London Film Festival Welcomes Audiences Back to the Movies

The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
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London Film Festival Welcomes Audiences Back to the Movies

The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi

Movies from 77 countries will screen at the 2021 London Film Festival, as Britain’s leading cinema showcase welcomes mass audiences back to movie theaters after a pandemic-disrupted year.

The festival program, announced Tuesday, includes 158 features, down from 225 during its last pre-pandemic edition in 2019. The 2020 festival was a curtailed collection of 58 films, most screened online.

This year, mask-wearing, full-capacity audiences will be able to attend gala screenings at London’s riverside Southbank Centre, with many of the premieres screened simultaneously at movie theaters across the UK.

About 37% of the features are directed by women — not yet parity, but up from a quarter four years ago and “heading in the right direction,” The Associated Press quoted festival director Tricia Tuttle as saying.

The festival opens Oct. 6 with the world premiere of “The Harder They Fall” — a Western from British director Jeymes Samuel with a Black-led cast — and closes Oct. 17 with the European premiere of Joel Coen’s “The Tragedy of Macbeth,” starring Denzel Washington and Frances McDormand as Shakespeare’s murderous Scottish royals.

The lineup includes 21 world premieres alongside prize-winners and headline-grabbers from the Cannes and Venice film festivals, including Jane Campion’s Montana-set Western “The Power of the Dog” and Edgar Wright’s swinging-60s horror romp “Last Night in Soho,” both of which premiered in Venice this month.

Also on the schedule are French director Julia Ducournau’s techno-sexual thriller “Titane” — winner of Cannes' top prize, the Palme d'Or — Paul Verhoeven’s lesbian nun drama “Benedetta” and Wes Anderson’s whimsical “The French Dispatch,” both of which also premiered at the French Riviera festival.

The London festival will also feature Maggie Gyllenhaal’s Elena Ferrante adaptation “The Lost Daughter”; Reinaldo Marcus Green’s “King Richard,” which stars Will Smith as the father of Venus and Serena Williams; Kenneth Branagh’s homage to his home town, “Belfast”; Jacques Audiard’s “Paris, 13th District” and Todd Haynes’ music documentary “The Velvet Underground.”

Another highlight is Chilean director Pablo Larrain’s “Spencer” — a film whose first publicity shot of Kristin Stewart as Princess Diana was enough to set off a frenzy of anticipation.

“I don’t think there’s a film fan alive who doesn’t want to see this film after that still was released,” Tuttle said.
Embracing television as well as cinema, the festival is also screening the first two episodes of the third series of media-dynasty drama “Succession.”

Festival organizers are still unsure how the coronavirus pandemic will affect plans for red-carpet premieres and parties. Four-fifths of British adults are fully vaccinated, and there are few restrictions on social life. But infections remain high, and are expected to climb further now that children are back at school.

Tuttle says a few films in the lineup deal explicitly with the pandemic, including Matthew Heineman’s documentary “The First Wave” and “7 Days,” a coronavirus romcom about a couple locked down together after a disastrous first date.

“We were wary of going too heavily into the pandemic,” Tuttle said. “We’ve just chosen films that charmed us or felt too urgent not to include in the program.”



Rod Stewart to Play Legends Slot at Glastonbury Next Year

Rod Stewart performs on stage during his One Last Time concert at Royal Arena Copenhagen, Denmark June 9, 2024. (Ritzau Scanpix/Torben Christensen via Reuters)
Rod Stewart performs on stage during his One Last Time concert at Royal Arena Copenhagen, Denmark June 9, 2024. (Ritzau Scanpix/Torben Christensen via Reuters)
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Rod Stewart to Play Legends Slot at Glastonbury Next Year

Rod Stewart performs on stage during his One Last Time concert at Royal Arena Copenhagen, Denmark June 9, 2024. (Ritzau Scanpix/Torben Christensen via Reuters)
Rod Stewart performs on stage during his One Last Time concert at Royal Arena Copenhagen, Denmark June 9, 2024. (Ritzau Scanpix/Torben Christensen via Reuters)

Rocker Rod Stewart will play the legends slot at Glastonbury 2025, the first act confirmed for next year's edition of the British music festival.

His Sunday afternoon performance will be the 79-year-old singer's first at Worthy Farm in southwest England since he last took to the festival's Pyramid stage in 2002.

"I’m proud, ready and more than able to pleasure and titillate my friends at Glastonbury in June," Stewart said in a statement.

One of the biggest selling artists of all time, Stewart follows the likes of Lionel Richie, Diana Ross and Shania Twain last year to play the legends slot.

Stewart has a spate of European and North American tour dates scheduled for next year but earlier this month, he announced he planned to stop performing "large-scale world tours".

"But I have no desire to retire. I love what I do, and I do what I love. I’m fit, have a full head of hair, and can run 100 meters in 18 seconds at the jolly old age of 79," Stewart wrote in an Instagram post.

Stewart, known for 1970s hits "Maggie May", "Sailing" and "Da Ya Think I'm Sexy?", released his latest album "Swing Fever", a collaboration with pianist Jools Holland, earlier this year. The record topped the UK albums chart.

The Glastonbury festival was started by dairy farmer Michael Eavis in 1970 and over the decades has become a sprawling and often muddy five-day event in June, with some of the biggest names in music performing for tens of thousands of revelers.

Next year's edition will take place from June 25-29.