‘Potato Eaters’…Controversial Artwork at Amsterdam's Van Gogh Museum

Iconic 19th-century artist Vincent Van Gogh's painting "The Potato Eaters." (Getty Images)
Iconic 19th-century artist Vincent Van Gogh's painting "The Potato Eaters." (Getty Images)
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‘Potato Eaters’…Controversial Artwork at Amsterdam's Van Gogh Museum

Iconic 19th-century artist Vincent Van Gogh's painting "The Potato Eaters." (Getty Images)
Iconic 19th-century artist Vincent Van Gogh's painting "The Potato Eaters." (Getty Images)

The Dutch painter Vincent Van Gogh is more famous for his cheerful paintings – his bright and light-flooded southern French landscapes. But now for the first time, Amsterdam's Van Gogh Museum is devoting an exhibition exclusively to his early depiction of peasant life, full of darkness but also admiration.

"The Potato Eaters" is one of the first masterpieces by Van Gogh and without a doubt the artist's biggest "failure," at least according to its critics at the time. It depicts five people sitting in a cramped kitchen having dinner, their faces tired and distorted – bulbous noses, bony gnarled hands. The scene is dark and gloomy, according to the German News Agency.

About 50 paintings, sketches, drawings and letters will be on display from October 8, telling the story of the painting – a "story of ambition and perseverance," the director of the museum, Emily Gordenker, said. "The painting was never sold and never exhibited during Van Gogh's lifetime. Today, however, it is world-famous and considered a key work in the painter's development," she said.

Vincent Van Gogh painted "De aardappeleters" (potato eaters) in 1885 during a turbulent period he spent with his parents in Nuenen, in the southeast of the Netherlands. He made numerous studies and sketches for it.

It's one of Van Gogh's "most thought-out paintings," said Bregje Gerritse, curator of the museum. The painter himself described it as a "master's test" and, according to the curator, wanted to make his breakthrough with it. But the painting failed. Van Gogh received harsh criticism for this work, especially because of its use of gloomy colors and the distorted depiction of people's faces.

To bring the painting to life, the museum has now recreated the scene with a life-size, walk-in model for its spotlight exhibition.

"The Potato Eaters: Mistake or Masterpiece?" Van Gogh wanted to depict the harsh reality of peasant life, a life he himself admired. He deliberately showed the characters with coarse faces and bony hands worn from labor, Gerritse said. "Van Gogh wanted to show the peasants in all their roughness."



Scientists Rebuild Face of 400-year-old Polish 'Vampire'

A three-dimensional reconstruction of Zosia's face, a woman buried as a vampire, is pictured, in this undated handout photo taken in Stockholm, Sweden. Oscar Nilsson - Project Pien/Handout via REUTERS
A three-dimensional reconstruction of Zosia's face, a woman buried as a vampire, is pictured, in this undated handout photo taken in Stockholm, Sweden. Oscar Nilsson - Project Pien/Handout via REUTERS
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Scientists Rebuild Face of 400-year-old Polish 'Vampire'

A three-dimensional reconstruction of Zosia's face, a woman buried as a vampire, is pictured, in this undated handout photo taken in Stockholm, Sweden. Oscar Nilsson - Project Pien/Handout via REUTERS
A three-dimensional reconstruction of Zosia's face, a woman buried as a vampire, is pictured, in this undated handout photo taken in Stockholm, Sweden. Oscar Nilsson - Project Pien/Handout via REUTERS

Buried with a padlock on her foot and an iron sickle across her neck, "Zosia" was never supposed to be able to come back from the dead.
Entombed in an unmarked cemetery in Pien, northern Poland, the young woman was one of dozens feared by her neighbors to have been a "vampire".
Now, using DNA, 3D printing and modelling clay, a team of scientists has reconstructed Zosia's 400-year-old face, revealing the human story buried by supernatural beliefs, Reuters reported.
"It's really ironic, in a way," said Swedish archaeologist Oscar Nilsson. "These people burying her, they did everything they could in order to prevent her from coming back from the dead... we have done everything we can in order to bring her back to life."
Zosia, as she was named by locals, was found in 2022 by a team of archaeologists from Torun's Nicolaus Copernicus University.
Aged 18-20 when she died, analysis of Zosia's skull suggests she suffered from a health condition which would have caused fainting and severe headaches, as well as possible mental health issues, Nilsson said.
The sickle, the padlock and certain types of wood found at the grave site were all believed at the time to hold magical properties protecting against vampires, according to the Nicolaus Copernicus team.
Zosia's was Grave No. 75 at the unmarked cemetery in Pien, outside the northern city of Bydgoszcz. Among the other bodies found at the site was a "vampire" child, buried face down and similarly padlocked at the foot.
Little is known of Zosia's life, but Nilsson and the Pien team say items she was buried with point to her being from a wealthy — possibly noble — family.
The 17th century Europe she lived in was ravaged by war, something Nilsson suggests created a climate of fear in which belief in supernatural monsters was commonplace.
Nilsson's recreation began with creating a 3D printed replica of the skull, before gradually building layers of plasticine clay "muscle by muscle" to form a life-like face.
He uses bone structure combined with information on gender, age, ethnicity and approximate weight to estimate the depth of facial features.
"It's emotional to watch a face coming back from the dead, especially when you know the story about this young girl," Nilsson says.
Nilsson said he wanted to bring Zosia back "as a human, and not as this monster that she is buried as".