Sculptor and Artist Simone Fattal is holding a new exhibition at London's Whitechapel Gallery. Dubbed "Finding a Way," the exhibition, which will run until March 2022, displays diverse works from her new experience in the ceramic art. Using ceramic, mainly made from clay, the first creation material in many Abrahamic religions, the works of Simone Fattal are inspired by landmarks from ancient civilizations in the Mediterranean, Egypt, and Ancient Greece. Clay helps recreate forms and bodies, and gives a symbolic life to these muddy creatures turned into artworks that lure the eye, heart, mind, and imagination.
Thanks to its stone walls and architecture, the Whitechapel Gallery has seamlessly embraced Fattal's ceramic works, which found their perfect historic and cultural place.
Looking at the sculptures, you can see people who woke up from a past life waiting for a sign from heaven; hollowed columns featuring phrases, drawings, and symbols emphasizing a former or future life; and incomplete muddy bodies resembling phantoms with mythological dimensions. The sculptures of Simone Fattal don't need all their details, their beauty lies in their meanings and symbolic significance. The artist distributed the sculptures in the gallery like if they are communicating silently, recalling the stories of ancient civilizations, and performing a resurrection scene. Her sculptures defy death and turn the distortion and disasters of history into an aesthetic material emphasized by the beauty and significance of clay.
The exhibition also displays stacked rectangular and square muddy paintings representing symbolic cemetery, a stone shrine, or a mass of connected and separate shapes at the same time, like a cultural landmark that embraces time and unlocks old memories. The works of Simone Fattal in this exhibition are diverse but form a panoramic image reflecting her journey of creativity, how she started and how she progressed to reach this level of success as a Lebanese, Arab, and international ceramic artist with a unique, personal touch.