Ghetts, Dave and Little Simz Win at Britain’s MOBO Awards

Rapper Ghetts wins Best Male Act award at the MOBO Awards 2021 in Coventry, Britain December 5, 2021. (Reuters)
Rapper Ghetts wins Best Male Act award at the MOBO Awards 2021 in Coventry, Britain December 5, 2021. (Reuters)
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Ghetts, Dave and Little Simz Win at Britain’s MOBO Awards

Rapper Ghetts wins Best Male Act award at the MOBO Awards 2021 in Coventry, Britain December 5, 2021. (Reuters)
Rapper Ghetts wins Best Male Act award at the MOBO Awards 2021 in Coventry, Britain December 5, 2021. (Reuters)

Rappers Ghetts, Little Simz and Dave triumphed at Britain's MOBO Awards this year, which returned with their first live show in four years.

Held on Sunday night in the British city of Coventry, the MOBOs, which honor Music of Black Origin, saw London-born Dave scoop album of the year for his no.1 record "We´re All Alone In This Together".

Ghetts won best male act while Little Simz took best female act. Tion Wayne and Russ Millions won song of the year with remix "Body" while rapper Central Cee won best newcomer and best drill act.

Other winners included Skepta with best grime act and actor Micheal Ward who took best performance in a TV show/film for his role as Franklyn in "Small Axe", a show featuring stories about West Indian immigrants in London in the 1960s-1980s.

The annual MOBOs, which began in 1996, went on hiatus in 2017 and were held virtually last year due to the COVID-19 pandemic.



Music Review: Gwen Stefani’s ‘Bouquet’ Is a Romantic Return to Mellow Rock — With an Ageless Voice

 Recording artist Gwen Stefani watches during the first half of an NFL football game between the Arizona Cardinals and the New York Jets , Sunday, Nov. 10, 2024, in Glendale, Ariz. (AP)
Recording artist Gwen Stefani watches during the first half of an NFL football game between the Arizona Cardinals and the New York Jets , Sunday, Nov. 10, 2024, in Glendale, Ariz. (AP)
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Music Review: Gwen Stefani’s ‘Bouquet’ Is a Romantic Return to Mellow Rock — With an Ageless Voice

 Recording artist Gwen Stefani watches during the first half of an NFL football game between the Arizona Cardinals and the New York Jets , Sunday, Nov. 10, 2024, in Glendale, Ariz. (AP)
Recording artist Gwen Stefani watches during the first half of an NFL football game between the Arizona Cardinals and the New York Jets , Sunday, Nov. 10, 2024, in Glendale, Ariz. (AP)

Words and phrases like "nostalgia" or "back to her roots" come to mind when listening to Gwen Stefani’s fifth studio album, "Bouquet" — and it is in no way negative.

Across 10-tracks, the powerhouse singer leans into the mellow rock of her youth — think Hall & Oates, Chicago, Fleetwood Mac — with dashes of country vibes here and there. Her voice is ageless, unaltered and distinctive, immediately recalling the early aughts when No Doubt still existed, and Stefani was still a bit of a ska girl.

Thematically, however, the songs are about a woman who’s been through the ringer — but life gave her a reprieve in her second act, and she found stability, lots of flowers and no mo’ drama. In that way, "Bouquet" is a not so furtive ode to husband Blake Shelton — who she met and fell in love with while they were both coaches on the singing reality competition show, "The Voice." At the time, they were both going through divorces to Gavin Rossdale and Miranda Lambert, respectively.

On "Bouquet," the Stefani-Shelton romance arrives through yacht rock sounds and flowery language in songs with titles like "Marigolds,Late to Bloom" and "Empty Vase." When the album reaches its end, it is with a duet with Shelton on "Purple Irises."

If the album tells a story of her relationship, it starts with the opener "Somebody Else's." Stefani starts off the proceedings by listing her previous romantic entanglement and bad choices. "I don’t know what a heart like mine/Was doin’ in a love like that, ah," she sings. "I don’t know what a woman like me/Was doin’ with a man like you, ooh."

It's a direct counter to the title track, where the focus appears to be back on Shelton: "We met when my heart was broken/Thank God that yours was, too," she shares. "So lucky that you were goin'/ Through what I was goin' through."

In "Late to Bloom," she decries the fact that they met so late in life.

A nice bass progression, a clever turn of the phrase and a great voice are what it takes to get this album going. Add a cohesive theme, a pleasant vibe and a charismatic star —- and that's coming up roses.