Box Office Star Dwayne Johnson Lands on Netflix in Heist Movie ‘Red Notice'

Cast member and producer Dwayne Johnson attends the premiere for the film "Red Notice" in Los Angeles, California, US, November 3, 2021. (Reuters)
Cast member and producer Dwayne Johnson attends the premiere for the film "Red Notice" in Los Angeles, California, US, November 3, 2021. (Reuters)
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Box Office Star Dwayne Johnson Lands on Netflix in Heist Movie ‘Red Notice'

Cast member and producer Dwayne Johnson attends the premiere for the film "Red Notice" in Los Angeles, California, US, November 3, 2021. (Reuters)
Cast member and producer Dwayne Johnson attends the premiere for the film "Red Notice" in Los Angeles, California, US, November 3, 2021. (Reuters)

Dwayne Johnson, the action star whose films pull in big bucks at global box offices, is aiming to entertain viewers in their living rooms with his next movie spectacle, the globe-trotting Netflix heist caper "Red Notice."

Johnson stars in the movie with Gal Gadot and Ryan Reynolds about a race to locate and steal three valuable artifacts. The movie will stream on Netflix starting Friday after playing for a week in a limited number of movie theaters.

The film ranks among the most expensive ever made by Netflix, with a price tag of roughly $200 million.

Johnson, the former wrestler known as the Rock and star of big-screen blockbusters such as "Jumanji" and "Furious 7," said he believed it was important to offer at-home streaming of movies that traditionally debuted only in theaters.

"I do have a handful of colleagues who are going to disagree with me," Johnson said in an interview with Reuters. "For me, the most important thing is to take care of the people and how they want to be taken care of, and ... there are a lot of people out there who want to enjoy movies from home."

"Red Notice" follows Johnson's FBI agent John Hartley as he tries to clear his name after being set up by an international art thief, The Bishop (Gadot).

To do so, he falls in with The Bishop's biggest competition, Nolan Booth, played by Ryan Reynolds.

Double crosses, comedy and fights ensue.

"I think Dwayne's fighting style is sort of ... brutalist, sort of not unlike his (World Wrestling Entertainment) life," Reynolds said, while Gadot's "is very athletic and elegant."

"Usually my character is just running away from the fight as much as possible," Reynolds said.

Production of "Red Notice" began shortly before COVID-19 started spreading around the world in early 2020. The health crisis forced a shutdown for months and a rewrite of filming plans.

"It was just a very intense environment, but I've got to give our crew such huge credit because they brought us to the finish line," Gadot said.



‘Kraven the Hunter’ Flops while ‘Moana 2’ Tops Box Office Again

This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)
This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)
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‘Kraven the Hunter’ Flops while ‘Moana 2’ Tops Box Office Again

This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)
This image released by Disney shows the character Moana, voiced by Auli'i Cravalho, in a scene from "Moana 2." (Disney via AP)

The Spider-Man spinoff “Kraven the Hunter” got off to a disastrous start in North American theaters this weekend.
The movie starring Aaron Taylor-Johnson earned only $11 million, according to studio estimates Sunday, making it one of the worst openings for a Marvel-adjacent property. Its box office take was even less than the film “Madame Web,” The Associated Press reported.
The weekend's other major studio release was Warner Bros.’ animated “The Lord of the Rings: The War of the Rohirrim,” which made $4.6 million. Made for about $30 million, the movie is set 183 years before the events of “The Lord of the Rings” films and was fast-tracked to ensure New Line did not lose the rights to Tolkien’s novels. Peter Jackson, Fran Walsh and Philippa Boyens have been working on future live-action films for the franchise.
Meanwhile, the top of the charts again belonged to “Moana 2" and “Wicked.”
“Moana” added $26.6 million to its domestic total in its third weekend and $57.2 million internationally, bringing its global tally to $717 million. It's now the fourth highest grossing film of the year, surpassing “Dune: Part Two."
“Wicked,” which is in its fourth weekend, brought in another $22.5 million to take second place. The Universal musical has made over $359 million domestically and over $500 million worldwide.
“Gladiator II” also made $7.8 million, bringing its domestic total to $145.9 million in four weeks.
“Kraven the Hunter” is the latest misfire from Sony in its attempt to mine the Spider-Man universe for spin-off franchises without the lucrative web slinger himself. “Kraven” joins “Madame Web” and “Morbius” in franchise additions that fell flat with both audiences and critics. The one exception on this rollercoaster journey has been the “Venom” trilogy, which has made over $1.8 billion worldwide.
The R-rated “Kraven the Hunter” was directed by J.C. Chandor and faced a number of delays, partly due to the Hollywood strikes. It was shot nearly three years ago and originally slated to hit theaters in January 2023. The film cost a reported $110 million to produce and was co-financed by TSG. Internationally, it made $15 million, but its potential for longevity appears limited: It currently carries a 15% “fresh” rating on Rotten Tomatoes and got a C grade on CinemaScore from opening weekend audiences.
“It’s not always a guarantee that you’ll be able to connect with audiences when you have a spinoff character," said Paul Dergarabedian, the senior media analyst for Comscore. “General audiences seem to want to know exactly what they’re getting.”
Several awards contenders opened in limited release over the weekend, including Paramount’s “September 5” about ABC's coverage of the Munich Olympics hostage crisis. Amazon MGM and Orion's “Nickel Boys,” based on Colson Whitehead’s Pulitzer-winner about an abusive reform school in Florida, opened in two theaters in New York. It averaged $30,422 per screen and will be expanding to Los Angeles before going nationwide in the coming weeks.
The box office has seen a dramatic recovery since June, when it was down nearly 28% from the previous year. The deficit now stands at 4.8%.
Final domestic figures will be released Monday.