عربي English Türkçe اردو فارسى
Logo
Latest News
Entertainment

China’s Weibo Shuts Accounts Defending Kris Wu Allegations

Kris Wu. (Reuters)
Kris Wu. (Reuters)
TT
TT

China’s Weibo Shuts Accounts Defending Kris Wu Allegations

Kris Wu. (Reuters)
Kris Wu. (Reuters)

China’s microblogging platform Sina Weibo on Monday closed 145 accounts, some of which had defended pop star Kris Wu over his rape allegations, for publishing what it called “information harmful for maintaining social order.”

Wu, a Chinese-Canadian pop star, was detained on July 31 for “deceiving young women multiple times into having sexual relations” with him, according to Beijing police. His arrest came after several women said they were plied with alcohol and then either pressured to have sex with him or sexually assaulted.

Some of the Weibo accounts which were shut down had previously defended such allegations against Wu, according to state-run media outlet Global Times.

It was not immediately clear how many of the 145 accounts were shut down for defending Wu. Several other celebrities, such as debater and media personality Ma Weiwei, also had their accounts suspended after they defended earlier allegations against Wu in 2016, and have since apologized for their actions, according to the Global Times.

Weibo, often described as China’s Twitter, said in a post published Monday that the 145 accounts were shut down for publishing harmful information related to current affairs, defined as anything from “spreading rumors, disrupting state order and undermining social stability” to “publishing negative information that breaks the bottom line of social morality and the system.”

The shutdown of Weibo accounts highlights how internet and social media platforms are required to strictly comply with content guidelines and censorship rules in China, where authorities dictate what can or cannot be published online.

Authorities in China are quick to censor keywords and search terms deemed politically sensitive or harmful to society, and internet platforms are expected to comply according to the law.

Certain search terms, such as the names of Chinese artist-activist Ai Weiwei or late Chinese dissident Liu Xiaobo, turn up no results when searched on platforms like Weibo.

The shutdown of accounts also come at a time when the Chinese government has tightened its grip over the internet and technology sector.

In recent months, authorities have implemented anti-monopoly rules and data privacy laws to curb unfair market practices and prevent companies from unfairly collecting and profiting off users’ data.

Most Viewed

 
 
Entertainment

Beyonce and the Grammys: A Tense Relationship again at a Head

Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File
Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File
TT
TT

Beyonce and the Grammys: A Tense Relationship again at a Head

Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File
Beyonce, shown here performing with her daughter Blue Ivy during an NFL game on Christmas Day 2024, is the artist with the most Grammys ever. Alex Slitz / GETTY IMAGES NORTH AMERICA/AFP/File

Beyonce is the most decorated artist in Grammys history, and her album releases have both triggered cultural earthquakes and reshaped music industry norms.

But few artists have ever been snubbed so conspicuously by the Recording Academy -- for all her trailblazing accomplishments, Beyonce has never won the prestigious prizes for best album or record, said AFP.

Once again on Sunday, she will head to the Grammys gala with the most chances to win, after "Cowboy Carter" -- her genre-spanning, sociopolitically charged conversation piece of an album -- dropped last spring to critical acclaim.

It earned her a fifth nomination for Album of the Year: in years past, she has lost to Taylor Swift, Beck, Adele and, most recently, Harry Styles.

As for Record of the Year, this is her ninth shot at a golden gramophone.

And in a glaringly consistent pattern, nearly all of Beyonce's losses have been to white pop and rock artists.

"If she wins the Album of the Year category for 'Cowboy Carter,' it would be -- for me, personally -- similar to when Barack Obama won the presidency," said Birgitta Johnson, a professor of African American studies and music history at the University of South Carolina.

To explain the parallel, Johnson said that upon Obama's victory, "as a Black person in America... I was totally shocked."

'Fault lines'

For Johnson, Grammy voters tend to dismiss collaborative projects, which is Beyonce's bread and butter: the megastar showcases Black music and traditions while elevating fellow artists.

Musicologist Lauron Kehrer seconded that point, citing Beyonce's 2015 loss to Beck for Album of the Year; the chatter afterwards was that while Beyonce worked with a team, Beck put the album together himself.

Voter "values have been more aligned with white-dominated genres like rock and alternative," said Kehrer.

"When we look at pop and R&B and other genres, they take a more collaborative approach -- but that approach to collaboration hasn't really been valued by Grammy voters."

Kehrer said Beyonce's career is emblematic of "fault lines in how organizations think about style and think about genre, especially around race and gender lines."

And though the Grammys have increased the number of contenders in the top categories -- it used to be five, was bumped to 10, and is currently eight -- in a bid to promote diversity, the change has actually meant votes are split to a degree that people of color and less conventional artists still rarely win.

"All those things are coming into play when it comes to Beyonce, this iconic global star that keeps missing this particular brass ring," Johnson said.

No 'one-trick pony'

Beyonce's work is difficult to define -- beyond the top categories, her 11 Grammy nominations this year span Americana, country, pop and rap.

She has previously scooped awards for dance and electronic music.

"She refuses to be a one-trick pony," Kehrer said.

"It does feel like 'Cowboy Carter' especially was a project to show, among other things, that she's a versatile artist who can't be pigeon-holed, and to kind of force institutions in the industry to pay attention to that."

Beyonce has thus challenged the Recording Academy to keep up with her by improving on its categorization of music to better reflect industry trends -- something that the Grammy organizers have indeed endeavored to do.

In the end, the Grammys need Beyonce a whole lot more than she needs the Grammys, Johnson says.

Her touch is vital to the gala "so they can seem not only relevant, but as inclusive as they claim they have been trying to be," she told AFP.

'Litmus test'

As for winning prizes, if that were Beyonce's primary concern, she would write music tailored for that, Johnson notes.

Instead, "she's trying to do more work around narratives and identity," the professor said.

"She's one of those rare artists who are free creatively, but also has the wealth to propel her vision."

That vision trickles down to the artists who routinely win the big prizes, Johnson said, pointing to Grammys darling Billie Eilish as an example of how younger generations take inspiration from Beyonce to work across genres.

Ultimately, even if Queen Bey doesn't need institutional approval, wins matter for fans -- and, in turn, representation.

"It's hard to get around the fact that it's such a significant recognition," Kehrer said, calling the Grammys a "litmus test for where we are on race and genre in the music industry."