Rosalia, Lizzo, Cardi B Wrap Up over the Top Miami Art Week

People walk through an art installation titled, "Hall of Visions," by artist Pilar Zeta of Argentina, on the beach at the Faena Hotel during Miami Art Week, Tuesday, Nov. 30, 2021, in Miami Beach, Fla. (AP)
People walk through an art installation titled, "Hall of Visions," by artist Pilar Zeta of Argentina, on the beach at the Faena Hotel during Miami Art Week, Tuesday, Nov. 30, 2021, in Miami Beach, Fla. (AP)
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Rosalia, Lizzo, Cardi B Wrap Up over the Top Miami Art Week

People walk through an art installation titled, "Hall of Visions," by artist Pilar Zeta of Argentina, on the beach at the Faena Hotel during Miami Art Week, Tuesday, Nov. 30, 2021, in Miami Beach, Fla. (AP)
People walk through an art installation titled, "Hall of Visions," by artist Pilar Zeta of Argentina, on the beach at the Faena Hotel during Miami Art Week, Tuesday, Nov. 30, 2021, in Miami Beach, Fla. (AP)

The over-the-top parties and star-studded shows surrounding Miami’s Art Basel wrapped up this weekend with performances by Rosalia, Lizzo, Cardi B and rocker Lenny Kravitz.

The annual event, which was canceled last year during the pandemic, is an extension of the prestigious art show in Switzerland. But over the years, Miami has put its own spin on the affair, which has become a magnet for celebrities. Everyone from Rihanna, Kim Kardashian, Kanye West and Joe Jonas were spotted around town.

The highlight of the week was Louis Vuitton’s first ever US fashion show Tuesday. But the lavish affair, where guests where ferried to an island by private yacht, turned into an emotional tribute after legendary 41-year-old designer Virgil Abloh died suddenly just days before the show. Kid Cudi and Erykah Badu performed at an after-party where dozens of dancing red drones blazed the skyline to write “Virgil was here.”

Fashion brand Burberry and W magazine hosted a party attended by models Karlie Kloss and Candice Swanepoel, along with Camila Coelho, A$AP Ferg, and Meadow Walker.

Rosalia gave a surprise performance Friday night to celebrate Chanel’s iconic fragrance. The French fashion house partnered with artist Es Devlin for a multisensory sculptural installation that included a forest of over 1,000 plants and trees. Before the show, Chanel hosted a private dinner attended by Pharrell Maluma, Leon Bridges, Joe Jonas and songstress sister trio HAIM.

The fashion brand’s Five Echoes installation is free and open to the public until Dec. 21.

Cardi B performed Saturday night to launch her new line of vodka infused whipped cream. The rapper sprayed Whipshots into the mouth of fans at The Goodtime Hotel. Offset, Mary J. Blige and Timbaland were among the guests. After the event, Cardi B and hubby Offset made their way to Hyde Beach at SLS South Beach for the MAXIM party where the couple danced as 112 performed its old-school hit “Peaches and Cream.” Karrueche, Austin Mahone and Taye Diggs were also in the crowd.

After hours, over 500 fans lined up around the block to get into rapper Meek Mill’s sold-out show at E11EVEN. He didn’t take the stage until 3:30 a.m. Cardi B, Leonardo DiCaprio, Nina Agdal, Karrueche, Migos and Marshmello stayed for the late-night performance.

The official Art Basel fair attracted 60,000 visitors this year, according to a statement, but thousands more attended various art shows all week. At Art Miami, a $4 million Banksy sale, a 10-year-old phenom painter and an 18 carat gold bagel avocado toast on sale for $2.9 million at Galerie Rother generated buzz.

The ultra-futuristic Paramount Miami Worldcenter even partnered with artist Mr. Glue to host a scavenger hunt for street trash transformed into valuable artworks.

And in a week where art often borders on the absurd — remember the infamous $120,000 banana duct tape pieces — Miami’s DJ Khaled dropped “bling wings” topped with 24-karat gold dust and edible diamonds to promote his restaurant.

Swizz Beatz partnered with American Express to bring back “Women in Art,” commissioning a live installation by artist Tanda Francis at an event Saturday night. The credit card company also hosted a private performance by Lizzo at The Miami Beach Edition.

Dr. Deepak Chopra partnered with “Game of Thrones” star Emilia Clarke for an intimate morning meditation launching his Metaverse For Good platform and NFT drop. At night, Alicia Keys also led a guided meditation where mechanical flowers hanging from the ceiling opened and closed like inhales and exhales. Wearing a neon yellow gown and thigh high boots at Superblue, Miami’s experiential art center, the Grammy winner played songs from her new album dropping next week.

DiCaprio, Marc Anthony, Soleil Moon Frye and Alicia Machado helped pal Sean Penn raise $1.6 million at a fundraiser Thursday night benefiting Penn’s CORE foundation (Community Organized Relief Effort), specifically its crisis response programs across Latin America, including Haiti and Brazil.

DiCaprio also showed up to art collector Wayne Boich’s annual bash, along with Venus and Serena Williams and Latin boy band CNCO. Kravitz took the stage for a 75-minute concert. Rapper T.I. closed out the party.

Rapper Young Thug headlined an NFT party on Saturday night with Von Dutch in the hip Wynwood District.

Other celebrity spotting included Maroon Five’s Adam Levine and wife Victoria Secret Angel Behati Prinsloo sitting with friend Marc Anthony at David Grutman and Pharrell’s restaurant Swan. Rauw Alejandro and Rosalia also enjoyed a date night there.

Longtime Basel fixture Vera Wang, who wore custom grey, silk Vera dress, also dined at the restaurant with fellow fashion designer Donna Karen, and Giancarlo Stanton. Record producer and DJ Diplo visited the Phillip and Patricia Frost Museum of Science with a group of family and friends.



Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
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Perry Bamonte, Keyboardist and Guitarist for The Cure, Dies at 65

Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)
Perry Bamonte of The Cure performs at North Island Credit Union Amphitheater on May 20, 2023 in Chula Vista, California. (Getty Images/AFP)

Perry Bamonte, keyboardist and guitarist in The Cure, has died at 65, the English indie rock band confirmed through their official website on Friday.

In a statement, the band wrote that Bamonte died "after a short illness at home" on Christmas Day.

"It is with enormous sadness that ‌we confirm ‌the death of our ‌great ⁠friend and ‌bandmate Perry Bamonte who passed away after a short illness at home over Christmas," the statement said, adding he was a "vital part of The Cure story."

The statement said Bamonte was ⁠a full-time member of The Cure since 1990, ‌playing guitar, six-string bass, ‍and keyboards, and ‍performed in more than 400 shows.

Bamonte, ‍born in London, England, in 1960, joined the band's road crew in 1984, working alongside his younger brother Daryl, who worked as tour manager for The Cure.

Bamonte first worked as ⁠an assistant to co-founder and lead vocalist, Robert Smith, before becoming a full member after keyboardist Roger O'Donnell left the band in 1990.

Bamonte's first album with The Cure was "Wish" in 1992. He continued to work with them on the next three albums.

He also had various acting ‌roles in movies: "Judge Dredd,About Time" and "The Crow."


First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
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First Bond Game in a Decade Hit by Two-month Delay

'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP
'007 First Light' depicts a younger Bond earning his license to kill. Ina FASSBENDER / AFP

A Danish video game studio said it was delaying the release of the first James Bond video game in over a decade by two months to "refine the experience".

Fans will now have to wait until May 27 to play "007 First Light" featuring Ian Fleming's world-famous spy, after IO Interactive said on Tuesday it was postponing the launch to add some final touches.

"007 First Light is our most ambitious project to date, and the team has been fully focused on delivering an unforgettable James Bond experience," the Danish studio wrote on X.

Describing the game as "fully playable", IO Interactive said the two additional months would allow their team "to further polish and refine the experience", giving players "the strongest possible version at launch".

The game, which depicts a younger Bond earning his license to kill, is set to feature "globe-trotting, spycraft, gadgets, car chases, and more", IO Interactive added.

It has been more than a decade since a video game inspired by Bond was released. The initial release date was scheduled for March 27.


Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
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Movie Review: An Electric Timothee Chalamet Is the Consummate Striver in Propulsive ‘Marty Supreme’

 Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)
Timothee Chalamet attends the premiere of "Marty Supreme" at Regal Times Square on Tuesday, Dec. 16, 2025, in New York. (AP)

“Everybody wants to rule the world,” goes the Tears for Fears song we hear at a key point in “Marty Supreme,” Josh Safdie’s nerve-busting adrenaline jolt of a movie starring a never-better Timothee Chalamet.

But here’s the thing: everybody may want to rule the world, but not everybody truly believes they CAN. This, one could argue, is what separates the true strivers from the rest of us.

And Marty — played by Chalamet in a delicious synergy of actor, role and whatever fairy dust makes a performance feel both preordained and magically fresh — is a striver. With every fiber of his restless, wiry body. They should add him to the dictionary definition.

Needless to say, Marty is a New Yorker.

Also needless to say, Chalamet is a New Yorker.

And so is Safdie, a writer-director Chalamet has called “the street poet of New York.” So, where else could this story be set?

It’s 1952, on Manhattan’s Lower East Side. Marty Mauser is a salesman in his uncle’s shoe store, escaping to the storeroom for a hot tryst with his (married) girlfriend. This witty opening sequence won’t be the only thing recalling “Uncut Gems,” co-directed by Safdie with his brother Benny before the two split for solo projects. That film, which feels much like the precursor to “Marty Supreme,” began as a trip through the shiny innards of a rare opal, only to wind up inside Adam Sandler’s colon, mid-colonoscopy.

Sandler’s Howard Ratner was a New York striver, too, but sadder, and more troubled. Marty is young, determined, brash — with an eye always to the future. He’s a great salesman: “I could sell shoes to an amputee,” he boasts, crassly. But what he’s plotting to unveil to the world has nothing to do with shoes. It’s about table tennis.

How likely is it that this Jewish kid from the Lower East Side can become the very face of a sport in America, soon to be “staring at you from the cover of a Wheaties box?”

To Marty, perfectly likely. Still, he knows nobody in the US cares about table tennis. He’s so determined to prove everyone wrong, starting at the British Open in London, that when there’s a snag obtaining cash for his trip, he brandishes a gun at a colleague to get it.

Shaking off that sorta-armed robbery thing, Marty arrives in London, where he fast-talks his way into a suite at the Ritz. Here, he spies fellow guest Kay Stone (Gwyneth Paltrow, in a wise, stylish return to the screen), a former movie star married to an insufferable tycoon (“Shark Tank” personality Kevin O’Leary, one of many nonactors here.)

Kay’s skeptical, but Marty finds a way to woo her. Really, all he has to say is: “Come watch me.” Once she sees him play, she’s sneaking into his room in a lace corselet.

This would be a good time to stop and consider Chalamet’s subtly transformed appearance. He is stick-thin — duh, he never stops moving. His mustache is skimpy. His skin is acne-scarred — just enough to erase any movie-star sheen. Most strikingly, his eyes, behind the round spectacles, are beady — and smaller. Definitely not those movie-star eyes.

But then, nearly all the faces in “Marty Supreme” are extraordinary. In a movie with more than 100 characters, we have known actors (Fran Drescher, Abel Ferrara); nonacting personalities (O’Leary, and an excellent Tyler Okonma (Tyler, The Creator) as Marty’s friend Wally); and exciting newcomers like Odessa A’Zion as Marty’s feisty girlfriend Rachel.

There are also a slew of nonactors in small parts, plus cameos from the likes of David Mamet and even high wire artist Philippe Petit. The dizzying array makes one curious how it all came together — is casting director Jennifer Venditti taking interns? Production notes tell us that for one hustling scene at a bowling alley, young men were recruited from a sports trading-card convention.

Elsewhere on the creative team, composer Daniel Lopatin succeeds in channeling both Marty’s beating heart and the ricochet of pingpong balls in his propulsive score. The script by Safdie and cowriter Ronald Bronstein, loosely based on real-life table tennis hustler Marty Reisman, beats with its own, never-stopping pulse. The same breakneck aesthetic applies to camera work by Darius Khondji.

Back now to London, where Marty makes the finals against Japanese player Koto Endo (Koto Kawaguchi, like his character a deaf table tennis champion). “I’ll be dropping a third atom bomb on them,” he brags — not his only questionable World War II quip. But Endo, with his unorthodox paddle and grip, prevails.

After a stint as a side act with the Harlem Globetrotters, including pingpong games with a seal — you’ll have to take our word for this, folks, we’re running low on space — Marty returns home, determined to make the imminent world championships in Tokyo.

But he's in trouble — remember he took cash at gunpoint? Worse, he has no money.

So Marty’s on the run. And he’ll do anything, however messy or dangerous, to get to Japan. Even if he has to totally debase himself (mark our words), or endanger friends — or abandon loyal and brave Rachel.

Is there something else for Marty, besides his obsessive goal? If so, he doesn’t know it yet. But the lyrics of another song used in the film are instructive here: “Everybody’s got to learn sometime.”

So can a single-minded striver ultimately learn something new about his own life?

We'll have to see. As Marty might say: “Come watch me.”