Louvre Abu Dhabi’s New Exhibition to Explore Chinese-Islamic Cultural Exchange

Abu Dhabi: Asharq Al Awsat

09:03-11 September 2021 AD ـ 04 Safar 1443 AH

Abu Dhabi: Asharq Al Awsat

09:03-11 September 2021 AD ـ 04 Safar 1443 AH

Louvre Abu Dhabi’s New Exhibition to Explore Chinese-Islamic Cultural Exchange

Louvre Abu Dhabi has announced its second international exhibition of 2021, Dragon and Phoenix – Centuries of Exchange between Chinese and Islamic Worlds, which will run from October 6 until February 12, 2022.

Organized by Louvre Abu Dhabi in partnership with Musée national des arts asiatiques – Guimet with the support of France Muséums, the exhibition will showcase the cultural and artistic exchange between the Chinese and Islamic civilizations from the 8th to the 18th century. Visitors will be able to explore cultural connections through more than 200 artworks from the collections of Louvre Abu Dhabi, the Musée Guimet and 12 international museums and institutions, alongside a wide-ranging cultural program.

Dragon and Phoenix places in dialogue artifacts from two worlds rich in culture, arts, and sciences: China (the dragon) and the Islamic world (the phoenix). The exhibition showcases the connections, artistic influences and remarkable untold stories of more than 800 years of exchange through land and sea trade routes, from the establishment of the first Arab merchant colonies in Canton in the 8th century until the beginning of the 18th century.

Journeying from the Mashriq and the Arabian Peninsula through Central Asia and the Indian Ocean, and to China and Vietnam, the exhibition reveals a long and rich history of mutual admiration and influence reflected in both material and immaterial exchanges.

Dragon and Phoenix particularly aims to highlight unconventional centers of artistic and cultural production. With both a physical exhibition at the museum and an online experience, it will shed light on how centuries of cultural exchange and the prolific artistic production between the two worlds reveal a dominance of coveted luxury materials and artworks between the 8th and 18th centuries.

The exhibition is curated by Sophie Makariou, President of Musée national des arts asiatiques – Guimet, with the support of Dr. Souraya Noujaim, Louvre Abu Dhabi’s Scientific, Curatorial and Collections Management Director, and Guilhem André, Louvre Abu Dhabi’s Chief Curator of Asian and Medieval arts.

Secrets, Spy Tools and a 110-Year-Old Lemon Are on Show in an Exhibition from Britain’s MI5

01 April 2025, United Kingdom, Richmond: Guy Burgess' passport and briefcase are displayed during a preview of the MI5: Official Secrets exhibition at the National Archives in Kew. (Jonathan Brady/PA Wire/dpa)

08:19-2 April 2025 AD ـ 04 Shawwal 1446 AH

Secrets, Spy Tools and a 110-Year-Old Lemon Are on Show in an Exhibition from Britain’s MI5

A desiccated 110-year-old lemon that played a key role in espionage history is one of the star attractions of a London exhibition drawn from the files of MI5, Britain’s domestic intelligence agency.

Compact spy cameras, microdots in a talcum powder tin and a briefcase abandoned by fleeing Soviet spy Guy Burgess are also part of the show at Britain’s National Archives, which charts the history of a secretive agency that is – slowly – becoming more open.

MI5 Director General Ken McCallum told journalists at a preview on Tuesday that the organization’s work “is often different from fiction, whether that fiction is George Smiley or Jackson Lamb” – the brilliant spymaster of John le Carré's novels and the slovenly supervisor of MI5 rejects in Mick Herron’s “Slow Horses” series.

Many stories told in the exhibition, however, would not be out of place in a thriller.

The lemon, now black and shriveled, helped convict Karl Muller, a German spy in Britain during World War I. It was found by police in his bedside table, along with another in his overcoat pocket. Evidence at his secret trial showed their juice had been used to write invisible-ink letters detailing British troop movements.

Muller was executed by firing squad at the Tower of London in 1915.

In a coda that would not be out of place in “Slow Horses,” MI5 pretended Muller was still alive and wrote to his German handlers to ask for more money.

“The Germans duly sent more funds and MI5 used the funds to purchase a car,” exhibition curator Mark Dunton said. “And they christened the car ‘The Muller.’

“They then were reprimanded by the Treasury for unauthorized use of expenditure,” he added.

The show includes declassified records held by the National Archives and items loaned from the secret museum inside Thames House, MI5’s London headquarters.

It charts the changing role of an agency that was founded in 1909 as the Secret Service Bureau with an initial staff of two officers.

There are records of its World War II successes, when the agency used captured Nazi agents to send disinformation back to Germany, deceiving Adolf Hitler about the location of the looming Allied invasion in 1944.

Failures include the years-long betrayal of the upper-crust “Cambridge Spies,” whose members spilled secrets to the Soviet Union from the heart of the UK intelligence establishment. Recently declassified MI5 documents on display include the 1963 confession of Cambridge spy Kim Philby, who denied treachery for years before he was exposed and fled to Moscow.

The exhibition also reveals changing attitudes, not least to women. The exhibition includes a 1945 report by spymaster Maxwell Knight discussing whether women could make good agents.

“It is frequently alleged that women are less discreet than men,” he noted, but declared that it was not so, saying that in “hundreds of cases of ‘loose talk’” most of the offenders were men.

There are admissions of past mistakes. The exhibition notes that MI5 was slow to recognize the threat from fascism in the 1930s, and later spent too much time spying on the small Communist Party of Great Britain. MI5 didn’t need to break into the party’s offices – it had a key, which is on display.

There are only a few items from the past few decades, showing how MI5’s focus has shifted from counterespionage to counterterrorism. Displays include a mortar shell fired by the Irish Republican Army at 10 Downing St. in 1991 while Prime Minister John Major was holding a Cabinet meeting.

MI5 only began releasing records to the UK’s public archives in 1997, generally 50 years after the events have passed. Even now, it controls what to release and what to keep secret.

“It would be a mistake to assume everything is in the exhibition,” said author Ben Macintyre, whose books on the history of intelligence include “Operation Mincemeat” and “Agent Zigzag.” But he said it still marks “a real sea-change in official secrecy.”

“A generation ago, this stuff was totally secret,” he said. “We weren’t even allowed to know that MI5 existed.”

Louvre Abu Dhabi’s New Exhibition to Explore Chinese-Islamic Cultural Exchange

Louvre Abu Dhabi’s New Exhibition to Explore Chinese-Islamic Cultural Exchange

Most Viewed

Secrets, Spy Tools and a 110-Year-Old Lemon Are on Show in an Exhibition from Britain’s MI5

Secrets, Spy Tools and a 110-Year-Old Lemon Are on Show in an Exhibition from Britain’s MI5

لم تشترك بعد