'Cinema Paradiso' Actor Jacques Perrin Dies at 80

French actor and filmmaker Jacques Perrin got his first leading role starring alongside Claudia Cardinale in 'Girl with a Suitcase' in 1961. Eric Feferberg AFP/File
French actor and filmmaker Jacques Perrin got his first leading role starring alongside Claudia Cardinale in 'Girl with a Suitcase' in 1961. Eric Feferberg AFP/File
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'Cinema Paradiso' Actor Jacques Perrin Dies at 80

French actor and filmmaker Jacques Perrin got his first leading role starring alongside Claudia Cardinale in 'Girl with a Suitcase' in 1961. Eric Feferberg AFP/File
French actor and filmmaker Jacques Perrin got his first leading role starring alongside Claudia Cardinale in 'Girl with a Suitcase' in 1961. Eric Feferberg AFP/File

French actor and filmmaker Jacques Perrin, who starred in dozens of films including "Cinema Paradiso" and "The Young Girls of Rochefort" and co-directed "Winged Migration", has died at the age of 80, his family told AFP.

"The family has the immense sadness of informing you of the death of filmmaker Jacques Perrin, who died on Thursday, April 21 in Paris. He passed away peacefully," they announced in a statement sent to AFP by his son, Mathieu Simonet.

Born in Paris on July 13, 1941, Perrin appeared in more than 70 films in a long career spanning from the 1950s to the present day, AFP said.

Equally at home in French and Italian cinema, Perrin got his first leading role starring alongside Claudia Cardinale in "Girl with a Suitcase" in 1961.

Familiar to cinemagoers for his grey-to-white hair and soft voice, Perrin was frequently cast as a military officer and was known for "The 317th Platoon" in 1965, "Drummer-Crab" in 1977 and "A Captain's Honor" in 1982, all three directed by Pierre Schoendoerffer.

He also starred opposite Catherine Deneuve in the Jacques Demy musicals "The Young Girls of Rochefort" and "Donkey Skin".

Among his best-known later roles, Perrin played the adult filmmaker Salvatore reflecting on his childhood in the Oscar-winning "Cinema Paradiso".

Perrin was also co-producer of some 15 films, including "Z" (1969), which won Oscars for best foreign picture and best film editing, and "The Chorus" (2004), directed by his nephew Christophe Barratier.

The latter was a big hit in France, selling 8.6 million tickets at the box office.

- Environmentalist -
Perrin's final film role -- in the environmental thriller "Goliath," released in March -- reflected his deep interest in the natural world.

A committed conservationist, he co-produced several documentaries, including "The Monkey Folk," "Microcosmos" and "Himalaya".

He later also co-directed others including the Oscar-nominated "Winged Migration" (2001) and "Oceans", which won the Cesar for best documentary film in 2011.

"Jacques was pure charm. He succeeded in everything he touched," tweeted former Cannes Film Festival president Gilles Jacob.

"He is one of the most subtle, most interesting French producers," "Z" director Costa-Gavras said on franceinfo, saluting the memory "of a man of great curiosity and also of extreme kindness".

"I admired Jacques Perrin, and then I had the chance to shoot him, his talent, his availability, his kindness meant that after filming I admired him even more," Xavier Beauvois, who directed him in "Le Petit Lieutenant", said on Twitter.

His roles as a soldier in Schoendoerffer's films also prompted tributes from the military.

"The 317th section has lost its leader. The armies salute the memory of Jacques Perrin, an emblematic figure of French cinema to whom we were intimately linked," tweeted the French army chief of staff General Thierry Burkhard.

The Foreign Legion also hailed him as "a great name in cinema, a personality of great humility".



‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
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‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)

Demi Moore's Golden Globe best actress win for "The Substance" has, almost overnight, transformed the 1990s megastar into a seemingly unlikely favorite for the Oscars.

In her acceptance speech Sunday, the 62-year-old -- who once generated headlines as much for her love life as for her hit films -- said she had long been dismissed as a "popcorn actress," and had never "won anything as an actor."

But for Coralie Fargeat, the French director who also wrote Moore's new, blood-drenched body horror film, there is nothing surprising about the late-career reappraisal her leading lady is now enjoying.

"It was so moving to see Demi on that stage," Fargeat told AFP, the morning after Moore's big win.

The movie allowed audiences "to see who she is as an actress, and not project any more the stereotype that if you're beautiful, you can't be a good actress."

"It is being called a comeback. But she has always been here," Fargeat added.

Society's obsession with pigeonholing and pinning expiration dates on women is the core premise of "The Substance."

In the film, globally distributed by MUBI, Moore's character Elisabeth is a fading movie star, who is abruptly fired from her hit TV fitness show as she turns 50.

Out of desperation, she injects herself with a mysterious serum which allows her to live in a younger version of her body -- as long as she returns to her older form every week.

Inevitably, the allure of remaining young proves too strong, especially after Elisabeth's stunningly youthful alter ego is catapulted to fame by creepy male executives.

- 'Dream' -

Fargeat had long been a fan of Moore's acting work, which included hits like "Indecent Proposal" and "Ghost," as well as more divisive fare like "G.I. Jane."

"I could like or not like the movies, but I think she always delivered pretty great performances," said the director.

But Moore's real-life career also incarnated "this iconic star" represented by her character in "The Substance."

"Someone who has been totally valued for this dream, this fake promise that if you're young, beautiful, you're going to be happy and successful," said Fargeat.

"And when this goes away, it's like all your life is going away."

Even so, Moore's pitch-perfect casting as Elisabeth nearly did not happen.

Fargeat at first assumed Moore would not be interested in a role requiring countless, grotesque scenes of gore and decay.

But the director picked up a copy of Moore's 2019 memoir "Inside Out," which laid bare the actor's battles with ageism and misogyny, as well as addiction, abuse and very public divorces.

"When I read her book, I really saw that she was ready to take the level of risk that the movie requested," said Fargeat.

"The film is really about women's bodies. I wanted to tell my stories [in] the flesh," recalled Fargeat.

Fargeat also admits she was a demanding and meticulous director on set, requiring "a lot of takes."

Moore has spoken about losing 20 pounds (nine kilos) and contracting shingles due to the intense strain of filming, while co-star Margaret Qualley described being in the movie's prosthetic suits as "torture" that triggered panic attacks.

"If the lead performance isn't ready to go that far, the whole movie falls apart," said Fargeat.

Moore "took the risk to follow the vision of the movie... that's very, very brave and courageous," she said.

- Oscars race -

With the Globes win, more attention will come to "The Substance" -- both from wider audiences, and Oscars voters, who are picking their final nominees on ballots due this week.

Fargeat herself could earn nods for best director and best original screenplay, and "The Substance" is tipped by many pundits to make the best picture list.

But few would now bet against Moore for best actress.

"From the beginning, I believed that this can happen," said Fargeat. "That's what cinema is about -- creating things that people are not expecting."

"I'm just immensely proud to have created this part."