Arab Children’s Magazines under Criticism

Arab Children’s Magazines under Criticism
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Arab Children’s Magazines under Criticism

Arab Children’s Magazines under Criticism

In her book "Values in Arab Children Magazines" recently issued by "Al Nabigha" Publishing house, Egyptian writer Najlaa Allam focuses on the need to encourage children on partaking in cultural activities, and to support and discover the talented among them, along with constantly providing public libraries with the latest releases, motivating journalism institutions and research entities interested in children content, and supporting them to issue new magazines that cover the little ones' cultural needs. She also called for reaching a joint mechanism to distribute children’s magazines across the Arab world.

Allam also believes that encouraging the freedom of speech among children would emphasize moral and social values in them, and positively affect their personalities. But she warned that "providing them with a sort of political and social awareness should meet their capacities, noting that correcting the concepts of rights and duties could be done through magazines that target them and aim to enhance the values that fit the spirit, traditions, and habits of the community."

Comprehensive bibliography

In her book's five chapters, the writer introduces a first-of-its-kind bibliography that explores children magazines issued in the Arab world between 1970 and 2000, and discusses their content, problems, and functions, with a special focus on contemporary magazines.

To examine values in contemporary Arab magazines targeting children, the writer reviewed magazines that are still available in the markets including "Majid," "Little Arab,"Alaa Eldin," "Qatr al-Nada," and "Samir." She assessed the structure of each one of them, and found that they are markedly similar and sometimes identical. When comparing them, she noticed that the visual patterns dominated the journalistic and literary content, as children magazines usually prioritize publishing illustrations on other materials. Some chose adventure and exciting topics, and sought to adjust children's behaviors by giving negative and positive examples, and some used caricatures for entertainment, like the "Alaa Eldin", "Qatr el-Nada", and "The Little Arab magazine, while "Samir" didn't use it at all. Educational caricatures are very rare.

Special style

Najlaa Allam sees that the five mentioned magazines have maintained a special style by using rich illustrations on most of their pages. Editors of "Majid" allocate a huge space for illustrations that comfort the child's eyes and entertain him. On the other hand, the writer noticed that "Samir" collaborates with the same artists from "Dar Al Hilal," who repeat the same images on most pages, which could lead to boredom among young readers. The "Qatr el-Nada" magazine has added a new spirit with the help of young artists, who constantly introduce new creative illustrations.

Alaa Eldine publishes various graphics signed by prominent artists as well. It is worth mentioning that "Majid," "Qatr el-Nada," and "The Little Arabic" dedicated pages to publish children drawings. In "Majid," they are displayed on the back cover under the title "Club of Painters"; in "The Little Arabic," they are found under the title "Club of Little Painters;" While "Qatr el-Nada" dedicated two whole pages titled "The Club of Artists." "Samir" and "Alaa Eldine" didn't show any interest in publishing children drawings.

According to the writer, most of the magazines provide high quality illustrations, and descriptive images related to the topics they cover.

Allam said the Arabic magazines have sought to highlight many values in several sections using literature, journalism, and visual art. For instance, "The Little Arabic" has always focused on the values of courage and generosity by reflecting them in the Little Arabic character. Readers can also enjoy the "My Scientific Role Model" section, which motivates kids to develop an advanced personality, and to engage in research and exploration.

Adventure and Smile

"The Little Arabic" highlights negative values in illustrated stories, like "Heroisms of Ayoub." Ayoub is a kid who pretends to be brave and courageous, but eventually has to admit to his friends that he is a liar. The story is suitable for children in middle and late childhood, who are capable of distinguishing the right and bad behaviors.

In most sections, "The Little Arabic" emphasizes values using literary works such as stories and poems, along with illustrations.

On the other hand, Allam found that "Alaa Eldine" wasn't interested in emphasizing good values in images and drawings, but focused on adventures and funny topics.
"Majid" has worked on teaching children specific values like good manners and generosity, while "Samir" preferred to use illustrated advices and recommendations to introduce children to some good values.

For its part, "Qatr el-Nada" sought to highlight different values in a section titled "Political Understandings," featuring clear explanations of many political concepts and terms that children usually hear in the media, or from older family members. This section focuses on nurturing the love of knowledge as well. The magazine also introduces the "Nobel Prize" section teaching children about prominent figures in the field of science and literature.



Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
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Once a National Obsession, Traditional Korean Wrestling Fights for Survival 

An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)
An elderly spectator watches a ssireum match during a Lunar New Year Ssireum championship at the Taean Complex Indoor Gymnasium in Taean, South Korea, February 14, 2026. (Reuters)

As South Korea's global cultural influence expands in areas such as music, film and television, one form of entertainment struggling to attract attention even at home is Korea's traditional style of wrestling, known as ssireum.

Ssireum - pronounced like "see room" - had its heyday in the 1980s and early 1990s, when there were as many as eight professional teams and the top wrestlers became household names. Since then, it has been squeezed by tighter budgets and a public quick to move on to new trends.

Twenty-year-old Lee Eun-soo, who began training at the age ‌of nine, is ‌taking part in this year's Lunar New Year ‌tournament, ⁠the showcase event ⁠for the more than 1,500-year-old sport.

Lee lamented that at his former high school, the ssireum team currently has no members and there is talk of disbanding it.

"I once tried to imagine my life if I hadn’t done ssireum," Lee said. "I don’t think I could live without it."

A ssireum match involves two wrestlers facing off in an ⁠eight-meter (26.25 ft) sandpit ring, gripping each other by a ‌cloth belt called a "satba" and using ‌strength, balance, timing and stamina to force the opponent to the ground.

Ssireum ‌was inscribed on UNESCO's Representative List of the Intangible Cultural Heritage ‌of Humanity in 2018, but that international recognition has not translated into commercial success. Its relative obscurity contrasts with the high profile of Japan's sumo, another centuries-old form of wrestling.

Unlike sumo, which is supported by ‌a centralized professional ranking system and six major annual tournaments - or Olympic wrestling, with its global reach - ⁠ssireum remains ⁠largely domestic.

"Sport is something people won't come to watch if they don’t know the wrestlers or even the sport itself," said Lee Tae-hyun, a former ssireum wrestler and Professor of Martial Arts at Yong In University, who has promoted the sport overseas and believes it has commercial potential with the right backing.

Lee Hye-soo, 25, a spectator at the Lunar New Year tournament, said many Koreans are now unfamiliar with ssireum.

"My grandfather liked watching ssireum, so I watched it with him a lot when I was young," she said.

"I like it now too, but I think it would be even better if it became more famous."


Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
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Saudi Arabia Concludes Guest of Honor Role at Damascus International Book Fair 2026

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA
The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities - SPA

The Literature, Publishing and Translation Commission concluded the Kingdom’s Guest of Honor participation at the Damascus International Book Fair 2026, held in the Syrian capital from February 6 to 16, drawing strong attendance and engagement from visitors and cultural enthusiasts.

The Kingdom's pavilion was highly praised for its rich cultural content and high-quality programs, reflecting the vitality and growth of the Kingdom’s literary and cultural scene, SPA reported.

Literature, Publishing and Translation Commission CEO Dr. Abdullatif Abdulaziz Al-Wasel stated that the Kingdom’s role as Guest of Honor at the Damascus International Book Fair 2026, represented by a high-level cultural delegation led by Minister of Culture Prince Bader bin Abdullah bin Farhan, highlights the depth of Saudi-Syrian cultural relations based on partnership and mutual respect.

He noted that the participation demonstrates the Kingdom’s commitment to enhancing cultural exchange, a key objective of the National Culture Strategy under Saudi Vision 2030. Through this strategy, the commission emphasizes fostering constructive dialogue among peoples, exchanging knowledge and expertise, and consolidating the Kingdom’s active role in the Arab and international cultural landscape.

The Kingdom’s pavilion, led by the commission, attracted strong attendance and active engagement through its cultural activities. It showcased the commission’s programs and initiatives in literature, publishing, and translation, and featured a comprehensive cultural program, including literary seminars, cultural discussions, and poetry evenings with prominent Saudi writers and intellectuals.

These efforts enriched cultural dialogue with fair visitors and strengthened the presence of Saudi literature in the Arab cultural scene.

This edition of the Damascus International Book Fair marks a significant cultural milestone, reaffirming the value of books as carriers of meaning, spaces for dialogue, and starting points for a cultural journey that reflects the aspirations of the Arab cultural landscape toward a more open and aware phase.


Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA
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Qiddiya City Begins Construction of Landmark Performing Arts Center

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression - SPA

Qiddiya Investment Company has announced the commencement of construction works for the Performing Arts Center in Qiddiya City, marking an important milestone in the development of Qiddiya City as a destination for entertainment, sports and culture.

The announcement coincided with the laying of the foundation stone, signaling the start of construction works to be carried out by Nesma and Partners.

During the ceremony, held at the project site perched on the edge of the Tuwaiq Mountains, Managing Director of Qiddiya Investment Company Abdullah Aldawood delivered a speech announcing the official start of construction. He highlighted the importance of the project as a transformative addition that strengthens Qiddiya City’s cultural offering.

The Qiddiya Performing Arts Center supports the city’s positioning as a destination for creativity and cultural expression, while contributing to the development of local talent and attracting international artistic experiences.

The Qiddiya Performing Arts Center has been designed by Tom Wiscombe Architecture, in collaboration with BSBG, and features a futuristic architectural style defined by monumental forms. The design comprises interlocking architectural panels and five illuminated blades that blend harmoniously with the desert landscape, forming a prominent cultural landmark within Qiddiya City.

The start of construction follows the launch of the first phase of Qiddiya City in December 2025, which included the opening of Six Flags Qiddiya City. It’s part of the company’s broader approach to developing integrated destinations that enhance quality of life and deliver distinctive experiences across entertainment, sports and culture.