European Archaeologists Back in Iraq after Years of War

Members of a German-Iraqi archaeological expedition work on restoring the white temple of Anu in the Warka (ancient Uruk) site in Iraq's Muthanna province, on November 27, 2021. (Photo by Qassem al-KAABI / AFP)
Members of a German-Iraqi archaeological expedition work on restoring the white temple of Anu in the Warka (ancient Uruk) site in Iraq's Muthanna province, on November 27, 2021. (Photo by Qassem al-KAABI / AFP)
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European Archaeologists Back in Iraq after Years of War

Members of a German-Iraqi archaeological expedition work on restoring the white temple of Anu in the Warka (ancient Uruk) site in Iraq's Muthanna province, on November 27, 2021. (Photo by Qassem al-KAABI / AFP)
Members of a German-Iraqi archaeological expedition work on restoring the white temple of Anu in the Warka (ancient Uruk) site in Iraq's Muthanna province, on November 27, 2021. (Photo by Qassem al-KAABI / AFP)

After war and insurgency kept them away from Iraq for decades, European archaeologists are making an enthusiastic return in search of millennia-old cultural treasures.

"Come and see!" shouted an overjoyed French researcher recently at a desert dig in Larsa, southern Iraq, where the team had unearthed a 4,000-year-old cuneiform inscription.

"When you find inscriptions like that, in situ, it's moving," said Dominique Charpin, professor of Mesopotamian civilization at the College de France in Paris.

The inscription in Sumerian was engraved on a brick fired in the 19th century BC.

"To the god Shamash, his king Sin-iddinam, king of Larsa, king of Sumer and Akkad," Charpin translated with ease.

Behind him, a dozen other European and Iraqi archaeologists kept at work in a cordoned-off area where they were digging.

They brushed off bricks and removed earth to clear what appeared to be the pier of a bridge spanning an urban canal of Larsa, which was the capital of Mesopotamia just before Babylon, at the start of the second millennium BC.

"Larsa is one of the largest sites in Iraq, it covers more than 200 hectares (500 acres)," said Regis Vallet, researcher at France's National Center for Scientific Research, heading the Franco-Iraqi mission.

The team of 20 people have made "major discoveries", he said, including the residence of a ruler identified by about 60 cuneiform tablets that have been transferred to the national museum in Baghdad.

Vallet said Larsa is like an archaeological playground and a "paradise" for exploring ancient Mesopotamia, which hosted through the ages the empire of Akkad, the Babylonians, Alexander the Great, the Christians, the Persians and Islamic rulers.

However, the modern history of Iraq -- with its succession of conflicts, especially since the 2003 US-led invasion and its bloody aftermath -- has kept foreign researchers at bay.

Only since Baghdad declared victory in territorial battles against ISIS in 2017 has Iraq "largely stabilized and it has become possible again" to visit, AFP quoted Vallet as saying.

"The French came back in 2019 and the British a little earlier," he said. "The Italians came back as early as 2011."

In late 2021, said Vallet, 10 foreign missions were at work in the Dhi Qar province, where Larsa is located.

Iraq's Council of Antiquities and Heritage director Laith Majid Hussein said he is delighted to play host, and is happy that his country is back on the map for foreign expeditions.

"This benefits us scientifically," he told AFP in Baghdad, adding that he welcomes the "opportunity to train our staff after such a long interruption".

Near Najaf in central Iraq, Ibrahim Salman of the German Institute of Archaeology is focused on the site of the city of Al-Hira.

Germany had previously carried out excavations here that ground to a halt with the 2003 US-led invasion that toppled Saddam Hussein.

Equipped with a geomagnetic measuring device, Salman's team has been at work in the one-time Christian city that had its heyday under the Lakhmids, a pre-Islamic tribal dynasty of the 5th and 6th centuries.

"Some clues lead us to believe that a church may have been located here," he explained.

He pointed to traces on the ground left by moisture which is retained by buried structures and rises to the surface.

"The moistened earth on a strip several meters (yards) long leads us to conclude that under the feet of the archaeologist are probably the walls of an ancient church," he said.

Al-Hira is far less ancient than other sites, but it is part of the diverse history of the country that serves as a reminder, according to Salman, that "Iraq, or Mesopotamia, is the cradle of civilizations. It is as simple as that!"



Jimmy Carter's Woodworking, Painting and Poetry Reveal an Introspective Renaissance Man

(FILES) Former President Jimmy Carter  waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
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Jimmy Carter's Woodworking, Painting and Poetry Reveal an Introspective Renaissance Man

(FILES) Former President Jimmy Carter  waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)
(FILES) Former President Jimmy Carter waves to the crowd at the Democratic National Convention 2008 at the Pepsi Center in Denver, Colorado, on August 25, 2008. (Photo by Robyn BECK / AFP)

The world knew Jimmy Carter as a president and humanitarian, but he also was a woodworker, painter and poet, creating a body of artistic work that reflects deeply personal views of the global community — and himself.
His portfolio illuminates his closest relationships, his spartan sensibilities and his place in the evolution of American race relations. And it continues to improve the finances of The Carter Center, his enduring legacy, The Associated Press said.
Creating art provided “the rare opportunity for privacy” in his otherwise public life, Carter said. “These times of solitude are like being in another very pleasant world.”
‘One of the best gifts of my life' Mourners at Carter’s hometown funeral will see the altar cross he carved in maple and collection plates he turned on his lathe. Great-grandchildren in the front pews at Maranatha Baptist Church slept as infants in cradles he fashioned.
The former president measured himself a “fairly proficient” craftsman. Chris Bagby, an Atlanta woodworker whose shop Carter frequented, elevated that assessment to “rather accomplished.”
Carter gleaned the basics on his father’s farm, where the Great Depression meant being a jack-of-all-trades. He learned more in shop class and with Future Farmers of America. “I made a miniature of the White House,” he recalled, insisting it was not about his ambitions.
During his Navy years, Jimmy and Rosalynn Carter chose unfurnished military housing to stretch his $300 monthly wage, and he built their furniture himself in a shop on base.
As president, Carter nurtured woodworking rather than his golf game, spending hours in a wood shop at Camp David to make small presents for family and friends. And when he left the White House, West Wing aides and Cabinet members pooled money for a shopping spree at Sears, Roebuck & Co. so he could finally assemble a full-scale home woodshop.
“One of the best gifts of my life,” Carter said.
Working in their converted garage, he previewed decades of Habitat for Humanity work by refurbishing their one-story house in Plains. He also improved his fine woodworking skills, joining wood without nails or screws. He also bought Japanese carving tools, and fashioned a chess set later owned by a Saudi prince.
Not just any customer Carter frequented Atlanta’s Highland Woodworking, a shop replete with a library of how-to books and hard-to-find tools, and recruited the world’s preeminent handmade furniture maker, Tage Frid, as an instructor, Bagby said.
Still hanging near the store entrance is a picture of Frid, who died in 2004, teaching students including a smiling former president at the front of the class.
“He was like a regular customer,” Bagby said, other than the “Secret Service agents who came with him.”
Carter built four ladder-back chairs out of hickory in 1983, and Sotheby’s auctioned them for $21,000 each at the time, the first of many sales of Carter paintings and furniture that raised millions to benefit The Carter Center.
It was rarely about the money, though. Jill Stuckey, a longtime friend who would have the Carters over to her home in Plains, recalled seeing the former president carrying out one of her chairs.
“I said, ‘What are you doing?’” she recalled. “He said, ‘It’s broken. I’m going to take it home and fix it.’”
He was at her back door at 7:30 the next morning, holding her repaired chair.
Carter compared woodworking to the results of his labor as a Navy engineer, or as a boy on the farm: “I like to see what I have done, what I have made.”
‘No special talent,' but his paintings drive auctions Carter employed a folk-art style as a late-in-life amateur painter and claimed “no special talent,” but a 2020 Carter Center auction drew $340,000 for his painting titled “Cardinals," and his oil-on-canvas of an eagle sold for $225,000 in 2023, months after he entered hospice care.
Carter’s work hangs throughout the center’s campus. A room where he met with dignitaries is encircled with birds he painted after he and Rosalynn took on bird watching as a hobby.
Near the executive offices are a self-portrait and a painting of Rosalynn in their early post-presidential years, hanging across from a trio of Andy Warhol prints showing Carter in office.
Carter’s earliest years predominate, with boyhood farm scenes and portraits of influential figures like his father James Earl Carter Sr., whose death in 1953 led him to abandon a Navy career and eventually enter politics in Georgia.
Some of his subjects, including both of his parents, are looking away. Carter's likeness of his mother shows “Miss Lillian” as a 70-year-old Peace Corps volunteer in India. Jason Carter said the piece was particularly meaningful to his grandfather, who lost reelection at a relatively youthful 56.
“When he got out of the White House, she was standing there saying, ’Well, I turned 70 in the Peace Corps. What are you going to do?” Jason Carter said.
One Carter subject who meets his gaze is a young Rosalynn — they married when she was 18 and he was 21. He described her as “remarkably beautiful, almost painfully shy, obviously intelligent, and yet unrestrained in our discussions.”
Another who doesn’t look away is Rachel Clark, a Black sharecropper who had hosted the future president after they worked in the fields. “Except for my parents, Rachel Clark was the person closest to me,” Carter wrote of his childhood.
'Just a word of praise' Carter wrote more than 30 books — even a novel — but was most introspective in poetry.
On his first real recognition of Jim Crow segregation: “A silent line was drawn between friend and friend, race and race.”
On his Cold War submarine’s delicate dance with enemies: “We wanted them to understand ... to share our love of solitude ... the peace we yearned to keep.”
Rosalynn’s smile, he gushed, silenced the birds, “or may be I failed to hear their song.”
Perhaps Carter’s most revealing poem, “I Wanted to Share My Father’s World,” concerns the man who never got to see his namesake son’s achievements. He wrote that he despised Earl’s discipline, and swallowed hunger for “just a word of praise.”
Only when he brought his own sons to visit his dying father did he “put aside the past resentments of the boy” and see “the father who will never cease to be alive in me.”