Dutch Police Investigate Abuse Complaints at Talent Show

John de Mol from the Netherlands receives the Golden Rose Award 2004 in the category Honorary Golden Rose 2004 during the official award ceremony of the 44th Rose d'Or festival at the Culture and Congress Center (KKL) in Lucerne, Switzerland, Saturday, April 17, 2004. (AP)
John de Mol from the Netherlands receives the Golden Rose Award 2004 in the category Honorary Golden Rose 2004 during the official award ceremony of the 44th Rose d'Or festival at the Culture and Congress Center (KKL) in Lucerne, Switzerland, Saturday, April 17, 2004. (AP)
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Dutch Police Investigate Abuse Complaints at Talent Show

John de Mol from the Netherlands receives the Golden Rose Award 2004 in the category Honorary Golden Rose 2004 during the official award ceremony of the 44th Rose d'Or festival at the Culture and Congress Center (KKL) in Lucerne, Switzerland, Saturday, April 17, 2004. (AP)
John de Mol from the Netherlands receives the Golden Rose Award 2004 in the category Honorary Golden Rose 2004 during the official award ceremony of the 44th Rose d'Or festival at the Culture and Congress Center (KKL) in Lucerne, Switzerland, Saturday, April 17, 2004. (AP)

Dutch police have received five reports of alleged criminal abuse linked to “The Voice of Holland” talent show and some 20 reports of “inappropriate behavior and possible sexually transgressive behavior” by people linked to the show.

The police statement on Monday revealed no further details of the complaints, citing privacy.

The online investigative show “BOOS” — the Dutch word for “angry” — reported last month that it had received multiple claims ranging from an allegation of rape to sexually-tinted WhatsApp messages sent by two panelists on “The Voice of Holland” and its pianist and band leader.

The show’s former producer, media tycoon John de Mol, apologized and told “BOOS” that in his years as “The Voice of Holland’s” producer he only received one complaint, and that was against the show’s pianist and band leader Jeroen Rietbergen, in 2019.

Rietbergen was the partner of De Mol’s sister, the Dutch television star Linda de Mol. She ended their relationship and the popular talent show was taken off the air amid the allegations. Rietbergen apologized for his behavior. Two other panelists have denied wrongdoing.

Police said in a statement Monday that they are working with the country’s Public Prosecution Service to investigate the reports and whether they merit opening criminal investigations.

“This process takes time. We want to do this, as always, with the utmost care in the interest of the victims,” the force said.

The reports of abuse at the ratings juggernaut that is broadcast in local versions around the world has re-opened the #MeToo debate in the Netherlands.

In an unrelated case, one of the most senior administrators at Amsterdam football club Ajax quit Sunday night and apologized for sending inappropriate messages to female colleagues.

Marc Overmars, a former star player with Ajax, Arsenal, Barcelona and the Netherlands’ national team, apologized in a statement released by Ajax. He said that he “didn’t realize that I was crossing the line with this, but that was made clear to me in recent days.”



Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
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Francis Ford Coppola Thinks 'Megalopolis' Outweighs Ordinary Film Ideas

 Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)
Francis Ford Coppola attends the premiere of "Megalopolis" on Monday, Sept. 23, 2024, at AMC Lincoln Square in New York. (AP)

Renowned American director Francis Ford Coppola believes his harshly criticized science fiction film “Megalopolis” offers audiences a unique narrative vastly different from what they are accustomed to seeing.

"We're so used to seeing movies that are like other movies because they're financed that way,” Coppola told Reuters during a Zoom interview while he was at the Toronto International Film Festival, where the film was also screened.

"It's [movies like other movies] always something that's already proven that it will make money. It's like a potato chip that you know is habit forming and 'Megalopolis' is new,” he added.

After debuting this year at the Cannes Film Festival, Coppola's $120 million self-funded project is going to be shared with broader audiences when it arrives to US movie theaters on Friday.

While the film will be distributed by Lionsgate, Coppola maintains ownership of the movie.

Adam Driver stars as Cesar Catilina, an architect-scientist who wants to better a fictional version of New York City called New Rome, pitting him against Mayor Franklyn Cicero, played by Giancarlo Esposito, who prizes authority and institutions over change.

Catilina falls in love with the mayor's daughter, Julia, played by "Game of Thrones"' Nathalie Emmanuel, as she helps him work towards his vision and re-ignites his power to stop time.

When asked if “Megalopolis” is an allegory for his film-making journey, the 85-year-old director said, “All of my films are.”

“When I was young and made 'The Godfather,'” I had to be like Michael [Michael Corleone] because I had no power and I had to be very Machiavellian. When I made 'Apocalypse Now,' I was in an absurd situation with helicopters and millions of dollars every week that I was paying for, so I had to become a megalomaniac like Kurtz [Colonel Kurtz]. You know, I have always become the characters in my movies just to survive,” he added.

While the press response to the movie has been poor with a low score of 51% on the review aggregator Rotten Tomatoes, Driver believes “Megalopolis” is a film that needs more than one viewing to be truly absorbed.

"I think it does have legs and I think it is something that you want to return to and can return to and mine something else out of it," Driver said. "And it, you know, has a place in people's minds as being one of a kind, which I don't think a lot of films can say that, you know."