‘Desert Kite 2022’ Debuts at Desert X AlUla

Saudi artist Sultan bin Fahd, Asharq Al-Awsat
Saudi artist Sultan bin Fahd, Asharq Al-Awsat
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‘Desert Kite 2022’ Debuts at Desert X AlUla

Saudi artist Sultan bin Fahd, Asharq Al-Awsat
Saudi artist Sultan bin Fahd, Asharq Al-Awsat

Mythical creatures have always been a popular topic in art and literature, perhaps because they provoke a desire for discovery and imagination, and this is what attracted the Saudi artist Sultan bin Fahd to form his dazzling artwork, Desert Kite 2022, at the Desert X AlUla exhibition.

At first glance, it seems strange that the work of art is attributed a name for an object that flies despite it not resembling any traditional winged aircraft. Fahad here recalls how the camel is called the “ship of the desert” without it sailing in water.

This presses the observer to ponder about the meaning that stands behind Fahad’s artwork.

Speaking to Asharq Al-Awsat, Fahad clarifies that his mud structure shaped like a desert kite exceeds 40 meters in length and needs to be viewed from an altitude to be fully appreciated.

Fahad indicated that the idea of the work is based on evoking the memory of archeological traps that were discovered in several sites in Saudi Arabia by planes several decades ago.

Some of those traps were hundreds of meters long and could only be fully observed from the air.

He points out that historians have suggested that these relics can either be animal traps or used for burial. Nevertheless, Fahad said it was the idea of animal traps that got him thinking and inspired his creation.

“When I received the invitation to participate in (Desert X AlUla), which comes this year under the title (Mirage), I thought of a work in line with the nature and beauty of AlUla, with my belief that no artwork can match the beauty of God’s creation in AlUla,” Fahad told Asharq Al-Awsat.

The artist was inspired by viewing the four animals and mythical creatures placed over the historic tombs of AlUla to protect their owners in the post-mortem stage, as the Nabateans and the ancient Arabs who settled in AlUla believed.

These creatures are the eagle, the lion, the medusa, and the sphinx.

In his work, the artist tries to create a unique experience for the viewer. Once inside the work, the viewer feels isolated from the world around him. When reaching the end, a meditation space can be found next to an urn-like sculpture embossed with four protective symbols traditionally used in Nabatean tombs.

“I tried to have viewers enter a place completely isolated from the desert and the outside world… to have them sit quietly and experience a meditation trip,” noted Fahad.

Desert X AlUla is an international art exhibition that puts incredible works against the gorgeous backgrounds of AlUla.

This year’s theme is Sarab which explores ideas of mirages and the oasis, which is part of desert culture.

Desert X AlUla is free and open for all to feast their eyes on. The exhibition draws inspiration from the original Desert X which is held in California’s Coachella Valley.

Desert X AlUla is inspired by the principles of land art and aims to give visitors the chance to experience art on a monumental scale in dialogue with nature.

The artist line-up boasts 15 local as well as international talents.



Farmed Production of Some Fish - and Seaweed - is Soaring

Farmed salmon -- like the ones grown in pens here in the Australian island state of Tasmania -- are easier to grow than some other fish species. Gregory PLESSE / AFP/File
Farmed salmon -- like the ones grown in pens here in the Australian island state of Tasmania -- are easier to grow than some other fish species. Gregory PLESSE / AFP/File
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Farmed Production of Some Fish - and Seaweed - is Soaring

Farmed salmon -- like the ones grown in pens here in the Australian island state of Tasmania -- are easier to grow than some other fish species. Gregory PLESSE / AFP/File
Farmed salmon -- like the ones grown in pens here in the Australian island state of Tasmania -- are easier to grow than some other fish species. Gregory PLESSE / AFP/File

The amount of farmed seafood we consume -- as opposed to that taken wild from our waters -- is soaring every year, making aquaculture an ever-more important source for many diets, and a response to overfishing.

According to the UN's Food and Agriculture Organization, nearly 99 million tons of aquatic animals (fish, molluscs like oysters and mussels and crustaceans like prawns) were farmed around the world in 2023, five times more than three decades ago.

Since 2022, the farming of aquatic animals has been steadily overtaking fishing around the world -- but with large disparities from species to species.

Fast-growing species

The two biggest sellers on the market in 2023, carp and tilapia, mainly came from freshwater farming, while other widely-consumed fish, like herring, came just from deep sea fishing

Thierry Laugier, a researcher at Ifremer, France's national institute for ocean science and technology, told AFP that fish farmers choose species that grow quickly and with simple requirements, to be able to control the life cycle.

Sales of the most widely farmed fish in Europe, Atlantic salmon, came to 1.9 million tons in 2023, 99 percent of which were farmed.

"We know how to control the ageing or how to launch a reproduction cycle, through injecting hormones," Laugier said.

Asia main producer
Asia is by far the biggest producer of farmed fish, accounting for 92 percent of the 136 million tons -- of both animal and plant species -- produced under manmade conditions in 2023.

"For carp, it comes down to tradition, it has been farmed for thousands of years on the Asian continent," the Ifremer researcher said.

At the other end of the spectrum, sardines and herring are just fished in the oceans, mainly for profitability reasons as some fish grow very slowly.

"It takes around two years to get an adult-sized sardine," Laugier said.

He said farming of some fish has not yet been started as, "for a long time, we thought the ocean was an inexhaustible resource".

Seaweed

Little known in the West, seaweed nevertheless accounts for almost a third of world aquaculture production.

Almost exclusively from Asia, seaweed production increased by nearly 200 percent in two decades, to 38 million tons. It is mainly used in industry, in jellies, pharmaceuticals and cosmetics, the expert said.

He said seaweed also has the major advantage of absorbing not just CO2 in the oceans, but also nitrogen and certain pollutants.

"And from an ecological point of view it is better to farm macroalgae than salmon," Laugier said.