London Film Festival Welcomes Audiences Back to the Movies

The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
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London Film Festival Welcomes Audiences Back to the Movies

The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi
The 78th Venice Film Festival - Photo call for "Last Night In Soho" out of competition - Venice, Italy, September 4, 2021 - Actor Anya Taylor-Joy poses. REUTERS/Yara Nardi

Movies from 77 countries will screen at the 2021 London Film Festival, as Britain’s leading cinema showcase welcomes mass audiences back to movie theaters after a pandemic-disrupted year.

The festival program, announced Tuesday, includes 158 features, down from 225 during its last pre-pandemic edition in 2019. The 2020 festival was a curtailed collection of 58 films, most screened online.

This year, mask-wearing, full-capacity audiences will be able to attend gala screenings at London’s riverside Southbank Centre, with many of the premieres screened simultaneously at movie theaters across the UK.

About 37% of the features are directed by women — not yet parity, but up from a quarter four years ago and “heading in the right direction,” The Associated Press quoted festival director Tricia Tuttle as saying.

The festival opens Oct. 6 with the world premiere of “The Harder They Fall” — a Western from British director Jeymes Samuel with a Black-led cast — and closes Oct. 17 with the European premiere of Joel Coen’s “The Tragedy of Macbeth,” starring Denzel Washington and Frances McDormand as Shakespeare’s murderous Scottish royals.

The lineup includes 21 world premieres alongside prize-winners and headline-grabbers from the Cannes and Venice film festivals, including Jane Campion’s Montana-set Western “The Power of the Dog” and Edgar Wright’s swinging-60s horror romp “Last Night in Soho,” both of which premiered in Venice this month.

Also on the schedule are French director Julia Ducournau’s techno-sexual thriller “Titane” — winner of Cannes' top prize, the Palme d'Or — Paul Verhoeven’s lesbian nun drama “Benedetta” and Wes Anderson’s whimsical “The French Dispatch,” both of which also premiered at the French Riviera festival.

The London festival will also feature Maggie Gyllenhaal’s Elena Ferrante adaptation “The Lost Daughter”; Reinaldo Marcus Green’s “King Richard,” which stars Will Smith as the father of Venus and Serena Williams; Kenneth Branagh’s homage to his home town, “Belfast”; Jacques Audiard’s “Paris, 13th District” and Todd Haynes’ music documentary “The Velvet Underground.”

Another highlight is Chilean director Pablo Larrain’s “Spencer” — a film whose first publicity shot of Kristin Stewart as Princess Diana was enough to set off a frenzy of anticipation.

“I don’t think there’s a film fan alive who doesn’t want to see this film after that still was released,” Tuttle said.
Embracing television as well as cinema, the festival is also screening the first two episodes of the third series of media-dynasty drama “Succession.”

Festival organizers are still unsure how the coronavirus pandemic will affect plans for red-carpet premieres and parties. Four-fifths of British adults are fully vaccinated, and there are few restrictions on social life. But infections remain high, and are expected to climb further now that children are back at school.

Tuttle says a few films in the lineup deal explicitly with the pandemic, including Matthew Heineman’s documentary “The First Wave” and “7 Days,” a coronavirus romcom about a couple locked down together after a disastrous first date.

“We were wary of going too heavily into the pandemic,” Tuttle said. “We’ve just chosen films that charmed us or felt too urgent not to include in the program.”



Disney's 'Moana 2' Premiere Honors Hawaiian Culture

Actors Auli'i Cravalho and Dwyane Johnson speak during the premiere of Disney Animation's film Moana 2 in Kapolei, Hawaii, US November 21, 2024.  REUTERS/Marco Garcia
Actors Auli'i Cravalho and Dwyane Johnson speak during the premiere of Disney Animation's film Moana 2 in Kapolei, Hawaii, US November 21, 2024. REUTERS/Marco Garcia
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Disney's 'Moana 2' Premiere Honors Hawaiian Culture

Actors Auli'i Cravalho and Dwyane Johnson speak during the premiere of Disney Animation's film Moana 2 in Kapolei, Hawaii, US November 21, 2024.  REUTERS/Marco Garcia
Actors Auli'i Cravalho and Dwyane Johnson speak during the premiere of Disney Animation's film Moana 2 in Kapolei, Hawaii, US November 21, 2024. REUTERS/Marco Garcia

The world premiere of Disney's "Moana 2" sailed into Oahu, Hawaii on Thursday along with a celebration of Pacific Islander heritage.
In the storyline, three years have passed since Moana's adventures in the first hit film. "At first, she was wondering if she could be a wayfinder,” Auliʻi Cravalho, who voices the title character, told Reuters.
"By the time we see her again she's a ... master navigator."
The film also takes Moana on a journey into the future, so she is traveling "even further beyond," the native Hawaiian actor added.
“Moana 2,” directed by David Derrick Jr., Jason Hand and Dana Ledoux Miller, arrives in theaters on Nov. 27.
In it Moana receives a sudden call from her ancestors to travel the seas and break the god Nalo’s curse, which prevents the people of various islands from reconnecting.
She must form her own crew and reunite with her friend, the demigod Maui, played by Dwayne Johnson.
“Maui’s journey in 'Moana 2' means to me a few things,” Johnson said.
“Number one, legacy, and number two, the character Maui was largely inspired by my grandfather who’s buried here (Hawaii), so it’s pretty meaningful to me,” he added.
The premiere opened with performances from Hawaiian dancers wearing leis and waving Hawaiian flags.
The film is highly anticipated after Disney’s other 2024 animated sequel "Inside Out 2" passed the $1 billion mark at the worldwide box office less than three weeks after its release - the fastest that any animated film has reached that level.
The first “Moana” topped the 2016 Thanksgiving box office rankings, earning a mighty $81.1 million over the five-day holiday period.