Sisi Inaugurates Al-Hussein Mosque after Renovation

Egyptian President Abdel Fattah el-Sisi inaugurated the Imam Hussein Mosque in central Cairo
Egyptian President Abdel Fattah el-Sisi inaugurated the Imam Hussein Mosque in central Cairo
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Sisi Inaugurates Al-Hussein Mosque after Renovation

Egyptian President Abdel Fattah el-Sisi inaugurated the Imam Hussein Mosque in central Cairo
Egyptian President Abdel Fattah el-Sisi inaugurated the Imam Hussein Mosque in central Cairo

After 21 days of non-stop work, Egyptian President Abdel Fattah el-Sisi inaugurated the Imam Hussein Mosque in central Cairo. The mosque has recovered its charm as one of the most prestigious, historic, and religious landmarks in Egypt following a renovation project that cost 150 million Egyptian pounds (1$-18.5 Egyptian pound).

Accompanied by Sultan of the Bohra sect in India Mufaddal Seif Al-Din, Sisi visited the mosque and examined the renovations including the new cabin in the Imam Hussein shrine.

“The development of the Imam Hussein Mosque came in light of the president’s directives to restore the shrines of Ahl al-Bayt including the tombs of Imam Hussein, Sayyida Nafisa, and Sayyida Zaynab. The renovations included repairing the interior halls of the mosques and their architectural decorations, along with developing services and facilities surrounding the sites including roads, squares, and entrances leading to them. This project aims at supporting the government’s efforts to develop the historic sites in the capital,” said Presidential Spokesperson Ambassador Bassam Rady in a statement.

The project kicked off in mid-March. The mosque was closed and the renovations were launched based on a protocol signed in December with the Ministry of Awqaf, syndicate of Al Ashraf, the Sufi Association, and Mawadda association for the development and embellishment of the Imam Hussein Mosque. According to the protocol, the Masajid Development Foundation pledged to fund the project with 150 million Egyptian pounds.

Sisi and the accompanying delegation started their visit with prayers, and then examined the Imam Hussein Shrine where he read Al Fatiha. Then, he visited the chamber featuring the memorabilia of the Prophet Muhammad including hair strands, kohl tool, a sword and a cane, in addition to a Quran written by Imam Ali on deer leather, comprising 501 pages and weighing 4.5 kg.

The project manager briefed the president on the renovation, saying “the development works were accomplished in a record time. They took 21 days with the participation of 300 workers. The works included restoring walls, replacing damaged parts, selecting colors matching the historic columns, painting over 4,000 square meters of ceilings, changing electricity grid and improving its efficiency, equipping the mosque with a central cooling system, replacing the lightning and sound systems, expanding women’s praying space to accommodate 450 instead of 85, adding an external space that accommodates 3,000 worshipers, building a fence featuring six entrance gates and four parking gates, and adding a Qibla in the external space and a stage for Eid prayers.”

The president assured that ‘the landmark was preserved during the project,” stressing that “all the works were implemented in coordination with the ministry of tourism and antiquities.” For his part, the project manager emphasized that “all the implemented works were executed in coordination with the ministry, even the controversial restoration of the dome and its improved air conditioning system.”

The restoration of the Imam Hussein Mosque sparked some controversy over the past weeks. Archeologists and heritage advocates shared photos of the projects on social media and criticized equipping the dome with an air conditioner, and constructing a wall around the mosque for fear of “affecting the historic identity of the mosque.” The closure of the mosque before the Holy Month was also criticized, which prompted the ministry of Awqaf to reopen it for prayers as of the beginning of Ramadan.

“According to historic writings, the head of Imam Hussein ibn Ali ibin Abi Talib was transferred from Ashkelon to Cairo, on 8 Jumada al-Thani in 548 AH/1153 AD. It was carried in a cellar to the Emerald Palace, then it was buried in the Mashhad Dome, which was constructed for this purpose in 549 AH (1154 AD). When Saladin took the rule of Egypt in 1171 AD, he built a school near the dome, which was later turned into the current Imam Hussein Mosque,” said Dr. Abdullah Kamel, professor of Islamic antiquities, told Asharq Al-Awsat.

“In 1235 AD, Abu Al Kassem bin Yahya bin Nasser al-Sukari, launched the construction of a minaret that was completed in 1236. It’s a decorated gypsum minaret above the green door, dating to the Fatimid Caliphate, and it was constantly renewed and maintained. The current mosque was built during the rule of Isma'il Pasha. It took 10 years and was completed in 1873. The area of the mosque was expanded from 1,550 meters to 1,840 meters in the 1950s,” Kamel added.

Ambassador Rady hailed “the appreciated efforts of Sultan of the Bohra sect to renovate and restore the shrines of Ahl Al Bayt and other historic mosques in Egypt, in addition to contributing to various charity works such as supporting the ‘Tahya Masr Fund’.”

Egypt has built great ties with the Bohra sect. Over the past years, the Egyptian president and Bohra Sultan met several times: in August 2014, July 2019, and in 2018. During each of the three meetings, Sultan Mufaddal Seif Al-Din donated 10 million Egyptian pounds to the ‘Tahya Masr Fund’, according to official reports.



Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
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Coffee Regions Hit by Extra Days of Extreme Heat, Say Scientists 

17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)
17 April 2012, North Rhine-Westphalia, Vluyn: A general view of Arabica Coffee beans. (dpa)

The world's main coffee-growing regions are roasting under additional days of climate change-driven heat every year, threatening harvests and contributing to higher prices, researchers said Wednesday.

An analysis found that there were 47 extra days of harmful heat per year on average in 25 countries representing nearly all global coffee production between 2021 and 2025, according to independent research group Climate Central.

Brazil, Vietnam, Colombia, Ethiopia and Indonesia -- which supply 75 percent of the world's coffee -- experienced on average 57 additional days of temperatures exceeding the threshold of 30C.

"Climate change is coming for our coffee. Nearly every major coffee-producing country is now experiencing more days of extreme heat that can harm coffee plants, reduce yields, and affect quality," said Kristina Dahl, Climate Central's vice president for science.

"In time, these impacts may ripple outward from farms to consumers, right into the quality and cost of your daily brew," Dahl said in a statement.

US tariffs on imports from Brazil, which supplies a third of coffee consumed in the United States, contributed to higher prices this past year, Climate Central said.

But extreme weather in the world's coffee-growing regions is "at least partly to blame" for the recent surge in prices, it added.

Coffee cultivation needs optimal temperatures and rainfall to thrive.

Temperatures above 30C are "extremely harmful" to arabica coffee plants and "suboptimal" for the robusta variety, Climate Central said. Those two plant species produce the majority of the global coffee supply.

For its analysis, Climate Central estimated how many days each year would have stayed below 30C in a world without carbon pollution but instead exceeded that level in reality -- revealing the number of hot days added by climate change.

The last three years have been the hottest on record, according to climate monitors.


Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
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Dog Gives Olympics Organizers Paws for Thought

A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)
A dog wanders on the ski trail during the women's team cross country free sprint qualification event of the Milano Cortina 2026 Winter Olympic Games at Tesero Cross-Country Skiing Stadium in Lago di Tesero (Val di Fiemme), on February 18, 2026. (Photo by Anne-Christine POUJOULAT / AFP)

A dog decided he would bid for an unlikely Olympic medal on Wednesday as he joined the women's cross country team free sprint in the Milan-Cortina Games.

The dog ran onto the piste in Tesero in northern Italy and gamely, even without skis, ran behind two of the competitors, Greece's Konstantina Charalampidou and Tena Hadzic of Croatia.

He crossed the finishing line, his moment of glory curtailed as he was collared by the organizers and led away -- his owner no doubt will have a bone to pick with him when they are reunited.


Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
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Olives, Opera and a Climate-Neutral Goal: How a Mural in Greece Won ‘Best in the World’ 

A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 
A building with the mural entitled “Kalamata” depicting opera legend Maria Callas by artist Kleomenis Kostopoulos is seen in Kalamata town, about 240 kilometers (150 miles) southwest of Athens, Monday, Feb. 9, 2026. (AP) 

Long known for its olives and seaside charm, the southern Greek city of Kalamata has found itself in the spotlight thanks to a towering mural that reimagines legendary soprano Maria Callas as an allegory for the city itself.

The massive artwork on the side of a prominent building in the city center has been named 2025’s “Best Mural of the World” by Street Art Cities, a global platform celebrating street art.

Residents of Kalamata, approximately 240 kilometers (150 miles) southwest of Athens, cultivate the world-renowned olives, figs and grapes that feature prominently on the mural.

That was precisely the point.

Vassilis Papaefstathiou, deputy mayor of strategic planning and climate neutrality, explained Kalamata is one of the few Greek cities with the ambitious goal of becoming climate-neutral by 2030. He and other city leaders wanted a way to make abstract concepts, including sustainable development, agri-food initiatives, and local economic growth, more tangible for the city’s nearly 73,000 residents.

That’s how the idea of a massive mural in a public space was born.

“We wanted it to reflect a very clear and distinct message of what sustainable development means for a regional city such as Kalamata,” Papaefstathiou said. “We wanted to create an image that combines the humble products of the land, such as olives and olive oil — which, let’s be honest, are famous all over the world and have put Kalamata on the map — with the high-level art.”

“By bringing together what is very elevated with ... the humbleness of the land, our aim was to empower the people and, in doing so, strengthen their identity. We want them to be proud to be Kalamatians.”

Southern Greece has faced heatwaves, droughts and wildfires in recent years, all of which affect the olive groves on which the region’s economy is hugely dependent.

The image chosen to represent the city was Maria Callas, widely hailed as one of the greatest opera singers of the 20th century and revered in Greece as a national cultural symbol. She may have been born in New York to Greek immigrant parents, but her father came from a village south of Kalamata. For locals, she is one of their own.

This connection is also reflected in practice: the alumni association at Kalamata’s music school is named for Callas, and the cultural center houses an exhibition dedicated to her, which includes letters from her personal archive.

Artist Kleomenis Kostopoulos, 52, said the mural “is not actually called ‘Maria Callas,’ but ‘Kalamata’ and my attempt was to paint Kalamata (the city) allegorically.”

Rather than portraying a stylized image of the diva, Kostopoulos said he aimed for a more grounded and human depiction. He incorporated elements that connect the people to their land: tree branches — which he considers the above-ground extension of roots — birds native to the area, and the well-known agricultural products.

“The dress I create on Maria Callas in ‘Kalamata’ is essentially all of this, all of this bloom, all of this fruition,” he said. “The blessed land that Kalamata itself has ... is where all of these elements of nature come from.”

Creating the mural was no small feat. Kostopoulos said it took around two weeks of actual work spread over a month due to bad weather. He primarily used brushes but also incorporated spray paint and a cherry-picker to reach all edges of the massive wall.

Papaefstathiou, the deputy mayor, said the mural has become a focal point.

“We believe this mural has helped us significantly in many ways, including in strengthening the city’s promotion as a tourist destination,” he said.

Beyond tourism, the mural has sparked conversations about art in public spaces. More building owners in Kalamata have already expressed interest in hosting murals.

“All of us — residents, and I personally — feel immense pride,” said tourism educator Dimitra Kourmouli.

Kostopoulos said he hopes the award will have a wider impact on the art community and make public art more visible in Greece.

“We see that such modern interventions in public space bring tremendous cultural, social, educational and economic benefits to a place,” he said. “These are good springboards to start nice conversations that I hope someday will happen in our country, as well.”