‘Housewife’ Mummy Returns to Its Coffin after 170 Years

The “Unlucky Mummy”, from 945BC, displayed by the British Museum when it was visiting Taiwan’s National Palace Museum in Taipei in 2007. (AFP)
The “Unlucky Mummy”, from 945BC, displayed by the British Museum when it was visiting Taiwan’s National Palace Museum in Taipei in 2007. (AFP)
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‘Housewife’ Mummy Returns to Its Coffin after 170 Years

The “Unlucky Mummy”, from 945BC, displayed by the British Museum when it was visiting Taiwan’s National Palace Museum in Taipei in 2007. (AFP)
The “Unlucky Mummy”, from 945BC, displayed by the British Museum when it was visiting Taiwan’s National Palace Museum in Taipei in 2007. (AFP)

In 1815, an Egyptian mummy and three coffins were transferred from India to the British Museum. In 1968, curators at the British Museum scanned all the mummies of the Egyptian collection including the transferred mummy, which they thought it "belongs to a man." However, archeologists have long wondered what was a man's mummy doing with three coffins belonging to a woman known as the "Housewife." Until recently, the only provided explanation was that "the merchants, who sold the mummy and the three coffins to a British officer in the Mumbai Infantry, India, in 1846, collected these items from different sources to maximize their value – a common behavior among antiquities sellers in the 19th century."

However, a touring exhibition of six mummies organized by the British Museum reexamined this mummy, and managed to return it to its three coffins. While preparing for the exhibition, the curators found new evidence indicating that the mummy belongs to a woman. The findings will be announced in the upcoming issue of the Journal of Archeological Science. To confirm its identity, the scientists had to prove the mummy's connection to the three coffins. During the examination, they spotted a dry brown stain from the embalming residues in the bottom of the smallest coffin that contained the mummy. The linens wrapping the mummy revealed a similar stain on the lower part of the left shoulder matching the stain found in the coffin. Then, the researchers analyzed the residues to determine their composition, and whether it's the same in both stains.

A team of archeologists led by Marie Vandenbeusch from the Egypt and Sudan Department at the British Museum, said "the results show that the coffins belong to the controversial mummy," noting that the fluorescent embalming materials used in the genital organs area deceived the past CT scan which falsely indicated the mummy belongs to a man." The dual energy CT scan used in this study managed to define the gender of the mummy, and revealed that the woman died at the age 35-49, and suffered from a spinal injury."



Turki Alalshikh Honored as ‘Most Influential Personality of the Decade’ at MENA Effie Awards

Turki Alalshikh, Chairman of Saudi Arabia’s General Entertainment Authority (Asharq Al-Awsat)
Turki Alalshikh, Chairman of Saudi Arabia’s General Entertainment Authority (Asharq Al-Awsat)
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Turki Alalshikh Honored as ‘Most Influential Personality of the Decade’ at MENA Effie Awards

Turki Alalshikh, Chairman of Saudi Arabia’s General Entertainment Authority (Asharq Al-Awsat)
Turki Alalshikh, Chairman of Saudi Arabia’s General Entertainment Authority (Asharq Al-Awsat)

In a landmark global achievement, Turki Alalshikh, Chairman of Saudi Arabia’s General Entertainment Authority, was named the “Most Influential Personality of the Decade” during the MENA Effie Awards ceremony.

Theprestigious honor recognizes his transformative contributions to the Kingdom’s entertainment sector and his pivotal role in its development and international prominence.

The MENA Effie Awards, renowned for celebrating impact and creativity across the Middle East and North Africa, distinguishes individuals whose efforts have delivered exceptional and lasting contributions over the past decade.

Alalshikh’s recognition underscores his status as one of the most influential figures in global entertainment and reflects Saudi Arabia’s growing impact on the international cultural and entertainment landscape.

Under his leadership, the General Entertainment Authority has played a key role in enhancing the quality of life in Saudi Arabia, aligning with the objectives of Saudi Vision 2030. His efforts have established a world-class entertainment ecosystem, bolstering the national economy and fostering sustainable development.

Since the launch of Riyadh Season 2024 in October, spearheaded by Alalshikh, the event has attracted unprecedented global attention. In less than a month, approximately 6 million visitors attended, showcasing the event’s extraordinary appeal to both local and international audiences.

The season features thousands of events, ranging from concerts and art exhibitions to theater performances and family-friendly activities. Riyadh Season 2024 includes five main zones—Boulevard World, Kingdom Arena, Boulevard City, The Venue, and Al-Suwaidi Park—each offering a distinctive and immersive experience.

During its opening week, the season set a record with 2 million visitors, highlighting the public’s enthusiasm for this eagerly awaited event.