European Archaeologists Back in Iraq after Years of War

Members of a German-Iraqi archaeological expedition work on restoring the white temple of Anu in the Warka (ancient Uruk) site in Iraq's Muthanna province, on November 27, 2021. (Photo by Qassem al-KAABI / AFP)
Members of a German-Iraqi archaeological expedition work on restoring the white temple of Anu in the Warka (ancient Uruk) site in Iraq's Muthanna province, on November 27, 2021. (Photo by Qassem al-KAABI / AFP)
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European Archaeologists Back in Iraq after Years of War

Members of a German-Iraqi archaeological expedition work on restoring the white temple of Anu in the Warka (ancient Uruk) site in Iraq's Muthanna province, on November 27, 2021. (Photo by Qassem al-KAABI / AFP)
Members of a German-Iraqi archaeological expedition work on restoring the white temple of Anu in the Warka (ancient Uruk) site in Iraq's Muthanna province, on November 27, 2021. (Photo by Qassem al-KAABI / AFP)

After war and insurgency kept them away from Iraq for decades, European archaeologists are making an enthusiastic return in search of millennia-old cultural treasures.

"Come and see!" shouted an overjoyed French researcher recently at a desert dig in Larsa, southern Iraq, where the team had unearthed a 4,000-year-old cuneiform inscription.

"When you find inscriptions like that, in situ, it's moving," said Dominique Charpin, professor of Mesopotamian civilization at the College de France in Paris.

The inscription in Sumerian was engraved on a brick fired in the 19th century BC.

"To the god Shamash, his king Sin-iddinam, king of Larsa, king of Sumer and Akkad," Charpin translated with ease.

Behind him, a dozen other European and Iraqi archaeologists kept at work in a cordoned-off area where they were digging.

They brushed off bricks and removed earth to clear what appeared to be the pier of a bridge spanning an urban canal of Larsa, which was the capital of Mesopotamia just before Babylon, at the start of the second millennium BC.

"Larsa is one of the largest sites in Iraq, it covers more than 200 hectares (500 acres)," said Regis Vallet, researcher at France's National Center for Scientific Research, heading the Franco-Iraqi mission.

The team of 20 people have made "major discoveries", he said, including the residence of a ruler identified by about 60 cuneiform tablets that have been transferred to the national museum in Baghdad.

Vallet said Larsa is like an archaeological playground and a "paradise" for exploring ancient Mesopotamia, which hosted through the ages the empire of Akkad, the Babylonians, Alexander the Great, the Christians, the Persians and Islamic rulers.

However, the modern history of Iraq -- with its succession of conflicts, especially since the 2003 US-led invasion and its bloody aftermath -- has kept foreign researchers at bay.

Only since Baghdad declared victory in territorial battles against ISIS in 2017 has Iraq "largely stabilized and it has become possible again" to visit, AFP quoted Vallet as saying.

"The French came back in 2019 and the British a little earlier," he said. "The Italians came back as early as 2011."

In late 2021, said Vallet, 10 foreign missions were at work in the Dhi Qar province, where Larsa is located.

Iraq's Council of Antiquities and Heritage director Laith Majid Hussein said he is delighted to play host, and is happy that his country is back on the map for foreign expeditions.

"This benefits us scientifically," he told AFP in Baghdad, adding that he welcomes the "opportunity to train our staff after such a long interruption".

Near Najaf in central Iraq, Ibrahim Salman of the German Institute of Archaeology is focused on the site of the city of Al-Hira.

Germany had previously carried out excavations here that ground to a halt with the 2003 US-led invasion that toppled Saddam Hussein.

Equipped with a geomagnetic measuring device, Salman's team has been at work in the one-time Christian city that had its heyday under the Lakhmids, a pre-Islamic tribal dynasty of the 5th and 6th centuries.

"Some clues lead us to believe that a church may have been located here," he explained.

He pointed to traces on the ground left by moisture which is retained by buried structures and rises to the surface.

"The moistened earth on a strip several meters (yards) long leads us to conclude that under the feet of the archaeologist are probably the walls of an ancient church," he said.

Al-Hira is far less ancient than other sites, but it is part of the diverse history of the country that serves as a reminder, according to Salman, that "Iraq, or Mesopotamia, is the cradle of civilizations. It is as simple as that!"



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”