Taye Diggs Writes a Children’s Book about Racial Injustice

This combination photo shows cover art for "Why" a children's book written by Taye Diggs and illustrated by Shane W. Evans, left and a portrait of Diggs during the 2018 Television Critics Association Summer Press Tour, on Aug. 6, 2018, in Beverly Hills, Calif. (Feiwel & Friends via AP)
This combination photo shows cover art for "Why" a children's book written by Taye Diggs and illustrated by Shane W. Evans, left and a portrait of Diggs during the 2018 Television Critics Association Summer Press Tour, on Aug. 6, 2018, in Beverly Hills, Calif. (Feiwel & Friends via AP)
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Taye Diggs Writes a Children’s Book about Racial Injustice

This combination photo shows cover art for "Why" a children's book written by Taye Diggs and illustrated by Shane W. Evans, left and a portrait of Diggs during the 2018 Television Critics Association Summer Press Tour, on Aug. 6, 2018, in Beverly Hills, Calif. (Feiwel & Friends via AP)
This combination photo shows cover art for "Why" a children's book written by Taye Diggs and illustrated by Shane W. Evans, left and a portrait of Diggs during the 2018 Television Critics Association Summer Press Tour, on Aug. 6, 2018, in Beverly Hills, Calif. (Feiwel & Friends via AP)

In a powerful new book for children, a little girl looks at a crowd of street protesters and asks: Why are those people marching? A few pages later, a child asks her family: Why are buildings burning?

“Why?: A Conversation About Race” by actor Taye Diggs with illustrations by Shane W. Evans is an unvarnished look at social activism from the eyes of Black children as they struggle to understand demands for change. It comes out Feb. 1 from Macmillan's Feiwel and Friends imprint.

“I needed to be honest,” Diggs says in an interview with his illustrator. “And sometimes being honest and real can be uncomfortable. And I think that that’s OK.”

The book portrays a series of questions from kids posed to adults. One is: Why are people crying near a makeshift memorial? “Our people are crying because we are in pain,” comes the answer. Another question asks why are protestors shouting. An adult explains: “Our people are shouting because we need to be heard.”

Evans' expressive drawings show each child's face change from worry to understanding as they digest what they hear from loved ones. His protesters hold banners and signs but they are blank — a nod to the sad timelessness of the fight for racial justice.

“I think the beauty of the words and the pictures together is that there’s a way to kind of speak above the fray,” says Evans, who was inspired in his drawings by deep talks with his daughter in their car.

While the book ends on a hopeful note, Diggs and Evans do not shy away from discussing that some protests have ended with burning buildings. “Sometimes buildings must burn,” an adult says. “The buildings burn for us. The anger burning those buildings is us.”

Diggs says he wanted to be honest and not instantly declare what was right and what was wrong. He wanted to look at the roots of the issue and start a conversation, something that didn't happen when he was young.

“If someone had taken the time to sit with me and say, ‘Well, let’s see. Why do you think these people are doing this?’ then that opens up a different conversation,” he says.

“With this book, I wanted to kind of give folks an opportunity to just sit in what was happening and look at it before passing judgment.”

A number of recent picture books take aim at racial injustice, including the upcoming “Goodnight, Racism” from Ibram X. Kendi and “All Because You Matter,” by Tami Charles and Bryan Collier. Many more shine new light on Black history.

“Why?” represents Diggs and Evans' fifth children's book together, a collaboration that started with 2011's “Chocolate Me,” which spotlighted what it feels like to look different and get teased at school.

Their books have explored Blackness, growing up biracial, handling friendship and dealing with separated parents, with titles like “Mixed Me!” and “My Friend!”

“I only write when I feel moved. So whenever I feel moved, I know it’s coming from a place that I know is real,” says Diggs, the star of “Rent” and “How Stella Got Her Groove Back.”

“It feels like something I need to do and I have to get off my chest, and it usually comes very easily. And that’s when I know it’s coming from a real place.”

Evans and Diggs first met in the 1980s when they were students at a performing arts high school in Rochester, New York. (Evans recalled the two harmonizing while singing The Police's "“De Do Do Do, De Da Da Da”) Their bond continued at Syracuse University, where they played together in a band.

“From the moment Shane and I started to work together, we both knew it was something kind of bigger than us,” says Diggs. Evans agrees: “I don’t want to sound corny, but the word kismet comes to mind.”

Diggs says he's always amazed at what Evans dreams up to illustrate his words, allowing him to see in a different way what the narrative can mean.

“There’s trust and confidence and an excitement that is there. It’s always kind of like a gift — like a present, like a birthday present — after we give Shane the words and then to slowly see the images that come from it. No one is ever disappointed.”



‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
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‘Sinners,’ ‘Wicked: For Good,’ ‘KPop Demon Hunters’ Advance in Oscars Shortlists 

US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)
US film director Ryan Coogler poses on the red carpet upon arrival for the European Premiere of "Sinners" at Cineworld Leicester Square, central London, on April 14, 2025. (AFP)

Ryan Coogler’s bluesy vampire thriller “Sinners,” the big screen musical “Wicked: For Good” and the Netflix phenomenon “KPop Demon Hunters” are all a step closer to an Oscar nomination.

The Academy of Motion Picture Arts and Sciences released shortlists for 12 categories Tuesday, including for best song, score, international and documentary film, cinematography and this year’s new prize, casting.

“Sinners” and “Wicked: For Good” received the most shortlist mentions with eight each, including makeup and hair, sound, visual effects, score, casting and cinematography. Both have two original songs advancing as well. For “Wicked” it’s Stephen Schwartz’s “The Girl in the Bubble” and “No Place Like Home.” For “Sinners,” it’s Ludwig Göransson, Miles Caton and Alice Smith’s “Last Time (I Seen the Sun),” and Göransson and Raphael Saadiq’s “I Lied to You.”

The “KPop Demon Hunters” hit “Golden,” by EJAE and Mark Sonnenblick, was another shortlisted song alongside other notable artists like: Nick Cave and Bryce Dessner for “Train Dreams”; John Mayer, Ed Sheeran and Blake Slatkin for the “F1” song “Drive”; Sara Bareilles, Brandi Carlile and Andrea Gibson for “Salt Then Sour Then Sweet” from “Come See Me In the Good Light"; and Miley Cyrus, Simon Franglen, Mark Ronson and Andrew Wyatt for “Dream as One” from “Avatar: Fire and Ash.” Diane Warren also might be on her way to a 17th nomination with “Dear Me” from “Diane Warren: Relentless.”

One of the highest profile shortlist categories is the best international feature, where 15 films were named including “Sentimental Value” (Norway), “Sirât” (Spain), “No Other Choice” (South Korea), “The Secret Agent” (Brazil), “It Was Just an Accident” (France), “The Voice of Hind Rajab” (Tunisia), “Sound of Falling” (Germany) and “The President's Cake” (Iraq).

Notable documentaries among the 15 include “My Undesirable Friends: Part I — Last Air in Moscow,” “The Perfect Neighbor,” “The Alabama Solution,” “Come See Me in the Good Light,” “Cover-Up” and Mstyslav Chernov’s “2000 Meters to Andriivka,” a co-production between The Associated Press and PBS Frontline.

The Oscars' new award for casting shortlisted 10 films that will vie for the five nomination slots: “Frankenstein,” “Hamnet,” “Marty Supreme,” “One Battle After Another,” “The Secret Agent,” “Sentimental Value,” “Sinners,” “Sirāt,” “Weapons,” and “Wicked: For Good.” Notably “Jay Kelly and “Wake Up Dead Man: A Knives Out Mystery” did not make the list.

Composers who made the shortlist for best score include Göransson (“Sinners”), Jonny Greenwood (“One Battle After Another”), Max Richter (“Hamnet”), Alexandre Desplat (“Frankenstein”) and Kangding Ray (“Sirāt”).

For the most part, shortlists are determined by members in their respective categories, though the specifics vary from branch to branch: Some have committees, some have minimum viewing requirements.

As most of the shortlists are in below-the-line categories celebrating crafts like sound and visual effects, there are also films that aren’t necessarily the most obvious of Oscar contenders like “The Alto Knights,” shortlisted in hair and makeup, as well as the widely panned “Tron: Ares” and “The Electric State,” both shortlisted for visual effects. “Tron: Ares” also made the lists for score and song with Nine Inch Nails' “As Alive As You Need Me To Be”

The lists will narrow to five when final nominations are announced on Jan. 22. The 98th Oscars, hosted by Conan O’Brien, will air live on ABC on March 15.


Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
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Netflix Boss Promises Warner Bros Films Would Still be Seen in Cinemas

Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)
Netflix CEO Ted Sarandos poses during the avant-premiere of TV serie "Emily in Paris" season 5, at the Grand Rex, in Paris on December 15, 2025. (Photo by Blanca CRUZ / AFP)

Netflix will continue to distribute Warner Bros. films in cinemas if its takeover bid for the storied studio is successful, the streaming service's chief executive Ted Sarandos said in an interview Tuesday in Paris.

"We're going to continue to operate Warner Bros. studios independently and release the movies traditionally in cinema," he said during an event in the French capital, while admitting his past comments on theatrical distribution "now confuse people".

Previously, Sarandos had suggested that the cinema experience was outdated, surpassed by the convenience of streaming.

The Netflix boss was being interviewed by Maxime Saada, head of France's Canal+ media group, in a Paris theater that was presenting Canal+'s projects for 2026, Agence France Presse reported.

Netflix only began to produce its own programs a dozen years ago, Sarandos explained, so "our library only extends back a decade, where Warner Bros. extends back 100 years. So they know a lot about things that we haven't ever done, like theatrical distribution."

In early December, Netflix announced that it had reached an agreement with Warner Bros. Discovery (WBD) to acquire most of the group for $83 billion.

However, doubts remain about whether the deal will be approved by regulators, and in the meantime television and film group Paramount Skydance has made a counter-offer valued at $108.4 billion.

If Netflix's bid is successful, it would acquire HBO Max, one of the world's largest media platforms, and it would find itself at the head of a movie catalogue including the Harry Potter and Lord of the Rings sagas, as well as the superheroes of DC Studios.


Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)
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Donna Summer Is Posthumously Inducted into the Songwriters Hall of Fame

Donna Summer. (Reuters)
Donna Summer. (Reuters)

There are giants, and then there is Donna Summer. The Queen of Disco and then some, known for such timeless tunes as “Love to Love You Baby,” “I Feel Love,” “Bad Girls,” “Dim All the Lights,” “On the Radio” and “She Works Hard for the Money,” has been posthumously inducted into the Songwriters Hall of Fame, the hall said.

Summer, who died in 2012 at age 63, was welcomed into the Songwriters Hall on Monday at a ceremony at The Butterfly Room at Cecconi’s in Los Angeles. It was led by Academy Award-winning songwriter Paul Williams. Summer's husband, Bruce Sudano and their daughters Brooklyn Sudano and Amanda Sudano Ramirez were in attendance.

“Donna Summer is not only one of the defining voices and performers of the 20th century; she is one of the great songwriters of all time who changed the course of music,” said Williams in a statement. “She wrote timeless and transcendent songs that continue to captivate our souls and imaginations, inspiring the world to dance and, above all, feel love.”

Summer's smooth blend of R&B, soul, pop, funk, rock, disco and electronica launched numerous chart-topping hits in the ‘70s and ’80s as well as three multiplatinum albums. She won five Grammys. She was unstoppable — both as a performer and a writer.

“It’s important to me because I know how important it was for Donna,” said Sudano in a press release. “The backstory is, with all the accolades that she received over her career, being respected as a songwriter was always the thing that she felt was overlooked. So, for her to be accepted into the Songwriters Hall of Fame I know that she’s very happy ... somewhere.”

The Songwriters Hall of Fame was established in 1969. A songwriter with a notable catalog of songs qualifies for induction 20 years after the first commercial release of a song.

The annual Songwriters Hall of Fame gala does not usually include posthumous inductions; those are reserved for separate events.

Songwriter Pete Bellotte — known for his work with Summer on “Hot Stuff,” “I Feel Love” and “Love To Love You Baby” — is a current nominee for the 2026 Songwriters Hall of Fame class. “Love To Love You Baby” was co-written with Summer and producer Giorgio Moroder. One of Summer's best-known hits, the song has been sampled many times, including in tracks by Beyoncé, LL Cool J and Timbaland.

The 2026 inductees will be announced in early 2026.