to leave the show, DeGeneres told The Hollywood Reporter. “I wouldn’t have come back this season” if they had, she said.

Nielsen data shows “The Ellen DeGeneres Show” viewership dropped by 1.1 million people this season, from 2.6 million viewers to 1.5 million viewers.

DeGeneres was the recipient of the Kennedy Center’s Mark Twain Prize for American Humor in 2015 and the Presidential Medal of Freedom under Barack Obama in 2016. In addition to her talk show, she has had a hand in Fox’s “The Masked Dancer,” NBC’s “Ellen’s Game of Games” and HBO Max’s “Ellen’s Next Great Designer.”



'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
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'Shrek' Director Tackles Taboo in Netflix Fairy Tale 'Spellbound'

(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)
(L-R) US actress Jenifer Lewis, US-Australian actress Nicole Kidman, US actor Tituss Burgess, US actress Rachel Zegler, Spanish actor Javier Bardem and US actor Nathan Lane arrive for the New York premiere of Netflix's animated film "Spellbound," on November 11, 2024. (Photo by Yuki IWAMURA / AFP)

Animated films tackling parent separation and divorce are few and far between.

While live-action kids' classics like "The Parent Trap" and "Mrs. Doubtfire" have used the concept as a launchpad for humorous antics, animation has tended to steer entirely clear of the issue.

"Isn't that funny... you can kill off a parent in a movie like 'Lion King,' or 'Bambi,'" said Vicky Jenson, best known for co-directing "Shrek."

"Disney moms are often dead -- the only time anyone remarries is because the other spouse is dead. This topic of separation, of parents not being able to live together... it's taboo."

But in Jenson's new film, "Spellbound," a princess's parents have been transformed by a dastardly spell into literal monsters.

It is an allegorical device that forces young Ellian to try to "fix" her mother and father, and their broken family.

"We encountered some resistance when we were looking for someone to help bring the movie to the world, a partner to distribute the movie," Jenson told AFP.

"They all reacted the same way, like: 'What a beautiful movie, what a great message.' And then they ghosted us!"

The movie went through a number of different studios, including Paramount and Apple TV+, before ultimately landing at Netflix, which will release the film Friday.

"I credit Netflix for stepping up bravely and partnering with us on this," said Jenson.

"In this environment, it does feel like stories that push the boundaries are more accessible on streaming.

"Theaters are kind of filled with superheroes right now... the big safe bets."

- 'Monsters' -

As the film starts, tenacious teen princess Ellian (voiced by Rachel Zegler) is desperately seeking a cure for the mysterious spell that has transformed her parents, Queen Ellsmere (Nicole Kidman) and King Solon (Javier Bardem).

To make matters worse, she must hide the whole mess from the oblivious citizens of Lumbria.

When the secret gets out, and panic spreads throughout the kingdom, Ellian is forced on a dangerous quest to undo the curse.

But even if she succeeds, she soon learns that her family may never go back to the way it once was.

To make Ellian's reaction to her -- literally -- monstrous parents believable and accurate, filmmakers employed the consulting services of a family psychologist and therapist who specialized in divorce.

"Kids feel like it's their responsibility to fix this. They don't understand that something happened to their parents -- they're acting like monsters," explained Jenson.

The director, and cast and crew, also drew on their own experiences, "because we all know our parents are monsters at one point -- and as parents, we're all monsters at one point," she joked.

- An inverse 'Shrek'? -

The end result is a thoroughly contemporary parable, set in a magical fairytale kingdom.

That has clear echoes of Jenson's smash-hit directing debut "Shrek," but with cause and effect reversed.

"'Shrek' was the modern take on fairy tales. This was a fairy tale take on a modern story," she said.

For Jenson and the filmmakers -- including legendary composer Alan Menken, of "The Little Mermaid,Beauty and the Beast" and countless more -- it was important to bring this "truth about family life" to the screen.

It "is there for so many of us, but hadn't been approached as a myth or as a new fairy tale before," said Jenson.

"Now, a new fairy tale is out there for that experience that so many kids, so many parents, so many families need help through."