K-Pop Activism a Lifeline for Thailand’s Hard-Hit ‘Tuk Tuk’ Drivers

A tuk-tuk driver, with his vehicle decorated with a banner of a Korean star, waits for customers in Bangkok, Thailand May 12, 2021. (Reuters)
A tuk-tuk driver, with his vehicle decorated with a banner of a Korean star, waits for customers in Bangkok, Thailand May 12, 2021. (Reuters)
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K-Pop Activism a Lifeline for Thailand’s Hard-Hit ‘Tuk Tuk’ Drivers

A tuk-tuk driver, with his vehicle decorated with a banner of a Korean star, waits for customers in Bangkok, Thailand May 12, 2021. (Reuters)
A tuk-tuk driver, with his vehicle decorated with a banner of a Korean star, waits for customers in Bangkok, Thailand May 12, 2021. (Reuters)

Bangkok “tuk tuk” taxi driver Samran Thammasa, 39, had never heard of K-pop star Jessica Jung before the coronavirus pandemic, but now the singer’s Thai fans are helping him survive the loss of tourist customers.

His bright green three-wheeled motorcycle rickshaw has been mostly vacant for more than a year. In the past few months, though, he’s earned about 600 baht ($19) a month to feature K-pop ads on his vehicle.

“The extra income may not be a lot for most people but it is for us,” he said, glancing at a shimmering vinyl banner of Jung.

Drivers of Bangkok’s distinctive tuk tuks have been among the hardest-hit by the pandemic’s devastation of Thailand’s all-important tourism industry, left haunting corners of empty city streets complaining of mounting debt.

Samran used to earn around 1,500 baht ($47) a day ferrying foreign tourists around Bangkok. Nearly all of that disappeared as visitor numbers fell by 85% in 2020, and Thailand is not expected to lift its strict border controls for months yet.

Unexpected help came this year from Thailand’s politically disaffected and K-pop-obsessed youth when they stopped buying ads celebrating their idols’ birthdays and album launches from public transport, instead giving their ad money to grassroots businesses, including tuk tuks and street food vendors.

Over the last few months, young fans have mobilized to put up banners of their favorite K-pop idols on the iconic vehicles for a month at a time, providing a new source of income for struggling drivers.

Samran and many others now drive their empty tuk tuks around Bangkok with a banner of a different K-pop sensation each month, stopping for young Thai fans to take pictures and use their service, often with tips.

Political expression
So far, the initiative has benefited several hundred tuk tuk drivers. There are more than 9,000 tuk tuks registered in Bangkok, according to government data.

The trend has roots in anti-government protests last year that drew tens of thousands of students calling for Prime Minister Prayuth Chan-ocha - who first came to power in a military coup - to step down.

Many K-pop fans were protesters themselves, and last year vowed to pull huge billboard advertising fees from Bangkok’s skytrain and underground subway services - a longstanding lighthearted tradition for different fan groups - after mass transport shut down to try to prevent students from reaching protest sites.

The fans started printing vinyl or cardboard signs and recruiting tuk tuk drivers at garages and on the street - funneling their ad funds to the people who need it most.

“It’s a political expression that we don’t support capitalists. This marked a change from us competing to book skytrain and subway billboards, but now it’s tuk tuks,” said Pichaya Prachathomrong, 27.

Pichaya herself raised 18,000 baht ($565) among Thai fans of boy band Super Junior to promote member Yesung’s new album, before recruiting 13 tuk tuks via a new booking service on popular messaging application LINE.

The “Tuk Up” service, created by 21-year-old university sophomore Thitipong Lohawech, was initially to help dozens of drivers who rented vehicles from his family’s garage. But now it supports about 300 drivers from all over Bangkok.

“The fans are distributing income to the grassroots, which helps drive social change and support the economy,” said Thitipong.

Drivers said they have seen little of the government’s approved relief of around 967 billion baht ($30 billion), as handouts were mostly only accessible via a mobile wallet application.

“By the time the money reaches us, we’re nearly dead,” said Pairot Suktham, a 54-year-old driver who like many others doesn’t have a smartphone.

“The fans are our life support system and give us hope to keep fighting.”



It’s-a-Hit: ‘The Super Mario Galaxy Movie’ Box Office Blasts off with $372.5 Million Globally

 This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
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It’s-a-Hit: ‘The Super Mario Galaxy Movie’ Box Office Blasts off with $372.5 Million Globally

 This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)
This image released by Universal Pictures shows, from left, Luigi, voiced by Charlie Day, Mario, voiced by Chris Pratt, Yoshi, voiced by Donald Glover, and Princess Peach, voiced by Anya Taylor-Joy, in a scene from "The Super Mario Galaxy Movie." (Nintendo and Illumination/Universal Pictures via AP)

Mixed reviews didn’t dissuade mass audiences from buying tickets to the “The Super Mario Galaxy Movie,” which scored the biggest opening of the year for a Hollywood movie. The Illumination and Nintendo co-production earned $130.9 million over the weekend and a massive $190.1 million in its first five days in North American theaters, according to studio estimates Sunday.

Universal Pictures released the sequel globally on Wednesday, capitalizing on kids’ spring break vacations in the week leading up to the Easter holiday. With an estimated $182.4 million from 80 overseas markets, the film is looking at an astronomical $372.5 million debut — the latest hit for the PG rating. Mexico is leading the international bunch with $29.1 million from 5,136 screens, followed by the UK and Ireland with $19.7 million.

The animated sequel is the industry’s biggest debut since “Avatar: Fire and Ash” launched over Christmas. The Chinese movie “Pegasus 3,” which was not a Motion Picture Association release, has the slight edge for the 2026 global record, however.

It’s also a dip from the first film, which opened to $204 million domestically during the same five-day time frame in 2023 ($147 of that was from Friday, Saturday and Sunday). “The Super Mario Bros. Movie” went on to be the second biggest movie of 2023, with over $1.3 billion in box office receipts.

“The Super Mario Galaxy Movie,” which features returning voice actors Chris Pratt, Jack Black, Anya Taylor-Joy and Charlie Day, had a massive footprint in the US and Canada, where it played in 4,252 theaters, including 421 IMAX and 1,345 premium large format screens. It also cost around $110 million to make, not including marketing and promotion expenses. But it arrived on a wave of less-than-stellar reviews. Its Rotten Tomatoes score is currently sitting at a lousy 40%. Ticket buyers were more enthusiastic, however.

The family audience gave the movie five out of five stars according to PostTrak exit polls, while general audiences gave it four stars and an A- on CinemsScore. Audiences skewed male (61%) overall, although when it came to families attending there were slightly more moms (52%) than dads.

Last year, the first weekend in April hosted the launch of another video game blockbuster, “A Minecraft Movie,” which had a bigger three-day debut ($162.8 million) but didn’t have a “Project Hail Mary” in a strong second place, meaning the weekend overall is still up around 5%.

As expected, “The Super Mario Galaxy Movie” ended the two-week reign of the Ryan Gosling-led sci-fi hit “Project Hail Mary,” which landed in second its third weekend in theaters where it added $29.8 million, bringing its domestic total to $216.3 million.

Third place went to A24’s provocative new movie “The Drama,” starring Zendaya and Robert Pattinson, which made an estimated $14.4 million from 3,087 theaters. The film’s stars have been on a massive and charming press blitz to promote their R-rated movie about an engaged couple grappling with an unnerving revelation, which cost a reported $28 million to produce. The reveal has drummed up a fair amount of cultural discourse. While reviews have been more positive than not (82% on Rotten Tomatoes), it got a less promising B CinemaScore.

“Hoppers” and “Reminders of Him” rounded out the top five.


Surprise! Zendaya Wears Something Blue, After the Old, New and Borrowed

 Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
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Surprise! Zendaya Wears Something Blue, After the Old, New and Borrowed

 Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)
Zendaya attends a special screening of "The Drama" at Regal Union Square on Thursday, April 2, 2026, in New York. (AP)

Yup, she wore something blue.

Zendaya, surprising precisely nobody on the planet, showed up in dazzling blue at Thursday’s New York premiere of “The Drama,” after teasing the bridal theme for weeks by wearing something old, then something new, then something borrowed.

Her strapless Schiaparelli Haute Couture ball gown, accompanied by sapphire earrings, completed the sartorial series just in time for the opening of her movie — a film that has attracted considerable controversy and mixed reviews. Zendaya and Robert Pattinson play a couple whose wedding plans go seriously awry following a dark revelation.

The high-fashion appearances have also echoed the bridal theme of Zendaya’s own life, with unconfirmed speculation flying — fed in part by rings she’s been wearing — that she’s already married to partner Tom Holland.

The actor and her stylist, Law Roach, saved the most spectacular outfit for last. Schiaparelli posted on its own Instagram that the gown, which took some 8,000 hours of work, was made of blue and black raw silk “feathers” in satin stitch embroidery, and contained 27 shades of blue.

“Something old” came in Los Angeles on March 17, where Zendaya wore the same white, off-the-shoulder Vivienne Westwood Bridal gown that she’d worn to the 2015 Oscars.

She transitioned to “something new” at the March 24 Paris premiere — a white custom Louis Vuitton gown with a huge black bow and train.

“Something borrowed” came two days later in Rome, a black Armani Privé dress previously worn by Cate Blanchett, with a plunging neckline framed with stones.

Finally on Thursday, Zendaya completed the circle. “SomethingBlue,” posted Roach.

In case nobody had noticed.


Travolta Returns to Cannes with Aviation-Inspired Directorial Debut

John Travolta. (AFP)
John Travolta. (AFP)
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Travolta Returns to Cannes with Aviation-Inspired Directorial Debut

John Travolta. (AFP)
John Travolta. (AFP)

US movie legend John Travolta will present his directorial debut "Propeller One-Way Night Coach", about a young boy's journey in the "golden age of aviation", at the Cannes Film Festival in May, organizers said Thursday.

The film, to make its world premiere, is adapted from the 72-year-old star's own 1997 book, inspired by his lifelong passion for aviation, the festival said.

Among the three Travolta films showcased at the Festival de Cannes in the past was "Pulp Fiction" (1994), famed for the actor's two-fingered swipe in its cult dance scene.

"The unforgettable Vince Vega of Pulp Fiction returns to the Croisette for an event as unexpected as it is exciting: his very first film as a director," the festival said.

Travolta wrote the book for his son Jett, who suffered from epileptic seizures and died in 2009 at the age of 16.

The film follows a young airplane enthusiast Jeff and his mother embarking on a one-way journey to Hollywood.

"The story unfolds as a nostalgic journey set in the golden age of aviation," the festival said.

"The journey unfolds in moments both magical and unexpected, charting the course for the boy's future," the statement said, adding that one of the flight attendants is played by the star's only daughter, Ella Bleu, 25.

The actor, who grew up not far from LaGuardia Airport near New York, is a professional pilot and began flying when he was 15.

"Travolta is certified to fly Boeing 707s, 737s, and 747s, Bombardier's Global Express and was the first private pilot to fly an Airbus A380," the festival said.

Travolta has become a pop culture icon, celebrated for his roles in films such as Saturday Night Fever (1977), Grease (1978), and Hairspray (2007).

"Propeller One-Way Night Coach" will make its global debut on Apple TV in May.