‘Desert Kite 2022’ Debuts at Desert X AlUla

Saudi artist Sultan bin Fahd, Asharq Al-Awsat
Saudi artist Sultan bin Fahd, Asharq Al-Awsat
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‘Desert Kite 2022’ Debuts at Desert X AlUla

Saudi artist Sultan bin Fahd, Asharq Al-Awsat
Saudi artist Sultan bin Fahd, Asharq Al-Awsat

Mythical creatures have always been a popular topic in art and literature, perhaps because they provoke a desire for discovery and imagination, and this is what attracted the Saudi artist Sultan bin Fahd to form his dazzling artwork, Desert Kite 2022, at the Desert X AlUla exhibition.

At first glance, it seems strange that the work of art is attributed a name for an object that flies despite it not resembling any traditional winged aircraft. Fahad here recalls how the camel is called the “ship of the desert” without it sailing in water.

This presses the observer to ponder about the meaning that stands behind Fahad’s artwork.

Speaking to Asharq Al-Awsat, Fahad clarifies that his mud structure shaped like a desert kite exceeds 40 meters in length and needs to be viewed from an altitude to be fully appreciated.

Fahad indicated that the idea of the work is based on evoking the memory of archeological traps that were discovered in several sites in Saudi Arabia by planes several decades ago.

Some of those traps were hundreds of meters long and could only be fully observed from the air.

He points out that historians have suggested that these relics can either be animal traps or used for burial. Nevertheless, Fahad said it was the idea of animal traps that got him thinking and inspired his creation.

“When I received the invitation to participate in (Desert X AlUla), which comes this year under the title (Mirage), I thought of a work in line with the nature and beauty of AlUla, with my belief that no artwork can match the beauty of God’s creation in AlUla,” Fahad told Asharq Al-Awsat.

The artist was inspired by viewing the four animals and mythical creatures placed over the historic tombs of AlUla to protect their owners in the post-mortem stage, as the Nabateans and the ancient Arabs who settled in AlUla believed.

These creatures are the eagle, the lion, the medusa, and the sphinx.

In his work, the artist tries to create a unique experience for the viewer. Once inside the work, the viewer feels isolated from the world around him. When reaching the end, a meditation space can be found next to an urn-like sculpture embossed with four protective symbols traditionally used in Nabatean tombs.

“I tried to have viewers enter a place completely isolated from the desert and the outside world… to have them sit quietly and experience a meditation trip,” noted Fahad.

Desert X AlUla is an international art exhibition that puts incredible works against the gorgeous backgrounds of AlUla.

This year’s theme is Sarab which explores ideas of mirages and the oasis, which is part of desert culture.

Desert X AlUla is free and open for all to feast their eyes on. The exhibition draws inspiration from the original Desert X which is held in California’s Coachella Valley.

Desert X AlUla is inspired by the principles of land art and aims to give visitors the chance to experience art on a monumental scale in dialogue with nature.

The artist line-up boasts 15 local as well as international talents.



Mobile Cinema Brings Tunisians Big Screen Experience

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
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Mobile Cinema Brings Tunisians Big Screen Experience

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP
Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs - AFP

Like many of his fellow Tunisians, 23-year-old Amine Elhani has never been to the cinema, but now, thanks to a mobile theater touring the country, he can finally enjoy the big screen.

The bright red truck of CinemaTdour, or "moving cinema", has transformed parking lots and factory grounds in underserved towns and neighbourhoods across the North African country into pop-up theaters.

In the central town of Djemmal, dozens of workers unloaded the expandable truck, easily setting up a fully equipped outdoor movie theater with 100 seats.

"The screen is huge, and the sound effects are amazing," said Elhani, who had so far only watched films on his phone or computer.

He had "never had the chance to go to a movie theater", he told AFP.

"It's a fantastic experience, especially because I'm watching with friends."

Movie theaters are scarce in Tunisia, numbering at just 15 and largely concentrated in major urban hubs.

Recognizing this gap, CinemaTdour was launched in May by private cultural network Agora and nonprofit Focus Gabes, with funding from private donors.

"We wanted a way to reach as many viewers as possible, in a short time and on a limited budget, while offering them an authentic cinematic experience," project director Ghofrane Heraghi told AFP.

Mobile cinemas have long existed in other countries, but Heraghi said CinemaTdour was "unique" for turning a truck into a full-fledged theater.

Without government funding, CinemaTdour relies heavily on partnerships with private companies to cover costs like film rights, maintenance and staffing.

The truck itself was purchased on credit for about one million Tunisian dinars ($315,000), Heraghi said, with annual operating expenses of around 500,000 dinars.

For 10 days in Djemmal, residents could watch films for free thanks to a partnership with German car parts manufacturer Draxlmaier, which has a factory in the town.

Jihene Ben Amor, Draxlmaier's communications manager in Tunisia, said the company wanted to "contribute to the development" of remote and underserved regions where it operates.

For many workers, earning up to 1,000 dinars a month, the cost of tickets and the journey to a main city with a movie theater can be prohibitive.

"Having this cinema right outside their workplace also gives workers a sense of pride and belonging," said Ben Amor.

- 'Social impact' -

After Djemmal, CinemaTdour set up in Hay Hlel, an impoverished neighbourhood of the capital Tunis.

Many children gathered around the pop-up theater, eager for their turn.

Yomna Warhani, 11, was beaming with excitement, anticipating her first ever movie screening.

"I can't wait to see what it's like inside and what films they'll show," she said.

Nejiba El Hadji, a 47-year-old mother of four, said: "It's not just the kids who are thrilled, believe me."

To her, the mobile cinema was a rare source of joy in an otherwise bleak environment.

"We have nothing here, no cultural centers and no entertainment, just the streets," said Hadji.

"People say our kids are lost, but no one does anything about it."

CinemaTdour's two-week stay in Hay Hlel was funded by the World Health Organization, with screenings themed on mental health, smoking and drug abuse, and violence against women.

The shows were tailored for younger audiences as well as for viewers with hearing or visual impairments.

Heraghi, the project head, said that "what drives us is the social impact of culture."

"We want to break stereotypes, shift mindsets, and promote values like social cohesion and community spirit."

In just a few months, CinemaTdour has reached more than 15,000 people, including 7,500 in the southern oasis town of Nefta where a month of free screenings was sponsored by a date exporter.

The project now hopes to secure funding for additional trucks to expand its activities across the country.

But Heraghli has even bigger aspirations, she said, "taking it to Algeria, Libya, and maybe even across Africa".