Jewel of Roman Empire Lies Neglected in Libya Chaos

One of the few visitors to the ancient Roman city of Leptis Magna in Libya looks at the Arch of Septimius Severus. Mahmud TURKIA AFP
One of the few visitors to the ancient Roman city of Leptis Magna in Libya looks at the Arch of Septimius Severus. Mahmud TURKIA AFP
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Jewel of Roman Empire Lies Neglected in Libya Chaos

One of the few visitors to the ancient Roman city of Leptis Magna in Libya looks at the Arch of Septimius Severus. Mahmud TURKIA AFP
One of the few visitors to the ancient Roman city of Leptis Magna in Libya looks at the Arch of Septimius Severus. Mahmud TURKIA AFP

Once among the Roman Empire's most beautiful cities, Leptis Magna lies neglected and shunned by tourists after a decade of war, but some see its potential for rebirth.

There is no queue at the gate and only a handful of visitors, almost all Libyans, wander among the imposing ruins at the UNESCO World Heritage site.

Visiting the area, a former Roman outpost on the south coast of the Mediterranean, is "a voyage in time, a dive into history", enthuses Abdessalam Oueba, a Libyan visitor in his 60s.

Founded by the Phoenicians then conquered by Rome, the city was the birthplace of Septimius Severus, who rose to become emperor from 193 until 211.

The ruler waged military campaigns across Europe and into modern-day Iraq before dying in York, England, far from the hometown on which he had lavished resources.

Perched on a hillside with a striking view of the Mediterranean, the well-preserved ruins include a large basilica, a racecourse and a theatre seating up to 15,000 spectators on arched terraces overlooking the sea.

Among the few visiting tourists are Ihab, from Tripoli, who made the 120-kilometre (75-mile) trip to show his children a site he had visited during his own childhood.

"Leptis Magna is beautiful, the most beautiful Roman site outside Italy," the 34-year-old doctor said under a clear blue sky.

"Yet it's barely been discovered."

- 'Neglect' -
The violence that wracked Libya after the 2011 revolt that toppled Moamer Kadhafi stirred fears for the ancient ruins, prompting United Nations cultural agency UNESCO to place them and four other Libyan sites on a list of global heritage in danger.

But so far, the areas have been mostly spared from the fighting, which has largely paused since an October 2020 ceasefire.

"There haven't been any direct attacks or threats against Leptis Magna, despite the conflict," said Azeddine al-Fakih, head of the site's antiquities department.

Yet it faces other threats: a lack of resources and government support.

"In 2020, we were finally able to launch projects that should have been finished 50 years ago," he said, listing toilet facilities, offices and a perimeter fence.

"But archaeological digs have stopped, and maintenance operations are rushed and superficial."

Fakih admitted that after 10 years of conflict and state collapse, Libya's current unity government "has bigger problems to deal with".

There was almost no tourism in Libya under Kadhafi, whose rule from 1969-2011 depended heavily on the country's vast oil wealth.

Tense foreign relations and sanctions also discouraged foreign visitors.

Kadhafi began issuing tourist visas for the first time in 2003 and even created a ministry of tourism as the regime began mending ties with the West.

But all that stopped in 2011, when a NATO-backed revolt overthrew and killed Kadhafi, plunging the country into years of chaos.

- More valuable than oil -

Now, a year-long lull in violence has sparked hopes the country can move on.

Omar Hdidan, a civil engineer who volunteers to promote and maintain Leptis Magna, believes in its potential for tourism.

"It has always been neglected by the state," the 49-year-old said.

"There are no digs, no new discoveries, no campaign to encourage tourism. But Leptis Magna is more valuable than 10 oil wells."

Fakih agreed.

Leptis Magna "could be a source of income if it was managed properly", he said.

"It could create thousands of jobs, welcome millions of tourists and bring in billions of dollars. There will come a day when the oil runs out, but Leptis Magna will remain."



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”