Disney Resolves Dispute with Scarlett Johansson over ‘Black Widow’ Movie

Scarlett Johansson poses on the red carpet during the Oscars arrivals at the 92nd Academy Awards in Hollywood, Los Angeles, California, US, February 9, 2020. (Reuters)
Scarlett Johansson poses on the red carpet during the Oscars arrivals at the 92nd Academy Awards in Hollywood, Los Angeles, California, US, February 9, 2020. (Reuters)
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Disney Resolves Dispute with Scarlett Johansson over ‘Black Widow’ Movie

Scarlett Johansson poses on the red carpet during the Oscars arrivals at the 92nd Academy Awards in Hollywood, Los Angeles, California, US, February 9, 2020. (Reuters)
Scarlett Johansson poses on the red carpet during the Oscars arrivals at the 92nd Academy Awards in Hollywood, Los Angeles, California, US, February 9, 2020. (Reuters)

Walt Disney Co and actress Scarlett Johansson have resolved their legal dispute stemming from the release of her Marvel superhero movie “Black Widow,” the company and the performer said jointly on Thursday.

Terms of the settlement between Disney and Johansson’s Periwinkle Entertainment company were not disclosed.

Johansson, 36, sued Disney in July, accusing the entertainment giant of breaching her contract when the company offered the movie on its subscription streaming service Disney+ at the same time the film was playing in theaters.

Her complaint, filed in Los Angeles County Superior Court, argued that the dual-release strategy for “Black Widow” had reduced her compensation, which she said was to be based in part on box office receipts from an exclusive run in cinemas.

Disney had countered at the time that there was “no merit” to the lawsuit and asserted that the studio had complied with terms of Johansson’s contract.

The company also said then that Johansson’s lawsuit demonstrated a “callous disregard” for the risks to movie audiences during the COVID-19 pandemic.

The dispute was closely watched for possible ramifications in Hollywood as media companies seek to build their streaming services by offering premium content to lure in subscribers.

“Black Widow,” which debuted on July 9 in theaters and for a $30 charge on Disney+, has grossed more than $378 million in worldwide theater receipts, according to film tracking service Box Office Mojo. The feature also generated about $60 million through streaming purchases in its first 20 days in release, Disney has said.

Johansson starred as fictional Russian assassin-turned-Avenger superhero, a role she has played in nine Marvel films.

“I’m very pleased that we have been able to come to a mutual agreement with Scarlett Johansson regarding ‘Black Widow,’” Alan Bergman, content chairman for Disney Studios, said in a statement on Thursday.

He said the company looked forward to working with Johansson on a “number of upcoming projects,” including previously reported plans for her to produce and star in a film based on Disney’s “Tower of Terror” theme park rides.

Johansson said she, too, was happy to have resolved her differences with the company and looked forward to further collaboration.

“I’m incredibly proud of the work we’ve done together over the years and have greatly enjoyed my creative relationship with the team,” her statement said.

Johansson topped Forbes magazine’s list of the world’s highest-paid actresses in 2018 and 2019, with pre-tax earnings reported to have totaled $56 million from June of 2018 to June of 2019.



‘Superman’ Aims to Save Flagging Film Franchise, Not Just Humanity

 David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)
David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)
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‘Superman’ Aims to Save Flagging Film Franchise, Not Just Humanity

 David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)
David Corenswet, left, and Rachel Brosnahan participate in the ceremonial lighting of the Empire State Building on Wednesday, July 9, 2025, in New York. (Photo by CJ Rivera/Invision/AP)

Superman is often called upon to save the world from evildoers, but in his latest big-screen incarnation, he's also being asked to swoop in and save a franchise.

James Gunn's "Superman," which opened in theaters worldwide this week, is a reboot aimed at relaunching the so-called DC Universe of comic book-based superhero movies, which also features Wonder Woman and Batman.

The celluloid efforts of Warner Bros. and DC Studios have been widely eclipsed by Disney's Marvel Cinematic Universe -- the world of Iron Man, Thor, Black Panther and the Fantastic Four, who are getting their own reboot later this month.

"Warner Bros. has invested a lot of energy and money in trying to refocus and renew DC Studios, and this is going to be the big release from that," analyst David A. Gross from Franchise Entertainment Research told AFP.

The heavy task falls on the shoulders of Gunn, the writer-director who won praise from fans of the genre with Marvel's "Guardians of the Galaxy" trilogy.

The movie's rollout has already encountered several headwinds, including a right-wing backlash to Gunn's comments on Superman's role as an immigrant, and skepticism from fans of the previous Superman films helmed by director Zack Snyder.

Gunn has shrugged off the high stakes surrounding the movie's box office success.

"Is there something riding on it? Yeah, but it's not as big as people make it out to be," he told GQ Magazine.

"They hear these numbers that the movie's only going to be successful if it makes $700 million or something and it's just complete and utter nonsense."

The hype around the movie is real -- the White House even superimposed President Donald Trump onto one of the movie's official posters with the caption "THE SYMBOL OF HOPE. TRUTH. JUSTICE. THE AMERICAN WAY. SUPERMAN TRUMP."

- 'A diminished genre' -

Warner Bros. hopes the DC Universe can catch up with Marvel which -- after years of huge successes with the "Avengers" movies -- has seen more muted box office returns with the recent "Thunderbolts" and "Captain America: Brave New World."

Gross explained that superhero films hit a peak right before the Covid-19 pandemic, with box office earnings and audience enthusiasm waning ever since that time.

"It's really a diminished genre," Gross said.

However, the analyst said early buzz for "Superman" was "really good."

The film stars up-and-comer David Corenswet as the new Superman/Clark Kent, with "The Marvelous Mrs. Maisel" star Rachel Brosnahan playing love interest Lois Lane and Nicholas Hoult as arch-villain Lex Luthor.

The story follows the Man of Steel coming to terms with his alien identity as he finds his place in the human world.

The supporting cast boasts a selection of other DC Comics characters, from the peacekeeping Green Lantern (Nathan Fillion) -- who is scheduled to reprise the role in upcoming TV series "Lanterns" -- to the mace-wielding Hawkgirl.

Gross noted that July "is the top moviegoing month of the year," leading tracking estimates to forecast a total of more than $100 million for the film's opening weekend in North America.

- 'The story of America' -

DC Studios however must shake off a reputation for producing mediocre films that did not score well with audiences.

The last round of "DC Extended Universe" films included the well-liked "Wonder Woman" (2017) starring Gal Gadot -- but also box office flops like "Shazam! Fury of the Gods" (2023) and the under-performing "Aquaman" sequel with Jason Momoa.

"The success was mixed, and they were spending a lot of money on some of the new spinoff characters who were not working particularly well," Gross said, pointing at 2021's "The Suicide Squad" -- directed by Gunn -- as an example.

The last films featuring Superman, starring Henry Cavill and directed by Snyder, were relatively successful for Warner Bros. until "Justice League" -- DC's effort at recreating the "Avengers" vibe -- which lost millions of dollars.

Fans of Snyder have stirred up negative buzz for the new "Superman" movie, voicing hope online that the reboot fails out of a sense of loyalty to the previous films.

The backlash was further widened after right-wing pundits groaned about Superman's specific characterization as an immigrant, lamenting the superhero had become "woke."

Gunn addressed the criticism, telling The Times newspaper that "Superman is the story of America," with the character reflecting those who "came from other places and populated the country."

"I'm telling a story about a guy who is uniquely good, and that feels needed now," he added.

Ultimately, time will soon tell if Corenswet's chiseled looks and Gunn's directorial vision will be the superpowers that DC Studios need -- or prove to be its Kryptonite.