'So Much Joy': Brazil Holds First Carnival since Covid

After being canceled in 2021 and delayed in 2022 due to the coronavirus pandemic, Rio de Janeiro's famous and flamboyant carnival is back. Mauro PIMENTEL AFP
After being canceled in 2021 and delayed in 2022 due to the coronavirus pandemic, Rio de Janeiro's famous and flamboyant carnival is back. Mauro PIMENTEL AFP
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'So Much Joy': Brazil Holds First Carnival since Covid

After being canceled in 2021 and delayed in 2022 due to the coronavirus pandemic, Rio de Janeiro's famous and flamboyant carnival is back. Mauro PIMENTEL AFP
After being canceled in 2021 and delayed in 2022 due to the coronavirus pandemic, Rio de Janeiro's famous and flamboyant carnival is back. Mauro PIMENTEL AFP

Rio de Janeiro's carnival, a glittering, sequin-studded festival of the flesh, exploded back to life Friday with the first famed samba school parades since Covid-19 started devastating Brazil.

After two long years, a flood of dancers and drummers reclaimed the iconic beach city's "Sambadrome," its dedicated carnival parade venue, which had been turned into a drive-through vaccination center at the height of the health crisis, reported AFP.

The all-night parades by the city's top samba schools Friday and Saturday nights are the first since February 2020, marking a turning point for hard-hit Brazil, where Covid-19 has claimed more than 660,000 lives, second only to the United States.

"I'm just so happy. I think a lot of people are going to cry when the parades start, including me," said Ana Vieira, a 48-year-old geography teacher, who was dressed in a giant, sparkling white costume awaiting her turn to parade for the Imperatriz samba school.

"Carnival is life. You can see the happiness on people's faces after two long years staying home and missing it," Vieira, who has been parading for 20 years, told AFP.

But the festivities took a tragic turn before they began, when an 11-year-old girl died after being injured in a horrific float accident during a lower-level samba school parade contest Wednesday night, a preview of the main event.

She was rushed to the hospital, but died Friday of her wounds, city officials said.

Tragedy also struck Rio's carnival in 2017, when two freak float accidents killed one person and injured dozens.

- 'Couldn't sleep' -
There were fears the carnival party would be axed again in 2022, after Rio authorities canceled it last year, then postponed it by two months this year from the traditional dates -- just before the Catholic season of Lent -- over fears of the omicron variant.

But with more than 75 percent of the South American country's 213 million people now fully vaccinated, the average weekly Covid-19 death toll has plunged from more than 3,000 a year ago to around 100 now -- allowing the show to go on.

All participants and the 75,000 attendees expected each night are required to present proof of vaccination.

City officials have not authorized the massive carnival street parties known as "blocos," but several smaller ones are still being held.

The pandemic left Brazilians full of "saudades" -- Portuguese for "longing" -- for carnival, a free-for-all of dancing, singing and partying at close quarters that is essentially the opposite of social distancing.

"I couldn't sleep last night, I was so excited," said Rita Marcelino, who was dancing the samba as she prepared to parade in an elaborate African costume.

"I was waking up every two minutes," said the 62-year-old domestic worker, who lost her job and "many" friends and family members to the pandemic.

- 'Two years of darkness' -
Each samba school in the competition has 60 to 70 minutes to tell a story in music and dance, to be evaluated on nine criteria by the jury.

The reigning champions, Viradouro, chose as their theme Rio's epic 1919 carnival -- the first celebrated after the devastation of another pandemic, the Spanish flu.

"No sadness can withstand so much joy," says their samba theme song.

Other schools picked themes charged with social messages, with Brazil facing divisive elections in October expected to pit far-right President Jair Bolsonaro against leftist ex-leader Luiz Inacio Lula da Silva.

Of the 12 schools, eight chose themes dealing with racism or Afro-Brazilian history, loaded issues in a country where the current president has faced frequent accusations of racism.

Their samba songs include treatments of the Black Lives Matter protests; tributes to two "orixas," or deities, of Afro-Brazilian religion; and celebrations of black samba singers.

Carnival should also provide some needed relief for the pandemic-battered economy.

Beyond the swirl of floats, feathers and barely covered flesh, carnival is big business, moving some four billion reais ($800 million) and creating at least 45,000 jobs, according to official figures.

Participants were just happy the party was back.

"We've had two years of so much darkness in the world," said Latino Suarez, 45, who traveled from Sao Paulo to parade.

"Brazil without carnival isn't Brazil. It's part of who we are."



‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
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‘Mufasa’ and ‘Sonic 3’ Rule First Weekend of 2025

Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)
Director Barry Jenkins at the premiere of "Mufasa: The Lion King." (AFP via Getty Images)

The Walt Disney Co.’s “Mufasa” claimed the No. 1 spot on the North American box office charts over the first weekend of 2025.

The photorealistic “Lion King” prequel earned $23.8 million in its third weekend, according to studio estimates Sunday. Paramount’s “Sonic the Hedgehog 3,” which has dominated the past two weekends, wasn’t far behind.

“Sonic 3” stayed close with a 3-day estimate of $21.2 million, bringing its total domestic earnings to $187.5 million and helping the overall franchise cross $1 billion worldwide. “Mufasa’s” running total is slightly less, with $169.2 million.

In third place, Focus Features’ “Nosferatu” remake defied the fate of so many of its genre predecessors and fell only 39% in its second weekend. Horror films typically fall sharply after the first weekend and anything less than a 50% decline is notable.

“Nosferatu,” which added 140 screens, claimed $13.2 million in ticket sales, bringing its running total to $69.4 million since its Christmas debut. The film, directed by Robert Eggers, already surpassed its reported production budget of $50 million, though that figure does not account for marketing and promotion expenses).

No new wide releases opened this weekend, leaving the box office top 10 once again to holdovers from previous weeks. Several have been in theaters since Thanksgiving. One of those, “Moana 2,” claimed the No. 4 spot for Disney in its sixth weekend in theaters. The animated sequel earned another $12.4 million, bumping its global total to $960.5 million.

The Bob Dylan biopic “A Complete Unknown,” dipped only slightly in its second weekend, bringing in $8.1 million. With $41.7 million total, it's Searchlight's highest grossing film since Disney acquired the company in 2019.

A24’s drama “Babygirl," which added 49 locations, held steady at $4.5 million.

Another Thanksgiving leftover, “Wicked,” rounded out the top five. Universal’s movie musical was made available to purchase on VOD on Jan. 31, but still earned another $10.2 million from theaters. The movie is up for several awards at Sunday’s Golden Globes, including nominations for Cynthia Erivo, Ariana Grande, best motion picture musical or comedy and “cinematic and box office achievement,” which last year went to “Barbie.”

Also in theaters this weekend was the IMAX re-release of David Fincher’s 4K restoration of “Seven,” which earned just over $1 million from 200 locations.

The 2025 box office year is already off to a better start than 2024, up around 20% from the same weekend last year.