'So Much Joy': Brazil Holds First Carnival since Covid

After being canceled in 2021 and delayed in 2022 due to the coronavirus pandemic, Rio de Janeiro's famous and flamboyant carnival is back. Mauro PIMENTEL AFP
After being canceled in 2021 and delayed in 2022 due to the coronavirus pandemic, Rio de Janeiro's famous and flamboyant carnival is back. Mauro PIMENTEL AFP
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'So Much Joy': Brazil Holds First Carnival since Covid

After being canceled in 2021 and delayed in 2022 due to the coronavirus pandemic, Rio de Janeiro's famous and flamboyant carnival is back. Mauro PIMENTEL AFP
After being canceled in 2021 and delayed in 2022 due to the coronavirus pandemic, Rio de Janeiro's famous and flamboyant carnival is back. Mauro PIMENTEL AFP

Rio de Janeiro's carnival, a glittering, sequin-studded festival of the flesh, exploded back to life Friday with the first famed samba school parades since Covid-19 started devastating Brazil.

After two long years, a flood of dancers and drummers reclaimed the iconic beach city's "Sambadrome," its dedicated carnival parade venue, which had been turned into a drive-through vaccination center at the height of the health crisis, reported AFP.

The all-night parades by the city's top samba schools Friday and Saturday nights are the first since February 2020, marking a turning point for hard-hit Brazil, where Covid-19 has claimed more than 660,000 lives, second only to the United States.

"I'm just so happy. I think a lot of people are going to cry when the parades start, including me," said Ana Vieira, a 48-year-old geography teacher, who was dressed in a giant, sparkling white costume awaiting her turn to parade for the Imperatriz samba school.

"Carnival is life. You can see the happiness on people's faces after two long years staying home and missing it," Vieira, who has been parading for 20 years, told AFP.

But the festivities took a tragic turn before they began, when an 11-year-old girl died after being injured in a horrific float accident during a lower-level samba school parade contest Wednesday night, a preview of the main event.

She was rushed to the hospital, but died Friday of her wounds, city officials said.

Tragedy also struck Rio's carnival in 2017, when two freak float accidents killed one person and injured dozens.

- 'Couldn't sleep' -
There were fears the carnival party would be axed again in 2022, after Rio authorities canceled it last year, then postponed it by two months this year from the traditional dates -- just before the Catholic season of Lent -- over fears of the omicron variant.

But with more than 75 percent of the South American country's 213 million people now fully vaccinated, the average weekly Covid-19 death toll has plunged from more than 3,000 a year ago to around 100 now -- allowing the show to go on.

All participants and the 75,000 attendees expected each night are required to present proof of vaccination.

City officials have not authorized the massive carnival street parties known as "blocos," but several smaller ones are still being held.

The pandemic left Brazilians full of "saudades" -- Portuguese for "longing" -- for carnival, a free-for-all of dancing, singing and partying at close quarters that is essentially the opposite of social distancing.

"I couldn't sleep last night, I was so excited," said Rita Marcelino, who was dancing the samba as she prepared to parade in an elaborate African costume.

"I was waking up every two minutes," said the 62-year-old domestic worker, who lost her job and "many" friends and family members to the pandemic.

- 'Two years of darkness' -
Each samba school in the competition has 60 to 70 minutes to tell a story in music and dance, to be evaluated on nine criteria by the jury.

The reigning champions, Viradouro, chose as their theme Rio's epic 1919 carnival -- the first celebrated after the devastation of another pandemic, the Spanish flu.

"No sadness can withstand so much joy," says their samba theme song.

Other schools picked themes charged with social messages, with Brazil facing divisive elections in October expected to pit far-right President Jair Bolsonaro against leftist ex-leader Luiz Inacio Lula da Silva.

Of the 12 schools, eight chose themes dealing with racism or Afro-Brazilian history, loaded issues in a country where the current president has faced frequent accusations of racism.

Their samba songs include treatments of the Black Lives Matter protests; tributes to two "orixas," or deities, of Afro-Brazilian religion; and celebrations of black samba singers.

Carnival should also provide some needed relief for the pandemic-battered economy.

Beyond the swirl of floats, feathers and barely covered flesh, carnival is big business, moving some four billion reais ($800 million) and creating at least 45,000 jobs, according to official figures.

Participants were just happy the party was back.

"We've had two years of so much darkness in the world," said Latino Suarez, 45, who traveled from Sao Paulo to parade.

"Brazil without carnival isn't Brazil. It's part of who we are."



‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
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‘Comeback’ Queen Demi Moore ‘Has Always Been Here,’ Says Director

US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)
US actress Demi Moore poses with the Best Performance by a Female Actor in a Motion Picture – Musical or Comedy award for "The Substance" in the press room during the 82nd annual Golden Globe Awards at the Beverly Hilton hotel in Beverly Hills, California, on January 5, 2025. (AFP)

Demi Moore's Golden Globe best actress win for "The Substance" has, almost overnight, transformed the 1990s megastar into a seemingly unlikely favorite for the Oscars.

In her acceptance speech Sunday, the 62-year-old -- who once generated headlines as much for her love life as for her hit films -- said she had long been dismissed as a "popcorn actress," and had never "won anything as an actor."

But for Coralie Fargeat, the French director who also wrote Moore's new, blood-drenched body horror film, there is nothing surprising about the late-career reappraisal her leading lady is now enjoying.

"It was so moving to see Demi on that stage," Fargeat told AFP, the morning after Moore's big win.

The movie allowed audiences "to see who she is as an actress, and not project any more the stereotype that if you're beautiful, you can't be a good actress."

"It is being called a comeback. But she has always been here," Fargeat added.

Society's obsession with pigeonholing and pinning expiration dates on women is the core premise of "The Substance."

In the film, globally distributed by MUBI, Moore's character Elisabeth is a fading movie star, who is abruptly fired from her hit TV fitness show as she turns 50.

Out of desperation, she injects herself with a mysterious serum which allows her to live in a younger version of her body -- as long as she returns to her older form every week.

Inevitably, the allure of remaining young proves too strong, especially after Elisabeth's stunningly youthful alter ego is catapulted to fame by creepy male executives.

- 'Dream' -

Fargeat had long been a fan of Moore's acting work, which included hits like "Indecent Proposal" and "Ghost," as well as more divisive fare like "G.I. Jane."

"I could like or not like the movies, but I think she always delivered pretty great performances," said the director.

But Moore's real-life career also incarnated "this iconic star" represented by her character in "The Substance."

"Someone who has been totally valued for this dream, this fake promise that if you're young, beautiful, you're going to be happy and successful," said Fargeat.

"And when this goes away, it's like all your life is going away."

Even so, Moore's pitch-perfect casting as Elisabeth nearly did not happen.

Fargeat at first assumed Moore would not be interested in a role requiring countless, grotesque scenes of gore and decay.

But the director picked up a copy of Moore's 2019 memoir "Inside Out," which laid bare the actor's battles with ageism and misogyny, as well as addiction, abuse and very public divorces.

"When I read her book, I really saw that she was ready to take the level of risk that the movie requested," said Fargeat.

"The film is really about women's bodies. I wanted to tell my stories [in] the flesh," recalled Fargeat.

Fargeat also admits she was a demanding and meticulous director on set, requiring "a lot of takes."

Moore has spoken about losing 20 pounds (nine kilos) and contracting shingles due to the intense strain of filming, while co-star Margaret Qualley described being in the movie's prosthetic suits as "torture" that triggered panic attacks.

"If the lead performance isn't ready to go that far, the whole movie falls apart," said Fargeat.

Moore "took the risk to follow the vision of the movie... that's very, very brave and courageous," she said.

- Oscars race -

With the Globes win, more attention will come to "The Substance" -- both from wider audiences, and Oscars voters, who are picking their final nominees on ballots due this week.

Fargeat herself could earn nods for best director and best original screenplay, and "The Substance" is tipped by many pundits to make the best picture list.

But few would now bet against Moore for best actress.

"From the beginning, I believed that this can happen," said Fargeat. "That's what cinema is about -- creating things that people are not expecting."

"I'm just immensely proud to have created this part."