Somali-American Supermodel Reinvents Modest Fashion

Somali-American former model Halima Aden poses for a photo, during an event in Istanbul, Turkey, Sept. 14, 2021. AFP
Somali-American former model Halima Aden poses for a photo, during an event in Istanbul, Turkey, Sept. 14, 2021. AFP
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Somali-American Supermodel Reinvents Modest Fashion

Somali-American former model Halima Aden poses for a photo, during an event in Istanbul, Turkey, Sept. 14, 2021. AFP
Somali-American former model Halima Aden poses for a photo, during an event in Istanbul, Turkey, Sept. 14, 2021. AFP

Halima Aden, the first supermodel to wear a hijab and pose in a burkini, has ripped up her lucrative contracts in an industry she feels lacks "basic human respect" and entered the world of modest fashion design instead.

For the Somali-American who was born in a refugee camp in Kenya, it was a matter of preserving her self-worth and well-being in a fast and loose sector that increasingly clashed with her Muslim values.

"Since I was a little girl, this quote -- 'don't change yourself, change the game' -- has gotten me through so much in life," she told AFP in an interview in Istanbul.

"When I took the decision to quit, that is exactly what I did," she said. "So I am very, very proud."

Aden's departure last November delivered a shock to fashionistas and Muslim influencers who have admired her trailblazing career.

Aden, who turns 24 on Sunday, broke ground in Minnesota, where she became the first contestant to wear a hijab and a burkini in a US state beauty pageant in 2016.

She posed in them again for Sports Illustrated's annual swimsuit issue when her fame was spreading in 2019.

But personally, Aden felt increasingly boxed in -- sometimes literally.

"I was always given a box, a private place to change in, but many times I was the only one given the privacy," she said.

"I got to see my fellow young women having to undress and change in public, in front of media personalities, cooks and staff, designers and assistants," she recalled.

"To me, it was very jarring," she said. "I couldn't be in an industry where there is no basic human respect."

Aden sounded liberated when she announced her decision to abandon photo shoots and catwalks last year. She is becoming a designer instead.

"Wow this is actually the most RELIEF I felt since I started in 2016. Keeping that in was literal POISON!" she said on Instagram.

She felt her traditions, starkly different from those of most other supermodels, were caricatured and turned into a gimmick by some brands.

One, American Eagle, replaced a headscarf with a pair of jeans on her head in a 2017 campaign.

"But... this isn't even my style??" she protested on Instagram at the time.

"I got to a place where I couldn't recognize my hijab the way I would traditionally wear it," Aden told AFP.

Aden looked far more at ease in Istanbul, surrounded by Middle Eastern fashionistas while attending an event organized by Modanisa, her new home.

She will be designing collections exclusively for the Turkish online brand, which is one of the biggest names in the modest fashion industry, valued at $277 billion in 2019.

It already makes up more than a tenth of the $2.2 trillion global fashion industry, with plenty of room to grow, according to DinarStandard, an advisory firm specializing in emerging Muslim markets.

World capitals as diverse as Moscow, Riyadh and London have staged modest fashion shows in the past few years.

Soft-spoken but smiley, Aden sounds confident in modest fashion's ability to withstand crises like the coronavirus pandemic and changing fads.

"It is the oldest fashion staple, it's been around for hundreds of years, it will continue to be around for hundreds of years," she said.

Islam and fashion "are 100 percent compatible because there's nothing in our religion that says you can't be fashionable," she said.

Luxury brands such as DKNY and Dolce & Gabbana have already picked up on the trend, creating collections catered to modest women.

But Aden hit out at "a lot of tokenism, especially in the fashion industry, where they want our money but they don't want to support us in the issues that we are faced with."

"I think fashion needs to do a greater job," she said. "You are representing your clients who are Muslims, it is important to speak up when they are faced with injustices."



Globes Red Carpet: Chic Black, Elegant Dresses and a Bit of Politics

Ariana Grande is a nominee for her turn as Glinda in 'Wicked: For Good'. Frederic J. Brown / AFP
Ariana Grande is a nominee for her turn as Glinda in 'Wicked: For Good'. Frederic J. Brown / AFP
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Globes Red Carpet: Chic Black, Elegant Dresses and a Bit of Politics

Ariana Grande is a nominee for her turn as Glinda in 'Wicked: For Good'. Frederic J. Brown / AFP
Ariana Grande is a nominee for her turn as Glinda in 'Wicked: For Good'. Frederic J. Brown / AFP

Hollywood's top stars hit the red carpet on Sunday for the Golden Globes, the first major event on the road to the Oscars, and they delivered lots of old-school glamour.

Here is a glance at some of the looks seen at the Beverly Hilton Hotel:

Ever-chic black

Selena Gomez is a newlywed and her happiness shows. The best comedy actress nominee for her work on "Only Murders in the Building" radiated joy as she arrived on the arm of her husband Benny Blanco.

She oozed sophistication in a black Chanel column gown with a frothy white feathered strapless neckline, her black bob swept into soft waves.

Gomez was not alone in striking an understated pose, with lots of stars opting for black or dark, wintry hues.

Teyana Taylor, a winner for her searing turn as a leftist revolutionary in hotly-tipped film "One Battle After Another," scorched the carpet in a cut-out backless black Schiaparelli gown with a halter neckline -- and a cheeky crystal bow on her backside.

Ariana Grande ("Wicked: For Good"), who competed with Taylor for the award for best supporting actress, turned heads in a black textured Vivienne Westwood ballgown with an asymmetrical neckline and a bubble silhouette before trailing to the floor.

Her hair was swept into her signature ponytail, and she kept the jewelry simple with a diamond choker.

Amy Madigan, also in their category for her villainous turn in "Weapons," went for a tuxedo look with cropped pants and patent leather boots.

Nominee Jenna Ortega embraced the goth chic of her title character in "Wednesday" in a black high-neck Dilara Findikoglu gown with glittering epaulets and cut-offs that revealed a bit of side boob... and part of her hip bone.

Among the male stars in attendance, Colman Domingo was as usual a standout, wearing head-to-toe black Valentino, with silvery appliques scattered from his left shoulder down his lapel to his waist.

Jennifer Lopez is no stranger to strong fashion statements. Her plunging green Versace gown at the Grammys in 2000 is still a reference for winning the red carpet by adopting the "less is more" rule.

On Sunday, Lopez -- whose turn in "Kiss of the Spider Woman" was overlooked by Globes voters -- wore a figure-hugging sheer gown with bronze patterns snaking over her body, ending in a mermaid fishtail.

Jennifer Lawrence --nominated for best drama actress in a film for "Die My Love" -- got the memo as well, rocking a barely-there sheer nude Givenchy gown with only a smattering of strategically placed flowers.

- Stars slam deadly ICE shooting -

Hollywood never quite has a night out without a bit of politics coming into play.

On Sunday, some of the stars including nominee Mark Ruffalo wore pins with the messages "BE GOOD" -- a reference to Renee Good, the Minneapolis woman who was shot and killed by a federal immigration agent.

Comedian Wanda Sykes wore the same pin on her lapel, while actress Natasha Lyonne, a nominee for her TV show "Poker Face," attached one to her clutch handbag.

The campaign is endorsed by the American Civil Liberties Union (ACLU), one of the country's most prominent civil rights organizations.

 


UK's Next Edges Up Profit Outlook after Christmas Sales Beat Expectations

FILE PHOTO: Shoppers walk past a NEXT retail store on Oxford Street in London, Britain, December 28, 2025. REUTERS/Isabel Infante/File Photo
FILE PHOTO: Shoppers walk past a NEXT retail store on Oxford Street in London, Britain, December 28, 2025. REUTERS/Isabel Infante/File Photo
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UK's Next Edges Up Profit Outlook after Christmas Sales Beat Expectations

FILE PHOTO: Shoppers walk past a NEXT retail store on Oxford Street in London, Britain, December 28, 2025. REUTERS/Isabel Infante/File Photo
FILE PHOTO: Shoppers walk past a NEXT retail store on Oxford Street in London, Britain, December 28, 2025. REUTERS/Isabel Infante/File Photo

British fashion retailer Next on Tuesday reported a better-than-expected 10.6% increase in full-price sales for the nine weeks to December 27 and edged up its annual profit guidance for the fifth time over the last year.

Subdued UK ⁠consumer confidence ahead of Christmas coupled with unseasonably mild weather had left analysts cautious about clothing retailers' festive trading prospects.

However, Next reported a 5.9% increase in UK ⁠sales year-on-year, with international sales up 38.3%.

According to Reuters, the group said it now expected to report a pretax profit of 1.15 billion pounds ($1.56 billion) for its year to January 2026, up from previous guidance of 1.135 billion pounds and the 1.011 billion pounds it made in ⁠2024/25 when it breached the 1 billion pounds mark for the first time.

Next forecast a further 4.5% increase in profit to 1.202 billion pounds for its 2026/27 year, on full-price sales up 4.5%.

Shares in Next have risen 43% over the last year.


Saudi Fashion Commission Issues Research Paper on 'Fashion Week Economics'

The Saudi Fashion Commission logo
The Saudi Fashion Commission logo
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Saudi Fashion Commission Issues Research Paper on 'Fashion Week Economics'

The Saudi Fashion Commission logo
The Saudi Fashion Commission logo

The Saudi Fashion Commission has issued its research paper for the fourth quarter of 2025, titled Fashion Week Economics, as part of its continued commitment to providing leading sector insights through the Fashion Futures platform.

The paper presents an in-depth analysis of Riyadh Fashion Week's contribution to local economic growth and explores the role of global fashion weeks in the global economy.

It highlights how Riyadh Fashion Week reflects the Kingdom's cultural and creative development, marking the beginning of a new era for Saudi creative industries, one driven by cultural confidence and economic ambition, through a dynamic integration of creativity, commerce, and culture aligned with the vision of a thriving creative economy.

The research also examines themes including the economic and cultural value of fashion weeks worldwide, the role of fashion-week events as global economic drivers, and case studies of various brands showcased at Riyadh Fashion Week 2025.

Through publishing this paper, the Fashion Commission continues to provide essential economic data and sector insights into the rapidly evolving fashion industry.

Riyadh Fashion Week targets designers, brands, creative talent, buyers, retailers, sponsors, and partners, serving as a central platform for opportunities across the market. Its rapid expansion across three editions, featuring more than 100 participating brands and attracting approximately 27,000 visitors, has delivered significant value in terms of media presence, relationship building, and business growth for participants.

The participation of major global fashion houses such as Vivienne Westwood and Stella McCartney in the third edition further reflects Riyadh’s growing influence in international luxury circles and its increasing global standing.